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King, B. B.

Overview
Works: 1,983 works in 4,260 publications in 6 languages and 52,907 library holdings
Genres: Blues (Music)  Biography  Documentary films  Nonfiction films  Blues-rock music  Country music  Popular music  Rhythm and blues music  Soul music  Juvenile works 
Roles: Performer, Author, Instrumentalist, Composer, Interviewee, Singer, Commentator, Other, Lyricist, Musician, Author of introduction, Actor, Narrator, Host
Classifications: ML420.K473, 782.421643
Publication Timeline
Key
Publications about B. B King
Publications by B. B King
Publications by B. B King, published posthumously.
Most widely held works by B. B King
Live at the Regal by B. B King( Sound Recording )
69 editions published between 1964 and 2015 in 3 languages and held by 1,151 libraries worldwide
Recorded at his live performance at Cook County Jail, this album is one of B.B. King's most noted and unusual gigs
Genius loves company by Ray Charles( Sound Recording )
10 editions published in 2004 in English and No Linguistic Content and held by 1,085 libraries worldwide
Enhanced CD. Program notes included. Ray Charles, vocals and piano; in duets with various performers
The best of B.B. King by B. B King( Sound Recording )
98 editions published between 1972 and 2008 in 5 languages and held by 921 libraries worldwide
Riding with the King by B. B King( Sound Recording )
32 editions published between 2000 and 2015 in 5 languages and held by 899 libraries worldwide
The collaboration between rock and blues legends Eric Clapton and B.B. King includes signature songs such as Three O'Clock Blues; Help the Poor; and more
One kind favor by B. B King( Sound Recording )
22 editions published in 2008 in 4 languages and held by 739 libraries worldwide
One of the greatest and most respected blues guitarists presents a mixture of old blues covers from his early influences, which is meant to sound similar to his recordings from the 1950s
Play [the guitar album] by Brad Paisley( Sound Recording )
5 editions published in 2008 in English and held by 695 libraries worldwide
Paisley's seventh studio album is his first instrumental album. Features a variety of music styles, including jazz and heavy metal, as well as guests such as Keith Urban, Buck Owens, and B.B. King
The best of 1980-1990 by U2 (Musical group)( Sound Recording )
9 editions published between 1998 and 2009 in English and Undetermined and held by 634 libraries worldwide
This album spans the decade and reaches back to 1980's I Will Follow, and follows the group's path throughout the decade to their most dazzling 1988's magnified Rattle and Hum
John Henry ( visu )
8 editions published between 1991 and 2007 in English and held by 629 libraries worldwide
Tells the legend of John Henry, the mightiest, doggone greatest nation builder the country's ever seen, who single-handedly defeats the steam drill in a steel-driving competition
Complete Clapton by Eric Clapton( Sound Recording )
4 editions published between 1966 and 2007 in English and held by 582 libraries worldwide
For the first time, Eric Clapton's complete career, from Cream to his solo work, is chronicled in one greatest hits collection. Included are such rock classics as I Feel Free; Layla; Tears in Heaven; and more
Blues on the bayou by B. B King( Sound Recording )
22 editions published between 1998 and 2006 in 4 languages and held by 558 libraries worldwide
Living proof by Buddy Guy( Sound Recording )
6 editions published in 2010 in English and held by 547 libraries worldwide
Features special guests B.B. King and Carlos Santana. The first single, Stay Around a Little Longer, finds Buddy working the first time with the legendary B.B King on a studio release
Playin' with my friends Bennett sings the blues by Tony Bennett( Sound Recording )
11 editions published between 2001 and 2011 in 3 languages and held by 541 libraries worldwide
New millennium blues party ( Sound Recording )
1 edition published in 2000 in English and held by 535 libraries worldwide
80 by B. B King( Sound Recording )
14 editions published in 2005 in English and No Linguistic Content and held by 527 libraries worldwide
When we were kings by Leon Gast( visu )
18 editions published between 1996 and 2009 in 3 languages and held by 519 libraries worldwide
It's 1974, Muhammed Ali is 32 and thought by many to be past his prime. George Forman is ten years younger and the Heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a backer in Mobutu Sese Suko, the dictator of Zaire and the "Rumble in the Jungle" is set. A musical festival, featuring the America's top black performers, like James Brown and B.B. King, is also planned
Deuces wild by B. B King( Sound Recording )
25 editions published between 1172 and 2015 in 4 languages and held by 510 libraries worldwide
Lightning in a bottle ( visu )
6 editions published between 2004 and 2005 in English and held by 486 libraries worldwide
More than 50 musicians gather in New York City to celebrate 100 years of the blues in this Blues Music Foundation benefit concert
Memphis blues by Cyndi Lauper( Sound Recording )
8 editions published in 2010 in English and held by 477 libraries worldwide
"3 out of 4... Lauper freshens up even a much-worn blues..."--USA Today
Blue moo 17 jukebox hits from way back never by Sandra Boynton( Sound Recording )
2 editions published in 2008 in English and held by 471 libraries worldwide
Grammy-nominated Sandra Boynton's 2008 release is her first since 2004's Philadelphia Chickens. It recreates the fabulous jukebox era with a stack of tunes written by Boynton and her songwriting partner, Michael Ford
Last man standing by Jerry Lee Lewis( Sound Recording )
10 editions published between 2006 and 2009 in 3 languages and held by 465 libraries worldwide
It often seems like there are only two ways for rock, country, and blues veterans to launch comebacks when they're senior citizens: confront mortality head on or surround yourself with superstar guests to help carry you through a half-hearted stroll through your back catalog, scattering a few new tunes along the way. At first glance, Jerry Lee Lewis' Last Man Standing seems to fall into both categories: the title suggests that Jerry Lee is in the mood to take a long look back, and certainly the very concept of the album -- pairing Lewis with 21 other stars for a succession of duets, often on material that his guests either wrote or made famous -- seems like a typical superstar duet record. But the Killer has never been predictable, and nowhere is that truer than it is here, where Jerry Lee treats Mick Jagger, Keith Richards, John Fogerty, Bruce Springsteen, Jimmy Page, and 16 other stars as he treated the Nashville Teens at {the Star Club in 1964 -- as game amateurs who have to sprint to keep up with the master. This is the only guest-studded superstar album where all the guests bend to the will of the main act, who dominates the proceedings in every conceivable way. Jerry Lee doesn't just run the guests ragged; he turns their songs inside out, too -- and nowhere is that clearer than on the opening "Rock and Roll," the Led Zeppelin classic that is now stripped of its signature riff and sounds as if it were a lost gem dug out of the Sun vaults. Far from struggling with this, Jimmy Page embraces it, following the Killer as he runs off on his own course -- he turns into support, and the rest of other 20 guests follow suit (with the possible exception of Kid Rock, who sounds like the party guest who won't go home on an otherwise strong version of "Honky Tonk Woman"). The label might sell Last Man Standing on the backs of the duet partners -- after all, it's awful hard to drum up interest in a record by a 71-year-old man no matter how great he is, so you need a hook like superstars -- but the album by no stretch of the imagination belongs to them. This is completely Jerry Lee's show from the second that he calls out, "It's been a long time since I rock & rolled," at the beginning of the record -- and those are true words, since he hasn't rocked on record in a long, long time. Ten years ago he cut the Andy Paley-produced Young Blood, but that was a typically tasteful self-conscious comeback record; it was driven as much by the producer's conception of the artist as it was the artist himself. The opposite is true here, where the production is simple and transparent, never interfering with the performances; it has the welcome effect of making it sound like there is simply no way to tame Jerry Lee, even though he's now in his seventies. And that doesn't mean that this is merely a hard-rocking record, although "Rock and Roll," "Pink Cadillac," and "Travelin' Band" do indeed rock harder than anything he's done since the '70s -- so hard that they stand proudly next to his classic Sun records, even if they don't have the unbridled fire of those peerless sides. No, this album touches on everything that Jerry Lee has done musically through his career, as the furious rock & roll is balanced by pure hardcore country, piledriving boogie-woogie, rambling blues, old-timey folk songs, and, especially, reinterpretations of familiar songs that are so thoroughly reimagined they seem like they were written specifically for Jerry Lee. And he does this the same way he's always done it: by singing and playing the hell out of the songs. His phrasing remains original and unpredictable, twisting phrases in unexpected ways -- and, yes, throwing his name into the mix frequently, too -- and his piano is equally vigorous and vital. This is a record that stays true to his music, and in doing so, it's not so much a comeback as it is a summation: a final testament from a true American original, one that explains exactly why he's important. But that makes Last Man Standing sound too serious, as if it were one of those self-consciously morbid Johnny Cash records -- no, this is a record that celebrates life, both in its joys and sorrows, and it's hard not to see it as nothing short of inspiring. Stephen Thomas Erlewine
 
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WorldCat IdentitiesRelated Identities
Alternative Names
B.B.King
B.B. King & Friends
B. B. King 1925-...
B. B. King americký hudebník
B. B. King americký hudobník
B.B. King Amerikaans zanger
B.B. King Amerikano nga umiiweng iti blues, kumakanta, ken gitarista
B.B. King amerykański muzyk bluesowy, gitarzysta i wokalista
B.B. King and Friends
B.B. King chitarrista e cantante statunitense
B. B. King guitarrista y compositor estadounidense de blues
B.B. King Medley
B. B. King musicien de blues américain
B. B. King US-amerikanischer Bluesmusiker
B. B. King Αμερικανός μπλουζ κιθαρίστας και τραγουδοποιός
B. B. Kings
B.B. Kinq
B.B.キング
B·B·金
BB King
BB. King & Friends
BB King 1925-...
BB King 1925-2015
BB King and Friends
Blues Boy 1925-
Blues Boy 1925-2015
King, B.B.
King, B.B. 1925-2015
King, B. B. 1925- Blues Boy
King, B. B., Blues Boy 1925-2015
King, Blues Boy.
King, Blues Boy 1915-
King, Blues Boy 1925-...
King Blues Boy 1925-2015
King, R. B. 1925-
King, R. B. (Riley B.), 1925-
King, Riley
King, Riley 1925-
King, Riley 1925-2015
King, Riley B.
King, Riley B. 1915-
King, Riley B. 1925-...
King, Riley B. 1925-2015
King, Riley B. "Blues Boy"
King, Riley B. "Blues Boy" 1925-...
Б.Б. Кинг Амерички блуз музичар, гитариста, текстописац и певач.
Би Би Кинг
Бі Бі Кінг
Բի Բի Քինգ
בי בי קינג
بي بي كينغ
بی.بی. کینگ
บี.บี. คิง
ბი ბი კინგი
비비 킹
キング, B. B.
比·比·金
Languages
English (339)
German (14)
Spanish (2)
French (1)
Chinese (1)
Japanese (1)
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