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Emerson, Caryl

Overview
Works: 49 works in 286 publications in 5 languages and 9,452 library holdings
Genres: Criticism, interpretation, etc  History  Biography  Fiction  Literature  Drama 
Roles: Author, Editor, Translator, Other, Honoree, Author of introduction
Classifications: PG2947.B3, 891.733
Publication Timeline
Key
Publications about Caryl Emerson
Publications by Caryl Emerson
Most widely held works about Caryl Emerson
 
Most widely held works by Caryl Emerson
Speech genres and other late essays by M. M Bakhtin( Book )
43 editions published between 1986 and 2010 in English and Spanish and held by 914 libraries worldwide
"Speech Genres and Other Late Essays presents six short works from Bakhtin's Esthetics of Creative Discourse, published in Moscow in 1979. This is the last of Bakhtin's extant manuscripts published in the Soviet Union. All but one of these essays (the one on the Bildungsroman) were written in Bakhtin's later years and thus they bear the stamp of a thinker who has accumulated a huge storehouse of factual material, to which he has devoted a lifetime of analysis, reflection, and reconsideration."--Page 4 of cover
Problems of Dostoevsky's poetics by M. M Bakhtin( Book )
30 editions published between 1984 and 2009 in English and held by 812 libraries worldwide
This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature
The life of Musorgsky by Caryl Emerson( Book )
18 editions published between 1999 and 2006 in 3 languages and held by 783 libraries worldwide
"Modest Musorgsky is Russia's greatest musical dramatist. When he died in 1881 in St. Petersburg at the age of forty-two, in poverty and relative obscurity, he was known for a single opera, Boris Godunov, and a handful of eccentric "realistic" songs." "In this brief biography, Caryl Emerson amends many of the canonical interpretations of Musorgsky as "victim," "martyr," and "savage genius." If his life was tragic, it is not only because he was misunderstood but also because he was impoverished: by the Emancipation of the serfs, by the loss of his parents and by loneliness, by his impracticality and his addictions. These very deprivations were instrumental in shaping his vision and the book emphasizes the psychological and socioeconomic factors that contributed to the composer's remarkable autodidactic rise and tragic, premature end."--Jacket
Mikhail Bakhtin : creation of a prosaics by Gary Saul Morson( Book )
16 editions published between 1990 and 2008 in English and held by 712 libraries worldwide
The first hundred years of Mikhail Bakhtin by Caryl Emerson( Book )
18 editions published between 1997 and 2000 in English and held by 683 libraries worldwide
In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered during his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian "reclamation."
Boris Godunov : transpositions of a Russian theme by Caryl Emerson( Book )
7 editions published in 1986 in English and held by 494 libraries worldwide
Modest Musorgsky and Boris Godunov : myths, realities, reconsiderations by Caryl Emerson( Book )
11 editions published between 1994 and 2006 in English and held by 470 libraries worldwide
Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a new and comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an interpretive piece of scholarship
Rethinking Bakhtin : extensions and challenges ( Book )
9 editions published in 1989 in English and held by 450 libraries worldwide
The Cambridge introduction to Russian literature by Caryl Emerson( Book )
16 editions published between 2008 and 2013 in English and Undetermined and held by 418 libraries worldwide
Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries of Russian literature. Beginning with traditional Russian narratives, the book proceeds chronologically and thematically, juxtaposing literary texts from each period
Critical essays on Mikhail Bakhtin ( Book )
7 editions published in 1999 in English and held by 330 libraries worldwide
This is a collection of critical essays on Mikhail Bakhtin's works by Sergei Bocharov, Georgii Gachev, Vadim Kozhinov, Olga Sedakova, Mikhail Gasparov, Graham Pechey, and many other writers
The uncensored Boris Godunov : the case for Pushkin's original Comedy, with annotated text and translation by Chester S. L Dunning( Book )
16 editions published between 2005 and 2006 in English and held by 292 libraries worldwide
All the same the words don't go away : essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition by Caryl Emerson( Book )
10 editions published between 2010 and 2011 in English and Undetermined and held by 138 libraries worldwide
All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket
The dialogic imagination : four essays by M. M Bakhtin( Book )
33 editions published between 1981 and 2014 in English and held by 84 libraries worldwide
These essays reveal Mikhail Bakhtin (1895-1975)--known in the West largely through his studies of Rabelais and Dostoevsky--as a philosopher of language, a cultural historian, and a major theoretician of the novel.The Dialogic Imaginationpresents, in superb English translation, four selections fromVoprosy literatury i estetiki(Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another
Word, music, history : a festschrift for Caryl Emerson ( Book )
10 editions published in 2005 in 3 languages and held by 73 libraries worldwide
Boris Godunov and a poetics of transposition : Karamzin, Pushkin, Mussorgsky by Caryl Emerson( Archival Material )
3 editions published between 1982 and 1987 in English and held by 8 libraries worldwide
Bakhtin in contexts : across the disciplines ( Book )
2 editions published in 1995 in English and held by 5 libraries worldwide
The letter killers club by Sigizmund Krzhizhanovskiĭ( Book )
2 editions published between 2011 and 2012 in English and held by 4 libraries worldwide
Een hartstochtelijk lezer wordt in het Moskou van de jaren twintig van de 20e eeuw gevraagd geheime vertelsessies bij te wonen van een groep voormalige schrijvers, die papier en boeken hebben afgezworen
Media : media ( Book )
1 edition published in 1990 in English and held by 3 libraries worldwide
Boris Godunov and Other Dramatic Works. Oxford World's Classics ( file )
1 edition published in 2007 in English and held by 0 libraries worldwide
The people are silent' So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind - a lyric fairytale of despair and transformation. James E. Falen's verse translations of Pushkin's dramas are here accompanied by an Introduction by Caryl Emerson on Russia's most cosmopolitan playwright
Boris Godunov and Other Dramatic Works by Alexander Pushkin( file )
1 edition published in 2007 in English and held by 0 libraries worldwide
James E. Falen's verse translation consists of Boris Godunov, A Scene from Faust, the four Little Tragedies and Rusalka. It is accompanied by a penetrating Introduction by Caryl Emerson on Russia's most cosmopolitan playwright. - ;'The people are silent'. So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the histo
 
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Languages
English (242)
Chinese (4)
Italian (3)
Russian (2)
Spanish (1)
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