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Adderley, Cannonball

Publication Timeline
Publications about Cannonball Adderley
Publications by Cannonball Adderley
Publications by Cannonball Adderley, published posthumously.
Most widely held works about Cannonball Adderley
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Most widely held works by Cannonball Adderley
Kind of blue by Miles Davis( Sound Recording )
140 editions published between 1959 and 2016 in 6 languages and held by 2,978 libraries worldwide
The DVD incorporates Columbia staff photographer Don Hunstein's black-and-white still photography of the studio sessions, the voice of Miles at the sessions, and excerpts of radio interviews with Evans and Adderley. There are interviews with David Amram, the late Ed Bradley, Ron Carter, Jimmy Cobb, Bill Cosby, Herbie Hancock (who demonstrates "So what" at he the piano), funk-rocker Me'Shell Ndegeocello, hip-hop's Q-Tip, Carlos Santana, John Scofield, Horace Silver, and many others. It also unearths the group's entire 26 minute in-session appearance on "Robert Herridge Theatre: The sound of Miles Davis, " a CBS television program recorded in 1959 and broadcast in 1960. The documentary was produced by Nell Mulderry, directed by Chris Lenz, edited by Paul Rachman, co-produced by Ashley Kahn, and written by Michael Cuscuna
Somethin' else by Cannonball Adderley( Sound Recording )
127 editions published between 1958 and 2014 in 7 languages and held by 1,129 libraries worldwide
Una de las mejores grabaciones de la larga historia del jazz fue hecha cuando cinco de los mejores músicos de jazz, Miles Davis, Cannonball Adderly, Art Blakey, y los otros grandes, se reunieron para esta grabación. "Somethin' else" es una manera perfecta de introducir a una persona que nunca escuchó jazz, en el fantástico, complejo, mundo del jazz. Es un álbum que cada entusiasta del jazz DEBE tener en su colección
Milestones by Miles Davis( Sound Recording )
64 editions published between 1958 and 2013 in 5 languages and held by 836 libraries worldwide
What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie"--Recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
Know what I mean? by Cannonball Adderley( Sound Recording )
71 editions published between 1900 and 2014 in 5 languages and held by 504 libraries worldwide
Cannonball Adderley's soulful emoting combines with Bill Evans's equally passionate introspection for a sublime album that also feature the rhythm section from the Modern Jazz Quartet
Nancy Wilson/Cannonball Adderley by Nancy Wilson( Sound Recording )
38 editions published between 1657 and 2015 in 4 languages and held by 447 libraries worldwide
Mercy, mercy, mercy by Cannonball Adderley( Sound Recording )
32 editions published between 1966 and 2013 in 3 languages and held by 398 libraries worldwide
Things are getting better by Cannonball Adderley( Sound Recording )
48 editions published between 1958 and 2014 in 4 languages and held by 372 libraries worldwide
Jazz : the Smithsonian anthology ( Sound Recording )
1 edition published in 2010 in English and held by 325 libraries worldwide
Kung Fu ( visu )
1 edition published in 2005 in English and held by 260 libraries worldwide
Kwai Chang Caine is a Shaolin monk who is on the run after he killed the Chinese Emperor's nephew. The nephew had killed Caine's teacher in cold blood with a gun, like a coward. Caine flees to America both to escape retaliation and to search for his brother in order to settle down in this new land. However, he can not help but continually run into trouble from gunfighters and others as they oppress the innocent, while bounty hunters pursue the price on his head. Against this, he has his Kung-fu martial arts skill which proves to be devastatingly effective in this gun-dominated land
Miles Davis & John Coltrane : the complete Columbia recordings, 1955-1961 by Miles Davis( Sound Recording )
11 editions published between 2000 and 2004 in 3 languages and held by 252 libraries worldwide
Latin jazz by Papo Lucca( Sound Recording )
6 editions published between 1999 and 2007 in 3 languages and held by 239 libraries worldwide
Cannonball Adderley Sextet in New York by Cannonball Adderley Sextet( Sound Recording )
17 editions published between 1962 and 2008 in 3 languages and held by 230 libraries worldwide
Cannonball Adderley live in '63 by Cannonball Adderley( visu )
4 editions published in 2008 in No Linguistic Content and English and held by 229 libraries worldwide
One of the most highly respected alto saxophonists in the history of jazz performs live in Switzerland and Germany
Cannonball and Coltrane by Cannonball Adderley( Sound Recording )
30 editions published between 1959 and 1999 in 5 languages and held by 221 libraries worldwide
What does your world sound like? ( file )
2 editions published in 2002 in Latin and held by 212 libraries worldwide
Kind of blue by Miles Davis( score )
1 edition published in 2000 in English and held by 212 libraries worldwide
Composition du combo : saxophones (2A T), trompette, contrebasse, percussionniste, piano
Cannonball Adderley by Cannonball Adderley( Sound Recording )
36 editions published between 1978 and 2006 in 7 languages and held by 211 libraries worldwide
The wolf of Wall Street : music from the motion picture ( Sound Recording )
4 editions published in 2013 in 3 languages and held by 210 libraries worldwide
A mix of contemporary and classic tracks fills the soundtrack to director Martin Scorsese's anticipated 2013 film. Included is Sharon Jones & the Dap-Kings' take on the classic James Bond theme Goldfinger
The complete Riverside recordings by Bill Evans( Sound Recording )
8 editions published between 1987 and 2008 in 3 languages and held by 196 libraries worldwide
Cannonball Adderley's complete jazz fake book by Cannonball Adderley( score )
11 editions published between 1975 and 1979 in 3 languages and held by 26 libraries worldwide
114 melodier og 34 sange spillet af "Cannonball" Adderley
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WorldCat IdentitiesRelated Identities
Alternative Names
Adderley, Cannonball
Adderley, Cannonball, 1928-1975
Adderley, Julian.
Adderley, Julian 1928-1975
Adderley, Julian C. 1928-1975
Adderley Julian "Cannonball" 1928-1975
Adderley, Julian E. 1928-1975
Adderley, Julian Edwin.
Adderley, Julian Edwin 1928-1975
Adderley, Julian Edwin 1938-1975
Adderly, Cannonball
Adderly, Cannonball, 1928-1975
Adderly, Julian
Adderly, Julian 1928-1975
Adderly, Julian C. 1928-1975
Adderly, Julian Cannonball 1928-1975
Adderly, Julian E. 1928-1975
Buckshot La Funke 1928-1975
Cannonball 1928-1975
Cannonball Adderley Amerikaans orkestleider (1928-1975)
Cannonball Adderley amerikai dzsesszzenész, szaxofonos
Cannonball Adderley amerykański saksofonista jazzowy
Cannonball Adderley saxofonista estadounidense de jazz
Cannonball Adderley US-amerikanischer Jazz-Saxophonist
Julian Cannonball Adderley sassofonista statunitense
Julian Cannonball Adderley saxophoniste alto de jazz américain
Julian Edwin Adderley
Kenonbol Ederli
La Funke, Buckshot 1928-1975
Кеннонболл Еддерлі американський джазовий саксофоніст
Кенонбол Едерли
Кенънбол Адърли
Эддерли, Кэннонболл
קנונבול אדרלי
کننبال ادرلی
แคนนอนบอล แอดเดอร์ลีย์
캐넌볼 애덜리
English (176)
German (23)
Spanish (9)
French (3)
Japanese (2)
Latin (2)
Italian (1)
Dutch (1)
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