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Hédiguer, Max

Overview
Works: 49 works in 135 publications in 6 languages and 1,225 library holdings
Genres: Jazz  Music 
Roles: Performer, Instrumentalist
Classifications: M1366, 785.34
Publication Timeline
Key
Publications about Max Hédiguer
Publications by Max Hédiguer
Most widely held works by Max Hédiguer
Suite for flute and jazz piano by Claude Bolling( Sound Recording )
13 editions published between 1975 and 2002 in 3 languages and held by 674 libraries worldwide
Suite for violin and jazz piano by Claude Bolling( Sound Recording )
30 editions published between 1977 and 2003 in 5 languages and held by 327 libraries worldwide
Suite for flute and jazz piano by Claude Bolling( Sound Recording )
19 editions published between 1975 and 2003 in 5 languages and held by 79 libraries worldwide
Suite inspiration by Claude Bolling( Sound Recording )
2 editions published between 1974 and 1982 in No Linguistic Content and held by 20 libraries worldwide
Suite for flute and jazz piano trio ( visu )
4 editions published between 1994 and 2004 in No Linguistic Content and held by 16 libraries worldwide
A concert performance of Bolling's Suite for flute, recorded in the stunning surroundings of the rooms and gardens at the Palace of Versailles
Bolling, Suite for flute and jazz piano trio by Claude Bolling( score )
1 edition published in 2008 in English and held by 13 libraries worldwide
Conceptualisation et esthétique de l'improvisation dans le jazz : ses relations avec les systèmes musicaux, les dénominations, les nomenclatures et les notations harmoniques et mélodiques en usage by Max Hédiguer( Book )
8 editions published between 1997 and 2003 in French and held by 10 libraries worldwide
L'IMPROVISATION EST, DANS LE JAZZ, UNE VERTU CARDINALE. ON N'IMAGINE PAS UN SOLISTE DEPOURVU DE CE TALENT. LE SOLO (OU UN JEU PERSONNEL DANS L'ORCHESTRE) N'A D'EXISTENCE QU'A L'INSTANT OU LE MUSICIEN LE DEVELOPPE: SUR LA MEME DONNEE IL EN PRODUIRA ULTERIEUREMENT UN AUTRE, DIFFERENT. LES MECANISMES CREATIFS MIS EN OEUVRE LORS D'IMPROVISATIONS, S'ILS SONT LE FRUIT DE CONNAISSANCES ACQUISES, SONT AVANT TOUT DU DOMAINE D'UNE EXPRESSION INDIVIDUELLE S'EXERCANT DANS UN CADRE REGI PAR LES CODES ET CONVENTIONS CONSTITUANT LE LANGAGE PROPRE DU JAZZ. CETTE ETUDE METTRA DONC EN EVIDENCE L'EXPRESSIVITE DES ELEMENTS SUSCEPTIBLES DE FAIRE PARTIE DU BAGAGE CULTUREL DU JAZZMAN. EN AMONT LES SYSTEMES MUSICAUX FORMENT L'INFRASTRUCTURE ORGANIQUE DANS LAQUELLE INEVITABLEMENT UNE IMPROVISATION SE DEROULE. TOUT D'ABORD LE SON LUI-MEME EST DECRIT PAR L'OBSERVATION DE LA SERIE HARMONIQUE. CELA PERMET D'ABORDER L'INTERVALLE TANT SUR LE PLAN OBJECTIF, PERCEPTIF QU'EXPRESSIF. LES SYSTEMES MUSICAUX ORGANISENT LES INTERVALLES EN GAMMES CE QUI LEUR CONFERE DES SIGNIFICATIONS ET DES ROLES DETERMINES. LEUR NOMENCLATURE ET LEUR INVENTAIRE ONT UNE IMPORTANCE CAPITALE DANS LA FORMATION QUE SE DONNE UN MUSICIEN, IL PEUT AINSI S'APPUYER SUR UN TISSU SYMBOLIQUE OU CHAQUE ELEMENT EST RECONNU COMME PORTEUR DE QUALITES INTRINSEQUES. LES NOTATIONS HARMONIQUES (SPECIFIQUES DU JAZZ) LUI PERMETTENT DE COMMUNIQUER AVEC SES COLLEGUES ET D'OPTIMISER SA FORMATION AUDITIVE. DANS CETTE ETUDE LES ACCORDS-INDIVIDUS SONT, CHACUN, CARACTERISES SUR LE PLAN EXPRESSIF AVANT D'ETRE PRESENTES AU SEIN DU SYSTEME CADENTIEL. DES PRINCIPES ORIGINAUX (SUBSTITUTIONS ET ENCHAINEMENTS-TYPES) FORMENT LA BASE DU JEU HARMONICO-MELODIQUE QUE LE JAZZMAN UTILISE. LES IMPROVISATIONS SONT LE PLUS SOUVENT DES MISES EN JEU D'UNE TRAME HARMONIQUE PRE-DETERMINEE, ADAPTEE SELON L'IMAGINATION DU SOLISTE. CERTAINS MECANISMES FAVORISENT L'INTERPENETRATION DES ELEMENTS HORIZONTAUX (GAMMES) ET VERTICAUX (ACCORDS), ILS SUPPOSENT UNE CONNAISSANCE APPROFONDIE DE LEURS CHIFFRAGES RESPECTIFS. CECI CONSTITUE LA SYNTHESE, TANT POUR LE MUSICIEN QUE DANS LE CADRE DE CETTE ETUDE, ENTRE SYSTEMES MUSICAUX ET NOTATIONS PROPRES AU JAZZ. CETTE THESE S'ACHEVE, AFIN D'ILLUSTRER SON PROPOS GENERAL, PAR QUELQUES ANALYSES DE THEMES ET RELEVES D'IMPROVISATIONS
Sertão & favelas by Zelia Barbosa( Sound Recording )
1 edition published in 1995 in Spanish and held by 9 libraries worldwide
With the help of my friends 12 compositions by Claude Bolling( Sound Recording )
1 edition published in 1980 in No Linguistic Content and held by 9 libraries worldwide
With the help of my friends by Claude Bolling( Sound Recording )
1 edition published in 1993 in No Linguistic Content and held by 5 libraries worldwide
All time favorites by Claude Bolling Trio( Sound Recording )
2 editions published in 2004 in No Linguistic Content and Undetermined and held by 5 libraries worldwide
Hommage by Claude Bolling( Sound Recording )
3 editions published in 1985 in No Linguistic Content and held by 3 libraries worldwide
Slavonic dance from "Suite for violin and jazz piano trio by Claude Bolling( Sound Recording )
3 editions published in 1993 in Undetermined and German and held by 3 libraries worldwide
Brazil songs of protest by Zelia Barbosa( Sound Recording )
in Portuguese and held by 3 libraries worldwide
Suite for flute and jazz piano trio by Claude Bolling( visu )
1 edition published in 2003 in No Linguistic Content and held by 3 libraries worldwide
A concert performance of Bolling's Suite for flute, recorded in the surroundings of the rooms and gardens at the Palace of Versailles
Tribute to the piano greats 12 compositions by Claude Bolling dedicated to 12 jazz pianists : Oscar Peterson, Count Basie, Scott Joplin... [etc.] by Claude Bolling( Sound Recording )
1 edition published in 2003 in No Linguistic Content and held by 2 libraries worldwide
Suite pour flûte et piano jazz ( Sound Recording )
in Undetermined and held by 2 libraries worldwide
Romance from "Suite for violin and jazz piano trio ( Sound Recording )
in Undetermined and held by 2 libraries worldwide
Baroque and blue from "Suite for flute and jazz piano trio ( Sound Recording )
in Undetermined and held by 2 libraries worldwide
 
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WorldCat IdentitiesRelated Identities
Languages
French (11)
English (9)
German (4)
Portuguese (2)
Spanish (1)
Dutch (1)
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