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Néret, Gilles

Works: 459 works in 1,549 publications in 16 languages and 16,514 library holdings
Genres: Criticism, interpretation, etc  Biography  Pictorial works  Biography‡vPictorial works  History  Catalogs  Exhibition catalogs 
Roles: Author, Editor, Publishing director, Author of introduction, Creator, Conceptor, Contributor, Other, Interviewee, Compiler
Classifications: ND813.D3, 759.6
Publication Timeline
Publications about Gilles Néret
Publications by Gilles Néret
Publications by Gilles Néret, published posthumously.
Most widely held works by Gilles Néret
Salvador Dalí 1904-1989 by Robert Descharnes( Book )
65 editions published between 1989 and 2010 in 8 languages and held by 1,279 libraries worldwide
Works and analysis of the Spanish painter
Salvador Dalí, 1904-1989 by Gilles Néret( Book )
57 editions published between 1994 and 2013 in 6 languages and held by 934 libraries worldwide
Painter, sculptor, writer and film maker, Salvador Dalí was one of the 20th century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. This lively biography presents the infamous surrealist Dalí is full colour and in his own words
Henri Matisse by Gilles Néret( Book )
30 editions published between 1996 and 2006 in 6 languages and held by 870 libraries worldwide
De ontwikkeling en de invloeden in het werk van de Franse beeldend kunstenaar (1869-1954)
Salvador Dalí 1904-1989 : the paintings by Robert Descharnes( Book )
50 editions published between 1994 and 2013 in 7 languages and held by 803 libraries worldwide
Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century's greatest exhibitionists and eccentrics-and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dalí's public image, author Robert Descharnes is uniquely qualified to analyze Dalí-both the man and the myth
The arts of the twenties by Gilles Néret( Book )
5 editions published in 1986 in English and held by 795 libraries worldwide
Gustav Klimt, 1862-1918 by Gilles Néret( Book )
26 editions published between 1993 and 2011 in English and Serbian and held by 752 libraries worldwide
Gustav Klimt's ornate art expresses the apocalyptic atmosphere of Vienna's upper middle-class society around the turn of the 20th century - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. This book is a detailed chronological summary of the artist's life and work
Michelangelo, 1475-1564 by Gilles Néret( Book )
36 editions published between 1998 and 2013 in 6 languages and held by 728 libraries worldwide
Overview: Michelangelo between earthly passions and fear of God. During the Renaissance, several great homosexual artists-from Leonardo da Vinci and Botticelli to Michelangelo and Raphael-transformed the history of art, striving for ever closer imitation of nature while shaping it to their tastes. In their art ambiguous beings were born, half man, half woman; female breasts were planted on male busts and a young man's gaze peeped out beneath the eyelids of a Madonna. From his earliest youth Michelangelo transformed personal torment into exquisite creativity-attempting to reconcile the apparently conflicting forces that inhabited him: his earthly passions and his fear of God. Hence the peerless monuments to beauty, celestial and infernal alike, that Michelangelo raised to the glory of God. His predecessors aspired to Heaven through faith alone; Michelangelo sought absolution through the contemplative exaltation of beauty-even on the ceiling of a papal chapel: the Sistine. This exposed him to a chorus of derision from prudish critics, who accused him of exhibiting paganism in a place of religion, and who clothed his immodest Titans in painted "breeches". It was Michelangelo's curse to remain a colossus outside and apart from his time. It is the birthright of the comet to inspire fear and awe in the spectator; but the spectacle of such glory can sear the tender eye
Tamara de Lempicka, 1898-1980 by Gilles Néret( Book )
55 editions published between 1991 and 2011 in 9 languages and held by 543 libraries worldwide
La vie et l'évolution de l'art de ce peintre à travers plusieurs reproductions de ses oeuvres
Caravaggio, 1571-1610 by Gilles Lambert( Book )
27 editions published between 2000 and 2010 in 5 languages and held by 512 libraries worldwide
The life and major works of Italian painter Caravaggio
Henri de Toulouse-Lautrec, 1864-1901 by Gilles Néret( Book )
14 editions published between 1994 and 2009 in English and Italian and held by 341 libraries worldwide
Description de l'Egypte by France( Book )
29 editions published between 1994 and 2002 in 3 languages and held by 331 libraries worldwide
Reproduction des 3000 illustrations rapportées de l'expédition de Napoléon en Egypte
Auguste Rodin : erotic watercolors by Gilles Néret( Book )
19 editions published between 1994 and 2007 in English and German and held by 300 libraries worldwide
Skulpturer og tegninger af den franske kunstner Auguste Rodin
Peter Paul Rubens, 1577-1640 : the Homer of painting by Gilles Néret( Book )
6 editions published between 2004 and 2005 in English and held by 289 libraries worldwide
Eugène Delacroix : 1798-1863 : the prince of Romanticism by Gilles Néret( Book )
11 editions published between 1999 and 2005 in English and Spanish and held by 264 libraries worldwide
At Delacroix' studio sale, held six months after his death in 1864, crowds and critics were astonished at both the abundance and the multi-disciplinary nature of the work on display, the life's vision of a man praised by Baudelaire for being the last great artist of the Renaissance period and the first of the Modern. But Delacroix himself was well aware of the position he wanted to occupy. Taking his cue from Rubens in both lifestyle and visual inventiveness, he took the order of classical composition and allied it to a universally appreciated symbolic and allegorical intent, producing from that marriage works of unmatched integrity and sensuality. From the spectacular Salon reception in 1824 to a work such as the major scenes from the Chios Massacre (when the term Romantique was first applied to his style) through to the liberating and controversial carnality of The Agony in the Garden, Delacroix' genius in graphic design, in the liberation and reinvention of colour, and in the portrayal of bodies was never in doubt. His numerous sketchbooks attest to a personality committed to the most truthful results, in both his Goyaesque fantasias of horror, cruelty and sacrifice and in his huge historical canvases. Excessive, monumental, Byronic even, this Victor Hugo of the art world has proved profoundly influential, his technique studied by movements as diverse as Impressionism, Expressionism and the Abstract painters of mid-century. Leaving the self-indulgence of the Romantics far behind, the nobility of Delacroix' spirit will continue to speak to any and every age
Renoir : painter of happiness 1841-1919 by Gilles Néret( Book )
8 editions published between 2001 and 2011 in English and Spanish and held by 238 libraries worldwide
Overzicht in woord en beeld van leven en werk van de impressionistische schilder Auguste Renoir (1841-1919)
Édouard Manet : 1832-1883 : the first of the moderns by Gilles Néret( Book )
5 editions published between 2003 and 2008 in English and held by 226 libraries worldwide
Symbolism by Michael Gibson( Book )
10 editions published between 1995 and 2011 in English and held by 219 libraries worldwide
"To clothe the idea in perceptible form" proposed the poet Jean Moteas in his 1886 Manifesto of Symbolism. It was in France and Belgium, the cradles of literary Symbolism, that Symbolist painting was born. It plunged headlong into the cultural space opened up by the poetry of Baudelaire and Mallarme and by the operas of Wagner. Symbolist painters sought not to represent appearances but to express "the idea", and the imaginary therefore plays an important part in their work. "Dream", was their credo; they execrated, with a fanatical hatred, impressionism, realism, naturalism, and the scientistic. The main principle of Symbolism, that of "correspondences", was to attain harmony between all the different arts, or even to realise the total work of art (Gesamtkunstwerk) that Wagner had dreamt of creating
The Impressionists by Gilles Néret( Book )
7 editions published between 1985 and 1992 in English and held by 214 libraries worldwide
Discusses the lives and works of the painters of the 20th century who were pioneers in impressionism
Henri Matisse : cut-outs by Gilles Néret( Book )
13 editions published between 1994 and 2009 in English and French and held by 189 libraries worldwide
"Papiers découpés" (papierknipsels) van de Franse beeldend kunstenaar (1869-1954)
Twentieth-century erotic art by Gilles Néret( Book )
11 editions published between 1992 and 1998 in English and held by 182 libraries worldwide
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WorldCat IdentitiesRelated Identities
Alternative Names
Nere, Jiru 1933-2005
Nere, Žilʹ 1933-2005
Neret, Gilles
Neret, Gilles 1933-2005
ネレ, ジル
English (271)
French (60)
Spanish (47)
German (44)
Italian (24)
Polish (6)
Danish (5)
Dutch (4)
Japanese (3)
Russian (2)
Serbian (2)
Multiple languages (2)
Croatian (1)
Hebrew (1)
Hungarian (1)
Czech (1)
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