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Berg, Ulla 1932-

Overview
Works: 15 works in 28 publications in 3 languages and 33 library holdings
Genres: Interviews  Music 
Roles: Author, Videographer, Interviewer, Other, Moderator, Author of introduction
Classifications: GV464, 372.86
Publication Timeline
Key
Publications about Ulla Berg
Publications by Ulla Berg
Most widely held works by Ulla Berg
Vi tränar på matta by Ulla Berg( Book )
4 editions published between 1970 and 1979 in Swedish and held by 6 libraries worldwide
Vi tränar linor, räck och ringar ... by Ulla Berg( Book )
5 editions published between 1972 and 1976 in Swedish and Undetermined and held by 6 libraries worldwide
Balans på bom by Ulla Berg( Book )
3 editions published in 1969 in Swedish and held by 5 libraries worldwide
Vi tränar hopp by Ulla Berg( Book )
4 editions published between 1971 and 1974 in Swedish and held by 5 libraries worldwide
Interview with Renato Rosaldo ( visu )
2 editions published in 2002 in English and held by 2 libraries worldwide
Interview with Renato Rosaldo, conducted by Ulla Berg during the 3rd Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in July of 2002 in Lima, Peru under the title Globalization, Migration and the Public Sphere. Renato Rosaldo, currently a visiting professor at NYU Anthropology, was most recently a Lucie Stern Professor in the Social Sciences at Stanford University. He has done field research among the Ilongots of northern Luzon, Philippines. He spent 1975-76 at the Institute for Advanced Study, Princeton, New Jersey, and 1980-81 at the Center for Advanced Study in the Behavioral Sciences, Stanford. He published Ilongot Headhunting, 1883-1974: A Study in Society and History in 1980 and Culture and Truth: The Remaking of Social Analysis in 1989. His co-edited work, The Inca and Aztec States, 1400-1800: Anthropology and History appeared in 1982, Anthropology/Creativity appeared in 1993, and The Anthropology of Globalization in 2001. He has been conducting research on cultural citizenship in San Jose, California since 1989, and contributed the introduction and an article to Latino Cultural Citizenship: Claiming Identity, Space, and Rights, published in 1997. Professor Rosaldo has served as President of the American Ethnological Society, Director of the Stanford Center for Chicano Research, and Chair of the Department of Anthropology. He is a member of the American Academy of Arts and Sciences
Interview with Gustavo Buntinx ( visu )
1 edition published in 2003 in Spanish and held by 2 libraries worldwide
Interview with Gustavo Buntinx, conducted by Ulla Berg during the 4th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in July of 2003 in New York City, United States under the title 'Spectacles of Religiosities'. In this interview, Buntix talks about collective and civil society in Peru. Gustavo Buntinx is an art historian, critic and independent curator, and director of the Cultural Center of the Universidad Nacional Mayor de San Marcos (Peru). A graduate of Harvard University, where he studied Literature and History, he completed postgraduate studies at the Universidad de Buenos Aires. He has been professor in Art Criticism History, Latin American Art, and 20th. Century Art at the Universidad de Buenos Aires and the Universidade do São Paulo. In Lima he directed the Italian Art Museum and the Art and History Universidad de San Marcos Museum. He has been curator of more than a dozen exhibits in Peru, Uruguay and México. His essays are published in art criticism anthologies released in Europe and the US
Religious fervor and popular culture ( visu )
1 edition published in 2003 in English and held by 2 libraries worldwide
Video documentation of the 'Religious Fervor and Popular Culture' mini-seminar presented as a part of the 4th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in July of 2003 in New York City, United States under the title 'Spectacles of Religiosities'. Moderated by Ulla Berg and Alyshia Gálvez. Silvia Spitta, is Associate Professor of Spanish and Portuguese at Dartmouth College. Her field of interest ranges from contemporary and colonial Latina/o American writers, theories of transculturation, and narratives of mestizaje or miscegenation. Author of 'Between Two Waters: Literary Transculturation in Latin America', Spitta is currently working on a book titled 'Theories of Colonialism in/of the Americas' and on a project concerning the mestizo in Latin American and Latino narratives. Paper title: 'New Mexico/New Mestizo: Enacted and Otherwise'. Sylvia Molloy, Albert Schweitzer Professor of the Humanities at New York University, is one of the most influential scholars of Latin American literature and culture. She is also a prestigious fiction writer. Her novel 'En Breve Cárcel' (Barcelona: Seix Barral, 1981) has been translated into English and Portuguese. She recently finished a new novel 'El Común Olvido'. She has been the recipient of numerous honors: Presidency of the Modern Language Association, the Doctorate of Humane Letters, Tulane University, the Achievement Award for Outstanding Service to La Herencia Latina and the Latino Community, the N.E.H Fellowship and the Guggenheim Fellowship. Paper title: 'Displaying Americas: Idols and Ideology'. Vivian Martínez Tabares is a Cuban critic, researcher, editor and professor. She has published 'Teatro por el Gran Octubre', 'José Sanchís Sinisterra: Explorar las Vías del Texto Dramático', and 'Didascalias Urgentes de una Espectadora Interesada'. Her work has been compiled in theatre anthologies, and she has collaborated in specialized publications in the Americas and Europe. She is a professor at the Instituto Superior de Arte, and has lectured in several universities in Latin America and Europe. She received the 'Caribe 2000' Rockefeller Foundation fellowship at Universidad de Puerto Rico. Martínez Tabares is director of 'Conjunto' theater journal, and head of the Theater Department of Casa de las Américas, Cuba, where she organizes the Theatrical May Season
Josh Kun Border sound files ( visu )
1 edition published in 2003 in English and held by 2 libraries worldwide
Video documentation of Josh Kuns solo performance-lecture Border Sound Files presented as a part of the 4th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in July of 2003 in New York, United States under the title Spectacles of Religiosities. Border Sound Files is an hour long solo performance-lecture that mixes spoken narrative, spoken, history, and spoken critique, with a collage of sound, noise, and music. The piece focuses on the border between Southern California and Northern Mexico and explores it as a transnational field of sound, an aural border. Josh Kun is Associate Professor of English at University of Southern Californias Annenberg School for Communication, and he contributes on a regular basis to the Los Angeles Times, the New York Times, Los Angeles Magazine, the Village Voice, the San Francisco Bay Guardian and the Boston Phoenix. He is a 2000-2002 Sundance Writers Fellow whose writing has appeared in the popular press, scholarly journals, and book anthologies. He is the host of two Latin music video and culture shows (The Red Zone on MTV-Español and Rokamole on KJLA) and is a resident DJ with the US-UK-Latin America nightclub La Leche. He is the author of Audiotopia: Music, Race, and America (UC Press) which won a 2006 American Book Award
Metodik i redskap ( Book )
1 edition published in 2008 in Swedish and held by 1 library worldwide
Metodik i redskap ( Sound Recording )
1 edition published in 2005 in Swedish and held by 1 library worldwide
Metodik i redskap ( Sound Recording )
1 edition published in 2013 in Swedish and held by 1 library worldwide
Border sound files by Josh Kun( visu )
1 edition published in 2003 in English and held by 0 libraries worldwide
Border sound files is an hour long solo performance-lecture that mixes spoken narrative, spoken history and spoken critique, with a collage of sound, noise and music. The piece focuses on the border between southern California and northern Mexico and explores it as a transnational field of sound, "an aural border." Performed on July 18, 2003
Susana Baca interview ( visu )
1 edition published in 2003 in English and held by 0 libraries worldwide
Susana Baca is the foremost singer of Afro-Peruvian music. Her music, on Luaka Bop label, has promoted an awareness of the many cultural contributions of African-Peruvians. Also to this aim, she and her husband Ricardo Pereira are the founders and co-directors of the Instituto Negrocontinuo in Lima
Interview with Susana Baca ( visu )
1 edition published in 2003 in English and held by 0 libraries worldwide
Interview with Susana Baca, conducted by Ulla Berg during the 4th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in July of 2003 in New York City, United States under the title Spectacles of Religiosities. In this interview, Baca and Berg talk about the el Señor de los Milagros, a patron saint of Afro-Peruvians. Susana Baca is the foremost singer of Afro-Peruvian music. Her music, distributed by Luaka Bop record label, has promoted an awareness of the many cultural contributions of African-Peruvians. Also, to this aim, in 1992 Susana and her husband, Ricardo Pereira, founded the Instituto NegroContinuo in Lima to teach and preserve the dance and music of her ancestors. Susana Baca won a Grammy Award in 2002
Gustavo Buntinx interview ( visu )
1 edition published in 2003 in English and held by 0 libraries worldwide
Gustavo Buntinx is an art historian, critic and independent curator, and director of the Cultural Center of the Universidad Nacional Mayor de San Marcos (Peru). A graduate of Harvard University, where he studied Literature and History, he completed postgraduate studies at the Universidad de Buenos Aires. He has been professor in Art Criticism History, Latin American Art, and 20th. Century Art at the Universidad de Buenos Aires and the Universidade do São Paulo. In Lima he directed the Italian Art Museum and the Art and History Universidad de San Marcos Museum. He has been curator of more than a dozen exhibits in Perú, Uruguay and México. His essays are published in art criticism anthologies released in Europe and the US
 
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Languages
Swedish (18)
English (8)
Spanish (1)
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