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Berghaus, Günter 1953-

Overview
Works: 72 works in 298 publications in 3 languages and 6,459 library holdings
Genres: History  Criticism, interpretation, etc  Sources  Conference papers and proceedings  Art  Periodicals 
Roles: Author, Editor, Other
Publication Timeline
Key
Publications about Günter Berghaus
Publications by Günter Berghaus
Most widely held works by Günter Berghaus
International futurism in arts and literature ( file )
12 editions published between 2000 and 2012 in English and held by 906 libraries worldwide
In diesem Band wird erstmals aus interdisziplinärer und vergleichender Perspektive untersucht, wie sich der Futurismus in verschiedenen Ländern und künstlerischen Medien niedergeschlagen hat. Zwanzig Beiträger beschäftigen sich mit der Frage, wie diese Bewegung auf das Konzept einer kulturellen Avantgarde einwirkte, und wie sie darüberhinaus die Entwicklung der modernen Kunst und Literatur weltweit beeinflußte
New perspectives on prehistoric art by Günter Berghaus( file )
8 editions published in 2004 in English and held by 637 libraries worldwide
Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C.''These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists
Theatre, performance, and the historical avant-garde by Günter Berghaus( Book )
19 editions published between 2005 and 2010 in English and held by 564 libraries worldwide
This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and secondary sources in several different languages
Fascism and theatre : comparative studies on the aesthetics and politics of performance in Europe, 1925-1945 by Günter Berghaus( Book )
16 editions published between 1995 and 1996 in English and held by 536 libraries worldwide
Futurism in Eastern and Central Europe ( file )
6 editions published in 2011 in English and held by 492 libraries worldwide
New approaches to theatre studies and performance analysis : papers presented at the Colston Symposium, Bristol, 21-23 March 1997 by Günter Berghaus( file )
19 editions published between 2001 and 2011 in English and German and held by 475 libraries worldwide
This volume gathers 16 papers originally written for the occasion of the 49th Colston Symposium, held in Bristol in 1997, and substantially revised for this publication. They reflect on some of the key developments in the discipline of Theatre Studies over the past fifty years and combine this with a discussion of new trends and approaches, especially in the fields of Performance Studies, reception analysis, interculturalism, sociocultural analysis, theatre anthropology, dance and movement analysis, computer-assisted reconstruction of performance venues, street theatre, guerilla theatre, ritua
Avant-garde performance : live events and electronic technologies by Günter Berghaus( Book )
17 editions published between 2005 and 2008 in English and Chinese and held by 368 libraries worldwide
How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Gunter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance
Italian futurist theatre, 1909-1944 by Günter Berghaus( Book )
19 editions published between 1997 and 2004 in English and held by 326 libraries worldwide
Futurism and politics : between anarchist rebellion and fascist reaction, 1909-1944 by Günter Berghaus( Book )
13 editions published between 1995 and 1996 in English and held by 321 libraries worldwide
International yearbook of futurism studies 2014 by Günter Berghaus( file )
1 edition published in 2014 in English and held by 315 libraries worldwide
Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry
Theatre and film in exile : German artists in Britain, 1933-1945 ( Book )
11 editions published in 1989 in English and held by 267 libraries worldwide
Critical writings by F. T Marinetti( Book )
9 editions published between 2006 and 2008 in English and held by 259 libraries worldwide
"This volume includes more than seventy of Marinetti's most important writings - many of them translated into English for the first time - offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy."--Jacket
Die Quellen zu Andreas Gryphius' Trauerspiel "Carolus Stuardus" : Studien zur Entstehung eines historisch-politischen Märtyrerdramas der Barockzeit by Günter Berghaus( Book )
13 editions published in 1984 in German and held by 243 libraries worldwide
Futurism and the technological imagination ( Book )
10 editions published in 2009 in English and held by 161 libraries worldwide
Die Aufnahme der englischen Revolution in Deutschland : 1640-1669 by Günter Berghaus( Book )
17 editions published in 1989 in German and held by 102 libraries worldwide
The genesis of Futurism : Marinetti's early career and writings 1899-1909 by Günter Berghaus( Book )
8 editions published in 1995 in English and held by 86 libraries worldwide
International yearbook of futurism studies ( file )
14 editions published between 2011 and 2018 in English and held by 84 libraries worldwide
Volume 6 (2016) is an open issue with an emphasis on Nordic countries (Denmark, Finland, Lithuania, Estonia, Iceland). Four essays focus on Russia, two on music; other contributions are concerned with Egypt, USA and Korea. Furthermore there are sections on Futurist archives, Futurism in caricatures and Futurism in fiction
International Yearbook of Futurism Studies. Women Artists and Futurism ( file )
3 editions published in 2015 in English and held by 77 libraries worldwide
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
On ritual ( file )
5 editions published in 1998 in English and held by 73 libraries worldwide
On America will respond to the powerful presence in contemporary culture of aesthetic forms and political strategies derived from North America. Counterpointing Letters from Europe , this book will address the use and abuse of images of and from North America, the deconstruction in performance theory and practice of North American art, film and performance, and the presentation of America as genre and fiction
 
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Alternative Names
Berghaus, Gunter
Berghaus, Gunter 1953-
Languages
English (188)
German (43)
Chinese (1)
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