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Gale, Maggie B. (Maggie Barbara) 1963-

Overview
Works: 29 works in 129 publications in 1 language and 3,476 library holdings
Genres: Criticism, interpretation, etc  History  Biography  Autobiographies  Drama 
Roles: Author, Editor, Other, Publishing director
Publication Timeline
Key
Publications about Maggie B Gale
Publications by Maggie B Gale
Most widely held works by Maggie B Gale
The Cambridge companion to the actress by Maggie B Gale( Book )
22 editions published between 2007 and 2012 in English and held by 485 libraries worldwide
This volume is a collection of original essays on the cultural role of performing women on stage and on screen, throughout history and across continents. Topics covered include cross dressing, solo performance, racial constraints, recent Shakespeare, and the actress in early photography and on film
British theatre between the wars, 1918-1939 ( Book )
11 editions published between 2000 and 2007 in English and held by 459 libraries worldwide
With assessments of the representation of gender and sexuality in the theatre, this volume not only unveils hitherto neglected theatre practices but also places them in the context of a society undergoing rapid social and cultural change. It will appeal to advanced undergraduates and postgraduates and scholars interested in twentieth-century British theatre."--Jacket
The Routledge drama anthology and sourcebook : from modernism to contemporary performance by Maggie B Gale( Book )
9 editions published between 2010 and 2012 in English and held by 416 libraries worldwide
This is a compilation of the key movements in the history of modern theatre. Each of the book's parts comprises full reproductions of the plays that defined the period and key critical writings that inform and contextualise their reading
Auto/biography and identity : women, theatre, and performance ( Book )
13 editions published between 2004 and 2009 in English and held by 362 libraries worldwide
"This book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. In eleven essays it looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth century to the present day, from Emma Robinson to Tilly Wedekind, and from Lena Ashwell to Tracy Emin, testing the boundaries between gender, theatre and auto-biographical form." "Auto/biography and Identity is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. It will be of interest to the scholar, the student and the reader with a more general interest in the cultural history of theatre."--BOOK JACKET
Women, theatre, and performance : new histories, new historiographies ( Book )
13 editions published between 2000 and 2001 in English and held by 339 libraries worldwide
West End women : women and the London stage, 1918-1962 by Maggie B Gale( Book )
12 editions published between 1996 and 2012 in English and held by 334 libraries worldwide
It documents a dynamic era of social and theatrical history, analysing the transformations that occurred in the theatre and the lives of British women in relation to specific plays of the period. Focusing on the work of playwrights such as Dodie Smith, Clemence Dane, Gordon Daviot and Bridget Boland, Maggie Gale examines the cultural and political context within which they enjoyed commercial success and great notoriety
J.B. Priestley by Maggie B Gale( Book )
9 editions published in 2008 in English and held by 219 libraries worldwide
This title provides an analysis of Priestley's enormous contribution to 20th century British theatre. It unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics
Plays and performance texts by women 1880-1930 : an anthology of plays by British and American women from the modernist period ( Book )
2 editions published in 2012 in English and held by 147 libraries worldwide
"This groundbreaking anthology, part of the Women, Theatre and Performance series, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston and G.B. Stern, originally performed across commercial and amateur theatres in Britain and America. Some of the plays have remained unpublished since their original performance -- Georgina Weldon's Not Alone, Clothilde Graves' Mother of Three, Rachel Crother's Ourselves and Marie Stope's Our Ostriches. Others are anthologized here alongside plays with which they connect aesthetically and historically, for example, Edith Lyttelton's Warp and Woof, Elizabeth Robins' Votes for Women, Elizabeth Baker's Edith, Sophie Treadwell's Machinal and Aimée Stuarts' Nine Till Six. The volume, for students and scholars, provides an accessible collection of texts exemplifying the range and breadth of women's theatre writing from the 1880s to the early decades of the twentieth century."--Publisher's website
Women & theatre : occasional papers ( Book )
8 editions published between 1994 and 1997 in English and held by 34 libraries worldwide
Practitioners past and present ( Book )
1 edition published in 1992 in English and held by 4 libraries worldwide
West End women : representations of woman, the female and femininity, in plays by women on the London stage 1918-1962 by Maggie B Gale( Book )
2 editions published in 1995 in English and held by 2 libraries worldwide
Women and theatre : occasional papers ( Book )
1 edition published in 1992 in English and held by 2 libraries worldwide
From fame to obscurity : in search of Clemence Dane by Maggie B Gale( Article )
1 edition published in 2000 in English and held by 1 library worldwide
After '89 : Polish theatre and the political by Bryce Lease( file )
1 edition published in 2016 in English and held by 0 libraries worldwide
After '89 takes as its subject the dynamic new range of performance practices that have been developed since the demise of communism in the flourishing theatrical landscape of Poland. After 1989, the theatre has retained its historical role as the crucial space for debating and interrogating cultural and political identities. Providing access to scholarship and criticism not readily accessible to an English-speaking readership, this study surveys the rebirth of the theatre as a site of public intervention and social criticism since the establishment of democracy and the proliferation of theatre makers that have flaunted cultural commonplaces and begged new questions of Polish culture. Lease argues that the most significant change in performance practice after 1989 has been from opposition to the state to a more pluralistic practice that engages with marginalised identities purposefully left out of the rhetoric of freedom and independence
South African performance and archives of memory by Yvette Hutchison( file )
1 edition published in 2015 in English and held by 0 libraries worldwide
This book argues that memory functions as a key element in contemporary South African re-imagining of historical events and in constructing new definitions of national and personal identity. It compares two ways in which memory is embodied: in repertoires of practices, songs, dance, rituals, and in material archives, texts, documents, buildings
 
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Alternative Names
Gale, Maggie B. 1963-
Gale, Maggie B. 1963-20.
Gale, Maggie Barbara.
Gale, Maggie Barbara 1963-
Gale Maggie Barbara 1963-20..
Languages
English (106)
Covers
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