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Calvert, Stacey
Overview
| Works: | 118
works in
177
publications in
1
language and
161
library holdings
|
| Roles: | Dancer |
Most widely held works about
Stacey Calvert
more  fewer 
Most widely held works by
Stacey Calvert
Fanfare. [June 24, 1990(
visu
)
9
editions published
between
1989
and
1990
in
English
and held by
1
library
worldwide
The tape begins with a shot of the program for the performance. Fanfare is filmed in close shot.
In memory of ... [June 17, 1989(
visu
)
8
editions published
between
1989
and
1990
in
English
and held by
1
library
worldwide
The tape begins with a shot of the program for the performance. In memory of... is filmed in close shot.
In G major. [Feb. 24, 1990(
visu
)
7
editions published
between
1987
and
1991
in
English
and held by
1
library
worldwide
The tape begins with a shot of the program for the performance. The first and third movements of In G major are filmed in wide shot, the second movement is filmed in close shot.
Opus 19/The dreamer. [Jan. 31, 1990(
visu
)
7
editions published
between
1985
and
1990
in
English
and held by
1
library
worldwide
The tape begins with a shot of the program credits. Opus 19/The dreamer is filmed in wide shot with some closer shots of solos and pas de deux.
The cage. [Jan. 14, 1989(
visu
)
6
editions published
between
1989
and
1991
in
English
and held by
1
library
worldwide
A shot of the program credits precedes the performance. The cage is filmed in close shot. Picture quality is poor because of low lighting.
Brahms/Handel. [Jan. 13, 1991(
visu
)
4
editions published
between
1990
and
1991
in
English
and held by
1
library
worldwide
Brahms/Handel is filmed in close shot. The tape opens with a shot of the program for the performance.
Glass pieces [and] Gershwin concerto [excerpts] [rehearsals. Apr. 19, 1990(
visu
)
3
editions published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins, assisted by ballet master Bart Cook, directs consecutive rehearsals of Glass pieces and Gershwin concerto. The first session, which lasts approximately fifty minutes, includes rehearsal of the corps section of the second movement of Glass pieces (Facades), and the women's sections of the third movement (Akhnatan). The second session includes rehearsal of the corps sections of the first movement of Gershwin concerto. In both rehearsals Robbins discusses and demonstrates choreography.
Gershwin concerto. [June 27, 1990(
visu
)
3
editions published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins, assisted by ballet master Bart Cook, directs a rehearsal of Gershwin concerto. For the first thirty minutes of the tape, the second movement of Gershwin concerto is rehearsed by female corps only. On the remainder of the tape, the principals rehearse excerpts from the first movement. An alternate cast rehearses at the back of the studio. Robbins gives corrections, discusses and demonstrates choreography.
Interplay. [June 3, 1989(
visu
)
3
editions published
in
1989
in
English
and held by
1
library
worldwide
The tape begins with a shot of the program credits. Interplay is filmed in close shot.
Piano pieces [excerpts] rehearsals. [Apr. 18 and May 18, 1990(
visu
)
2
editions published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins directs rehearsals of Piano pieces. Ballet master Bart Cook assists in the rehearsal of Troika, and ballet master Susan Hendl assists in the rehearsal of Polka de salon. Robbins gives corrections and demonstrates choreography.
Piano pieces [and] Gershwin concerto [excerpts] rehearsals. [Apr. 20, 1990(
visu
)
2
editions published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins, assisted by ballet Susan Hendl, directs a rehearsal of Piano pieces. Robbins gives corrections and demonstrates choreography.
The concert [and] Fancy free [excerpts] rehearsals. [May 16, 1990(
visu
)
2
editions published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins, assisted by ballet master Christine Redpath, directs a rehearsal of excerpts from The concert. The first 23 minutes contain a rehearsal of the Mistake waltz, with many repetitions. The next 20 minutes includes several run-throughs of the opening of the ballet. Robbins gives corrections and discusses the interpretation of the choreography.
The concert [and] Quiet city. [June 26, 1991(
visu
)
2
editions published
in
1991
in
English
and held by
1
library
worldwide
In memory of ..., Opus 19/The dreamer [and] Mother Goose [excerpts] rehearsals. [May 1 and May 15, 1990(
visu
)
2
editions published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins, assisted by ballet master Victor Castelli, directs a rehearsal of the opening pas de deux from In memory of ... Castelli demonstrates choreogaphy and Robbins gives corrections to the dancers and the pianist.
Slaughter on Tenth Avenue. Jan. 22, 1986(
visu
)
1
edition published
in
1986
in
English
and held by
1
library
worldwide
Interplay. May 4, 1988, matinee(
visu
)
1
edition published
in
1988
in
English
and held by
1
library
worldwide
This performance of I'm old fashioned was presented as part of New York City Ballet's American Music Festival and begins with a musical overture.
Rhapsody in blue Apr. 29, 1988(
visu
)
1
edition published
in
1988
in
English
and held by
1
library
worldwide
This program was presented as part of New York City Ballet's American Music Festival.
Quiet city [and] The bounding line. May 14, 1988(
visu
)
1
edition published
in
1988
in
English
and held by
1
library
worldwide
This program, presented as part of New York City Ballet's American Music Festival, includes the world premiere of The bounding line.
Fanfare rehearsals. [May 8, 9 and 10, 1990(
visu
)
1
edition published
in
1990
in
English
and held by
1
library
worldwide
Jerome Robbins, assisted by ballet master Christine Redpath, directs rehearsals of Fanfare. In the first rehearsal, the four groups (Woodwinds, Strings, Brass and Percussion) rehearse separately their variations and their parts in the opening and fugue. The violin variation is ommitted from the Strings rehearsal; it is rehearsed on May 9. Robbins gives corrections, discusses and demonstrates choreography.
The four seasons. [June 15, 1989(
visu
)
14
editions published
between
1984
and
1989
in
English
and held by
1
library
worldwide
The tape begins with a shot of the program for the performance. Four seasons is filmed in close shot.
more fewer
 Related Identities
Associated Subjects
Agon (Choreographic work : Balanchine) Artistic collaboration Boelzner, Gordon Borree, Yvonne Bussell, Darcey Byars, Michael Calvert, Stacey Concerto barocco (Choreographic work : Balanchine) Danses concertantes (Choreographic work : Balanchine) Edwards, Jeffrey Fayette, James Figueroa, Guillermo Fiorato, Hugo Fischer, Lindsay Four temperaments (Choreographic work : Balanchine) Fugate, Judith Gold, Tom Higgins, Arch Hlinka, Nichol Houston, Kipling Hübbe, Nikolaj Huys, Ben Jaffe, Susan Kaplow, Maurice Karz, Zippora Killian, Katrina Kistler, Darci,--1964- Kozlov, Leonid,--1947- Lopez, Lourdes Lüders, Adam Lyon, Robert Mahdaviani, Miriam Martins, Nilas New York City Ballet Nichols, Kyra Night shadow (Choreographic work : Balanchine) Nutcracker (Choreographic work : Balanchine, after Ivanov) Raymonda variations (Choreographic work : Balanchine) Reyes, Teresa Saland, Stephanie Serenade (Choreographic work : Balanchine) Sosenko, Roma Soto, Jock Tracey, Kathleen Watts, Heather Western symphony (Choreographic work : Balanchine) Whelan, Wendy White, Diana Woetzel, Damian Zimmerman, Jerry
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