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Scott, Jamie

Overview
Works: 11 works in 15 publications in 1 language and 914 library holdings
Genres: Filmed dance  Filmed performances  Motion picture music  Filmed panel discussions 
Roles: Performer, Dancer
Publication Timeline
Key
Publications about Jamie Scott
Publications by Jamie Scott
Most widely held works by Jamie Scott
Now that's what I call music! ( Sound Recording )
1 edition published in 2014 in English and held by 620 libraries worldwide
After releasing a number one collection earlier in 2014, music's most successful series is back with yet another collection featuring the biggest and hottest hits from rock, pop, country, hip-hop, and more
Step up : original soundtrack ( Sound Recording )
3 editions published in 2006 in English and held by 283 libraries worldwide
Step Up is a feel-good movie by Disney about a juvenile delinquent discovering his real passion, dancing. Complemented by a great soundtrack that features music from many popular artists like Mario, Chris Brown, Sean Paul, Petey Pablo, and Kelis
Chicago event 2 ( visu )
2 editions published in 2009 in No Linguistic Content and held by 2 libraries worldwide
Chicago event 1 ( visu )
2 editions published in 2009 in No Linguistic Content and held by 2 libraries worldwide
Eulàlia event ( visu )
1 edition published in 2009 in No Linguistic Content and held by 1 library worldwide
Tàpies event ( visu )
1 edition published in 2009 in No Linguistic Content and held by 1 library worldwide
2008 Merce Cunningham Dance Company Faculty Concert, selections ( visu )
1 edition published in 2008 in English and held by 1 library worldwide
Select performances from the 2008 edition of the Merce Cunningham Dance Company Faculty concert, in which performances were staged by faculty members in collaboration with members of the MCDC dance corps and student repertory dancers (RUGs). The program begins with a performance of the piece Next, choreographed and danced by Janet Charleston. A performance of Just For Fun, choreographed and danced by Louise Burns and Luis Gabriel Zaragosa, follows (8:24). Daniel Roberts then dances a piece, Neues Stuck, which he also choreographed (21:12). Following this, Cunningham dancers perform a Merce Cunningham work, Trails, as historically reconstructed by Robert Swinston and Stephan Moore, with music by John Cage (30:05). A change of pace comes next, as MCDC archivist David Vaughan and frequent MCDC pianist/accompanist Pat Richter create a cabaret act consisting of a blend of standards and Richter's own compositions, entitled A Fine Romance (51:00). Following this, former Cunningham corps member and current instructor Jean Freebury and a corps of dancers perform the Cunningham piece Trace, with the choreography determined by 'chance operations', the frequent Cunningham device of improvising movement through rolling dice just prior to taking the stage. Music for this piece was composed by Chris Woltmann. (1:16:12). The presentation concludes with the Cunningham work Enter, as historically reconstructed by former MCDC corps member and current instructor Patricia Lent, with music by frequent Cunningham collaborator David Tudor (1:26:23)
Merce Cunningham Dance Company and Post-Show Talk : Two-Camera Mix, Part 1 ( visu )
1 edition published in 2009 in English and held by 1 library worldwide
This is the first part only of an evening's performance and post-performance talk by the Merce Cunningham Dance Company at the Jacob's Pillow Dance Festival. Following a brief introduction by Jacob's Pillow executive director Ella Baff, the company performs the pieces CRWDSPCR (3:50) and eyeSpace (33:13)
History matters : 1950s ( visu )
1 edition published in 2007 in English and held by 1 library worldwide
Company archivist David Vaughan describes this series as a "living archival presentation" of Merce Cunningham's choreography. This program focuses on Cunningham's work from the 1950s and features excerpts of Totem Ancestor, Septet, Suite for Five, Summerspace and Rune performed by MCDC and RUGs dancers. Each performance is followed by a panel discussion featuring David Behrman, Carolyn Brown and Merce Cunningham. For other videos in this series, see *MGZIDF 3745, *MGZIDF 3746, *MGZIDF 3748 and *MGZIDF 3749
John Cage's Steps: Composition for a Painting, performance/artwork creation by Merce Cunningham and members of the MCDC Repertory Understudy Group in collaboration with Ray Kass and the Mountain Lake Workshop ( visu )
1 edition published in 2008 in English and held by 1 library worldwide
A record of the production of an artwork 'created through dance' for a performance of John Cage's musical composition Steps: Composition For A Painting, which involves the segments Dances I, II and III as choreographed by Merce Cunningham. In this work, a painting is created via the dancers moving their paint-covered feet across the paper. The footage begins with preparations being made by the Mountain Lake Workshop members and Cunningham dancers as the paint is mixed and paper laid out across the space within the Cunningham studio. Dances I and II are created by the movements of the members of the Cunningham Repertory Understudy Group, while Merce Cunningham himself creates the artwork for the Dance III segment by moving the paint-covered wheels of his wheelchair across the paper. Following this, brief stills of the resulting artwork, which served as part of a performance by the Merce Cunningham Dance Company corps at the Museo Nacional Centro de Arte Reina Sofia in Madrid during the spring of 2009. Stills of the dancers in performance and of the background created in the earlier footage are seen
History matters : 1950s-2000s for board meeting ( visu )
1 edition published in 2007 in English and held by 1 library worldwide
Company archivist David Vaughan describes this series as a "living archival presentation" of Merce Cunningham's choreography. This program is an overview of the Company's history from the 1950s-2000s. Footage includes excerpts from Suite for Five, Aeon, Canfield, Torse, Points in Space, Doubles, CRWDSPCR and Interscape performed live by MCDC and RUGs dancers. Each performance is preceded and/or followed by discussion about the piece. Merce Cunningham speaks; David Vaughan moderates. The program is introduced by Trevor Carlson. For other videos in this series, see *MGZIDF 3744, *MGZIDF 3745, *MGZIDF 3746 and *MGZIDF 3748
 
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Languages
English (9)
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