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Schorer, Suki

Overview
Works: 86 works in 143 publications in 3 languages and 2,246 library holdings
Genres: Juvenile works  Interviews  Terminology 
Roles: Dancer, Speaker, Restager, Moderator, Interviewee
Classifications: GV1787.5, 792.8
Publication Timeline
Key
Publications about Suki Schorer
Publications by Suki Schorer
Most widely held works about Suki Schorer
 
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Most widely held works by Suki Schorer
First lessons in ballet by Lise Friedman( Book )
1 edition published in 1999 in English and held by 628 libraries worldwide
Photographs, captions, callouts, and text provide an interactive introduction to ballet, covering stretching, the five basic positions, and more complicated moves
Suki Schorer on Balanchine technique by Suki Schorer( Book )
9 editions published between 1999 and 2006 in English and held by 529 libraries worldwide
The author, a former principal dancer and now a teacher in the School of American Ballet, shares what she learned from Balanchine about ballet dancing and teaching ballet
Put your best foot forward : a young dancer's guide to life by Suki Schorer( Book )
2 editions published between 2005 and 2006 in English and held by 315 libraries worldwide
Presents advice for young ballet students, including practicing etiquette and grooming, finding a balance between mind and body, maintaining focus, developing patience, and fostering an attitude of generosity in dancing for audiences
Balanchine essays Arabesque ( visu )
7 editions published between 1994 and 2012 in English and held by 144 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of the ballet step arabesque, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers. Brief phrases from Balanchine's ballets illustrate the choreographic application of Balanchine technique. Excerpts from The nutcracker and Serenade open and close the program
Balanchine pointework by Suki Schorer( Book )
7 editions published in 1995 in English and held by 114 libraries worldwide
Marie-Jeanne coaching Concerto barocco, original version (1941) ( visu )
4 editions published between 1997 and 2008 in English and held by 97 libraries worldwide
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now
Balanchine essays ( visu )
6 editions published between 1994 and 2012 in English and held by 93 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of the ballet steps passé and attitude, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers. Brief phrases from Balanchine's ballets illustrate the choreographic application of Balanchine technique
Balanchine essays ( visu )
7 editions published between 1994 and 2012 in English and held by 81 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers. Brief phrases from Balanchine's ballets Divertimento no. 15 and Symphony in C illustrate the choreographic application of Balanchine technique
School of American Ballet workshop performance ( visu )
14 editions published between 1977 and 1993 in English and held by 14 libraries worldwide
Balanchine essays ( visu )
2 editions published between 1994 and 2012 in English and held by 14 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
Balanchine essays ( visu )
2 editions published between 1994 and 2012 in English and held by 14 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
Balanchine essays ( visu )
1 edition published in 2012 in English and held by 13 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pirouettes and other turns, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
Balanchine essays ( visu )
1 edition published in 2012 in English and held by 13 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet jumps, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
Balanchine essays ( visu )
1 edition published in 2012 in English and held by 13 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet transfer of weight, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers. Includes walking, running, pas de couru into jeté, tendu battement, tendu jeté, temps lié, pas de basque, balancé, waltz, stepping onto pointe, piqué, ballotté, and tombé
Balanchine essays ( visu )
1 edition published in 2012 in English and held by 13 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pointe technique and pas de bourrée, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
Balanchine essays analysis and aspects of Balanchine technique ( visu )
in English and held by 13 libraries worldwide
Analyzes and demonstrates aspects of the Balanchine technique
Balanchine essays ( visu )
1 edition published in 2012 in English and held by 12 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet jumps, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
Suki Schorer et la technique Balanchine by Suki Schorer( Book )
1 edition published in 2009 in French and held by 10 libraries worldwide
Danseur et chorégraphe mondialement connu, Balanchine est le fondateur de l'une des plus grandes formations classiques au monde, le New York City Ballet et de la School of American Ballet. Il a fait entrer le monde de la danse dans l'ère néoclassique. Après une réflexion de Balanchine sur la danse, l'auteur examine le travail fondamental à la barre, les ports de bras, les pointes, les sauts
Balanchine essays ( visu )
2 editions published between 1994 and 1995 in English and held by 3 libraries worldwide
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers
 
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Alternative Names
Schrorer, Suzanne
Languages
English (88)
Croatian (1)
French (1)
Covers
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