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Henderson, Heather Anne

Overview
Works: 3 works in 4 publications in 1 language and 25 library holdings
Roles: Narrator, Author
Classifications: F1087, 917.11043
Publication Timeline
Key
Publications about Heather Anne Henderson
Publications by Heather Anne Henderson
Most widely held works by Heather Anne Henderson
Curve of time : the classic memoir of a woman and her children who explored the coastal waters of the Pacific by M. Wylie Blanchet( file )
2 editions published in 2014 in English and held by 23 libraries worldwide
After her husband died in 1927, leaving her with five small children, everyone expected the struggles of single motherhood on a remote island to overcome M. Wylie Blanchet. Instead, this courageous woman became one of the pioneers of "family travel," acting as both mother and captain of the twenty-five-foot boat that became her family's home during the long Northwest summers. Blanchet's lyrically written account reads like fantastic fiction, but her adventures are all very real. There are dangers -- rough water, bad weather, wild animals -- but there are also the quiet respect and deep peace of a woman teaching her children the wonder and awesome depth of the natural world. "
The tension between reason and passion in the single state of man : a comparison of Shakespeare's Antony and Cleopatra and Macbeth by Heather Anne Henderson( Archival Material )
1 edition published in 1979 in English and held by 1 library worldwide
Heather Henderson papers by Heather Anne Henderson( Archival Material )
in English and held by 1 library worldwide
Heather Henderson worked as a dramaturg at the Yale Repertory Theatre. She attended the Yale School of Drama from 1984 to 1988, where she earned her M.F.A. and D.F.A. in Dramaturgy and Dramatic Criticism. Her papers contain study guides she created for Yale Repertory Theatre productions of George Bernard Shaw's Heartbreak House (1986) and August Wilson's Fences (the 1985 world premiere), and scripts for Fences and Ma Rainey's Black Bottom (1984). There are also programs for various non-Yale theater productions, some of which Henderson worked on
 
Languages
English (4)
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