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Delanoë-Brun, Emmanuelle

Overview
Works: 9 works in 33 publications in 1 language and 185 library holdings
Genres: Fiction  Psychological fiction  Domestic fiction  Criticism, interpretation, etc  Pictorial works  Biography  Suspense fiction  Detective and mystery fiction  History  Exhibition, pictorial works 
Roles: Translator, Author
Classifications: PR6056.R456, 823.914
Publication Timeline
Key
Publications about Emmanuelle Delanoë-Brun
Publications by Emmanuelle Delanoë-Brun
Most widely held works by Emmanuelle Delanoë-Brun
Killing me softly by Nicci French( Book )
12 editions published between 2000 and 2012 in French and held by 62 libraries worldwide
Analyse: Roman policier (suspense)
Anatomie d'une illusion "The house of mirth : Wharton, Davies by Anne Ullmo( Book )
2 editions published in 2013 in French and held by 49 libraries worldwide
Beneath the skin by Nicci French( Book )
4 editions published between 2001 and 2003 in French and held by 28 libraries worldwide
Analyse : Roman policier (suspense)
The safe house by Nicci French( Book )
6 editions published between 1999 and 2014 in French and held by 18 libraries worldwide
Wanneer een vrouwelijke psychiater de getraumatiseerde dochter van een vermoord echtpaar in huis neemt, beseft ze niet in welk wespennest ze zich steekt
Suzanne Valadon by Thérèse Diamand Rosinsky( Book )
1 edition published in 2005 in French and held by 13 libraries worldwide
Retrace la vie rocambolesque de Suzanne Valadon, élevée par sa mère dans une chambre au pied de Montmartre. A 15 ans, elle devint modèle et fut remarquée par les grands peintres de l'époque dont elle fut pour certains la maîtresse. Elle devint un peintre à part entière en signant son Autoportrait. Sa vie personnelle et artistique se partagea entre désillusions et succès jusqu'à sa mort en 1938
The gardens of Kyoto : a novel by Kate Walbert( Book )
3 editions published in 2001 in French and held by 7 libraries worldwide
Kate Walbert recalls the death of her favorite cousin on Iwo Jima and her romance six years later with a man on the eve of his departure for Korea
Le Louvre en métamorphose by Jean-Christophe Ballot( Book )
1 edition published in 1994 in French and held by 3 libraries worldwide
La passion du "je" : perception du sujet dans l'œuvre de John Barth by Emmanuelle Delanoë-Brun( Book )
3 editions published between 1997 and 1998 in French and held by 3 libraries worldwide
THE PERCEPTION AND THE REPRESENTATION OF THE SELF ARE MAJOR CONCERNS IN THE WORKS OF THE CONTEMPORARY AMERICAN NOVELIST JOHN BARTH, AS THESE TWO ISSUES PROVIDE HIS NOVELS WITH A COHERENCE THAT BELIE THEIR APPARENT DIVERSITY. THIS DISSERTATION AIMS AT ANALYZING THE EVOLUTION OF A WRITER WHO FIRST PONDERS ON THE DIFFICULTY FOR THE INDIVIDUAL TO EXPRESS HIS SHATTERED AND EMPTIED OUT PERCEPTION OF HIMSELF, YET WHO EVENTUALLY MANAGES TO SUBDUE THE QUESTION OF THE SELF IN A FICTION THAT TENDS PARADOXICALLY TO GET MORE AND MORE AUTOBIOGRAPHICAL. THE FIRST PART FOCUSES ON BARTH'S FIRST TWO NOVELS, AND ON THE SPECTACULAR YET SLIPPERY DISCOURSES OF TWO NARRATORS UNABLE TO DEFINE THEMSELVES AS CONSISTENT SUBJECTS, WHO WRITE TO TRY AND OVERCOME THEIR INTIMATE VOID. THE SECOND PART ANALYZES BARTH'S SUBSEQUENT ATTEMPTS AT DEMYSTIFYING A LITERATURE AND CULTURE INTENT ON BUILDING UP THE MYTH OF THE INDEPENDANT SELF, FIRST THROUGH PARODY THEN THROUGH DECONSTRUCTION, IN NOVELS OF A PLAYFUL AND DISRESPECFUL NATURE. HOWEVER, BESIDE THE PLAYFULNESS, THERE TRANSPIRES IN THESE NOVEL BE BUDDING CONFIDENCE IN THE OTHER, READER OR LOVER, TOWARDS WHOM BARTH'S CHARACTERS PROJECT THEIR DESIRE TO BE, ALTHOUGH TEY ARE WELL AWARE OF THEIR INNER NOTHINGNESS. BARTH'S LATEST NOVELS, WHICH ARE EXAMINED IN THE THIRD PART, RATIFY THE IMPOSSIBILITY TO EXPRESS THE DISLOCATED SELF AND TO EVADE THE DECEITFUL NATURE OF REPRESENTATION. YET THIS DOUBLE FAILURE LIBERATES A TENDENCY TOWARDS THE FICTIVE RECREATION OF ONESELF IN NOVELS WHICH PARADOXICALLY MIX AUTOBIOGRAPHICAL YET OPENLY FICTIONALIZED ELEMENTS. THE AUTHOR STAGES THE FICTIONS OF HIS OWN EXISTENCE AND PROMOTES THE IMAGE OF THE COUPLE, WHICH APPEARS TO HIM AS THE SOLE REFUGE OF AN IDENTITY THAT GETS ALIENATED YET INSCRIBED IN THE EYES OF THE OTHER. AWARE OF THE FICTIVE NATURE OF SELF-REPRESENTATION, BARTH LEADS HIS READER INTO A DELIGHTED WANDERING THROUGH FICTION, IN THE OPENING OUT OF AN EVER EXPENDING LITERATURE
La photographie et le rêve américan, 1840-1940 ( Book )
1 edition published in 2002 in French and held by 2 libraries worldwide
 
Alternative Names
Brun Emmanuelle Delanoë-
Delanoë, Emmanuelle
Languages
French (33)
Covers
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