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Experimenters, rebels, and disparate voices : the theatre of the 1920s celebrates American diversity
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Experimenters, rebels, and disparate voices : the theatre of the 1920s celebrates American diversity

Author: Arthur Gewirtz; James J Kolb
Publisher: Westport, Conn. : Praeger, 2003.
Series: Contributions in drama and theatre studies, no. 99
Edition/Format: Book : EnglishView all editions and formats
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Named Person: John Howard Lawson
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Arthur Gewirtz; James J Kolb
ISBN: 0313324662 9780313324666
OCLC Number: 49991496
Description: xvii, 196 p. : ill. ; 24 cm.
Contents: Introduction / Arthur Gewirtz, James J. Kolb -- Part I: Experimenters, rebels, and disparate voices -- Searching for "the big American play": The theatre guild produces John Howard Lawson's Processional / Beverle Bloch -- The idiosyncratic theatre of John Howard Lawson / John D. Shout -- Glitzing the proletariat: John Howard Lawson's plays of the 1920s / Michael C. O'Neill -- Direction by design(er): Robert Edmond Jones and the new Provincetown players / Jane T. Peterson -- Glitter, glitz, and race: The production of Harlem / Freda Scott Giles -- Disparate voices: African American theatre critics of the 1920s / Freda Scott Giles -- Garland Anderson and appearances: The playwright and his play / Alan Kreizenbeck -- The first serious dramas on Broadway by African American playwrights / Jeanne-Marie A. Miller -- Theatre and community: The significance of Howard University's 1920s drama program / Scott Zaluda -- "To doubt is fatal": Eva Le Gallienne and the civic repertory theatre, 1926-1932 / Estelle Aden -- Sophie Treadwell's play Machinal: Strategies of reception and interpretation / Kornelia Tancheva -- Sophie Treadwell's summer with Boleslavsky and lectures for the American Laboratory Theatre / Jerry Dickey -- On "The Verge" of a new form: The cabinet of Dr. Caligari and Susan Glaspell's experiments in The Verge / Steven Frank -- They knew what they wanted: American theatre's use of nonverbal communication codes to marginalize non-native characters in the 1920s / Beverly Bronson Smith -- The Poet Lore plays: A new Chinese voice ... but how new? / Dave Williams -- Part II: Theatre and set design -- Against the tide: Mordecai Gorelik and the New York Theatre of the 1920s - processional, Nirvana, the moon is a gong, and loudspeaker / Anne Fletcher -- "Another revolution to be heard from": Jane Heap and the International Theatre Exposition of 1926 / John Bell -- Architecture for the twentieth century: Imagining the theatre in the 1920s / William F. Condee.
Series Title: Contributions in drama and theatre studies, no. 99
Responsibility: edited by Arthur Gewirtz and James J. Kolb.
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