WorldCat Identities

Morrison, Hannah

Overview
Works: 20 works in 53 publications in 4 languages and 1,386 library holdings
Genres: Oratorios  Masses  Live sound recordings  Holy Week music  Passion music  Songs and music  Sacred music  Internet videos  Music  Lenten music 
Roles: Singer, Performer
Classifications: M2010, 782.323
Publication Timeline
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Most widely held works by Hannah Morrison
Mass in B minor = Messe in h-Moll = Messe en si mineur by Johann Sebastian Bach( )

8 editions published in 2015 in Latin and Undetermined and held by 301 WorldCat member libraries worldwide

Recorded at St. Lukes in London, a live recording of the soaring Mass in B Minor performed with the never-mailed-in performance by the Monteverdi Choir and English Baroque Soloists led by John Eliot Gardiner during the course of their wildly successful 2014 European tour
Easter oratorio ; Actus tragicus by Johann Sebastian Bach( )

8 editions published in 2014 in 3 languages and held by 293 WorldCat member libraries worldwide

Consolatio by Johann Sebastian Bach( )

4 editions published between 2017 and 2018 in 3 languages and held by 241 WorldCat member libraries worldwide

Matthäus-Passion by Johann Sebastian Bach( )

4 editions published in 2016 in German and Undetermined and held by 238 WorldCat member libraries worldwide

L'information lisible par ordinateur comprend la reprod. de la partition autographe de la passion conservée à la Staatsbibliothek zu Berlin, Preussischer Kulturbesitz (Mus. Ms. Bach P. 25)
St. Matthew Passion = Matthäus-Passion = Passion selon St. Matthieu : BWV 244 by Johann Sebastian Bach( Recording )

4 editions published in 2017 in German and Undetermined and held by 62 WorldCat member libraries worldwide

This stunning new live recording of Bach's St. Matthew Passion was recorded in Pisa Cathedral during the Anima Mundi Festival as part of the Monteverdi Choir and Orchestra's 2016 tour. Conducted by Sir John Eliot Gardiner, the brilliant cast includes James Gilchrist as the Evangelist and Stephan Loges as Jesus. The Trinity Boys Choir adds an exciting color to this recording as well
Magnificat in E flat ; Missa in F by Johann Sebastian Bach( Recording )

4 editions published in 2017 in 3 languages and held by 34 WorldCat member libraries worldwide

Passionsoratorium nach Matthäus = Passion-oratorio selon Saint Matthieu = Oratorio Passion according to St. Matthew by Johann Valentin Meder( Recording )

6 editions published in 2006 in German and Undetermined and held by 29 WorldCat member libraries worldwide

Les Arts florissants perform Monteverdi. the complete Monteverdi madrigals( Visual )

1 edition published in 2013 in Italian and held by 26 WorldCat member libraries worldwide

Following the broadcast of the four first books of madrigals by Monteverdi, performed by Les Arts Florissants and Paul Agnew, the baroque ensemble is live on medici.tv again to present the Book V! To give a rendition of the the eight books of madrigals by Monteverdi, this was Paul Agnew's extensive project ... The concerts started in 2011 with the singers of Les Arts Florissants and has continued since then. This concert represents the perfect opportunity to hear the fifth book of madrigals. For this book, Monteverdi has created a new style which highlights the power of the words. Eleven madrigals in this book are written after the Pastor Fido, a pastoral tragic comedy by Giovanni Battista Guarini; this gives the work a kind of theatracallity and puts the text in the spotlight to the detriment of the usual harmony rules. Giulio Cesare, Monteverdi's brother, once declared: "My brother said that he does not left his work to chance, because, in his kind if music, he wants to give to the worlds the control of the harmony." This concert was part of the complete Monteverdi Madrigals series performed by Les Arts Florissants conducted by Paul Agnew at the Cité de la Musique, and at the théâtre de Caen. Les Arts Florissants are supported by the Ministry of Culture and Communication, la Ville de Caen and the Région Basse-Normandie. They are in residency at the théâtre de Caen. Imerys and Alstom are the great benefactors of Les Arts Florissants
Les Arts florissants perform Monteverdi. the complete Monteverdi madrigals( Visual )

1 edition published in 2014 in Italian and held by 26 WorldCat member libraries worldwide

Following the broadcast of the five first books of madrigals by Monteverdi, performed by Les Arts Florissants and Paul Agnew, the baroque ensemble presents the Book VI! To give a rendition of the the eight books of madrigals by Monteverdi, this was Paul Agnew's extensive project ... The concerts started in 2011 with the singers of Les Arts Florissants and has continued since then. This concert represents the perfect opportunity to hear the Sixth Book of madrigals. Published in 1614, the Sixth Book opens with a tanscription of the famous Lamento d'Arianna, the only fragment that remains of an opera composed in 1608 by Monteverdi for the Mantua's court. In this score, music espouses the inner feelings of the heroine and draws the picture of her distress. This first piece gives the tone to the entire book: farewell, distance and loss are the main themes developped in the poems written by Petrarch (to his beloved Laura) and Gian Battista Marino. This concert was part of the complete Monteverdi Madrigals series performed by Les Arts Florissants conducted by Paul Agnew at the Cité de la Musique, and at the théâtre de Caen. Les Arts Florissants are supported by the Ministry of Culture and Communication, la Ville de Caen and the Région Basse-Normandie. They are in residency at the théâtre de Caen. Imerys and Alstom are the great benefactors of Les Arts Florissants. This concert is also broadcast live on citedelamusiquelive.tv, culturebox and artsflomedia.com
Les Arts florissants perform Monteverdi. the complete Monteverdi madrigals( Visual )

1 edition published in 2011 in Italian and held by 26 WorldCat member libraries worldwide

The Arts Florissants begin to perform Monteverdi's complete madrigals at the Cité de la Musique: the First Book in this concert. Written in 1587, Monteverdi's First Madrigals Book is dedicated to the count Marco Verità, poet and patron of the arts in Verona. Monteverdi was nineteen years old then, and might have wanted to work for him; his dedication offers the count a set of "young compositions," compared with "spring flowers." The book bears the marks of Marenzio's pastoral influence, and Luzzaschi's dissonant writing style; this is evident with Baci soavi e cari, composed after a poem by Guarini. One of the best-known pieces from the book is, with no doubt, The vaga pastorella, which opens on a series of jumps describing the shepherdess in a field, before the music slides into introspection. Here as elsewhere, joy alternates with the tears: in Filli cara ed amata, the exclamation Ahi! ("alas!") results in a few bars of strong dissonances. This concert opened the complete Monteverdi Madrigals series performed by Les Arts Florissants conducted by Paul Agnew at the Cité de la Musique, the théâtre de Caen and the Valladolid Centro Cultural Miguel Delibes. Les Arts Florissants are supported by the Ministry of Culture and Communication, la Ville de Caen and the Région Basse-Normandie. They are in residency at the théâtre de Caen. Imerys is the great benefactor of Les Arts Florissants
Les Arts florissants perform Monteverdi. the complete Monteverdi madrigals( Visual )

1 edition published in 2012 in Italian and held by 26 WorldCat member libraries worldwide

The complete Monteverdi madrigals series, initiated by Paul Agnew and the singers from Les Arts Florissants, continues at the Cité de la musique and live on medici.tv! It is a gigantic project, programmed on several seasons, that Paul Agnew has initiated. The goal is to give a live performance of the eight books of madrigals by Monteverdi, one at a time, in the right order, and in their complete version. And for each concert, Paul Agnew also picks a few madrigals by other composers, who might have been a source of inspiration for Monteverdi. This concert will be the occasion to hear the Third book, which made Monteverdi very successful at the Mantova court but also abroad, notably in Germany where the Italian style vocality was very appreciated at the time. Il Tasso is still very present, just like in the previous book, but Monteverdi also composed his madrigals from the Third book after writings by other poets, such as Pietro Bembo and Giovanni Battista Guarini. This concert was part of the complete Monteverdi Madrigals series performed by Les Arts Florissants conducted by Paul Agnew at the Cité de la Musique, the théâtre de Caen and the Valladolid Centro Cultural Miguel Delibes. Les Arts Florissants are supported by the Ministry of Culture and Communication, la Ville de Caen and the Région Basse-Normandie. They are in residency at the théâtre de Caen. Imerys and Alstom are the great benefactors of Les Arts Florissants
Les Arts florissants perform Monteverdi. the complete Monteverdi madrigals( Visual )

1 edition published in 2011 in Italian and held by 26 WorldCat member libraries worldwide

The Arts Florissants continue to perform Monteverdi's complete madrigals. For this concert they perform the Second Book. Among the twenty madrigals that are part of Monteverdi's Second Book (that was published in 1590), nine are musical translations on poems written by Torquato Tasso, who was already considered in his lifetime as the greatest poet in Italy. However Torquato Tasso gradually sinked into madness. He was committed in 1577 after a paranoia crisis, then again in 1579 during seven years in Sant'Anna de Ferrare hospital. Nonetheless, pastoral atmospheres are suggested by the poet to the composer in several madrigals here performed. The No. 10, "S'andasse amor a caccia", is a scene of loving quest in which voices are in canon and follow themselves. Above all, the No. 12 which is the famous "Ecco mormorar l'onde" is a little jewel of the madrigals, that is enhanced by the whisper of water and bird songs. This concert was part of the complete Monteverdi Madrigals series performed by Les Arts Florissants conducted by Paul Agnew at the Cité de la Musique, the théâtre de Caen and the Valladolid Centro Cultural Miguel Delibes. Les Arts Florissants are supported by the Ministry of Culture and Communication, la Ville de Caen and the Région Basse-Normandie. They are in residency at the théâtre de Caen. Imerys is the great benefactor of Les Arts Florissants
L'Orfeo : Opera in five acts by Claudio Monteverdi( Visual )

2 editions published in 2017 in Italian and held by 19 WorldCat member libraries worldwide

Monteverdi's L'Orfeo( Visual )

1 edition published in 2017 in Italian and held by 14 WorldCat member libraries worldwide

In celebration of Monteverdi's 450th birthday in 2017, Paul Agnew--an expert in the Italian composer's œuvre--directs L'Orfeo. This founding masterpiece of lyric opera is brought to life in elegant simplicity through the performances of Cyril Auvity's Orpheus and Les Arts Florissants, with costumes designed by Alain Blanchot. Composed at the very beginning of the 17th century, L'Orfeo was at the musical and artistic avant-garde of its time. In the work, Monteverdi unites various musical traditions while pushing the boundaries of dramatization of texts through music. In retrospect the work has come to be seen as a cornerstone of a then-new musical genre: opera! The revolutionary mixture of drama, poetry, and music are neatly referenced in Monteverdi's subtitle for the work: "una favola in musica", meaning "a fable in music". Alessandro Striggio based L'Orfeo's libretto on the myth of Orpheus as retold in Ovid's Metamorphoses and in certain passages of Virgil's Georgics. Paul Agnew's choice of a modest staging ensures that nothing distracts from the importance of the text and music: as he explains, "it's with simplicity that one can best realize the principal at the heart of Monteverdi's entire œuvre--that text must guide harmony." On the stage of the Caen Theater is Cyril Auvity in the role of Orfeo, heading up an impressive group of young singers from the Jardin des Voix and the cycle of Monteverdi's Madrigali
Oratorio, Herr Gott, dich loben wir ; Serenata, O erhabnes Glück der Ehe by Georg Philipp Telemann( Recording )

1 edition published in 2013 in German and held by 14 WorldCat member libraries worldwide

O erhabnes Glück der Ehe Hochzeitsoratorium Mutzenbecher by Georg Philipp Telemann( Recording )

2 editions published in 2013 in German and held by 4 WorldCat member libraries worldwide

Mathäus-Passion = St. Matthew passion : BWV 244 by Johann Sebastian Bach( Recording )

1 edition published in 2016 in German and held by 4 WorldCat member libraries worldwide

Musical presentation of the Crucifixion of Jesus of Nazareth
Ein feste Burg ist unser Gott by Johann Sebastian Bach( Recording )

1 edition published in 2015 in German and held by 1 WorldCat member library worldwide

Luther Kantaten by Johann Sebastian Bach( Recording )

1 edition published in 2016 in German and held by 1 WorldCat member library worldwide

Ein feste Burg ist unser Gott by Johann Sebastian Bach( Recording )

1 edition published in 2015 in Miscellaneous languages and held by 1 WorldCat member library worldwide

 
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Audience level: 0.44 (from 0.38 for Mass in B ... to 0.99 for Ein feste ...)

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