Stanislavsky, Konstantin 1863-1938
Overview
| Works: | 1,211 works in 3,763 publications in 15 languages and 59,822 library holdings |
|---|---|
| Genres: | Biography Records and correspondence History Fiction Case studies Handbooks and manuals Dictionaries |
| Roles: | Author, Honoree, Creator, Other, Author of introduction, Director, Dedicatee, Illustrator, Editor |
| Classifications: | PN2062, 792.028 |
Publication Timeline
.
Most widely held works about
Konstantin Stanislavsky
- My life in art by Konstantin Stanislavsky( Book )
- Acting : a handbook of the Stanislavski method by Toby Cole( Book )
- A dream of passion : the development of the method by Lee Strasberg( Book )
- Stanislavsky directs by N. M Gorchakov( Book )
- Stanislavski in rehearsal : the final years by Vasiliĭ Osipovich Toporkov( Book )
- Stanislavski, an introduction by Jean Benedetti( Book )
- The Stanislavsky heritage, its contribution to the Russian and American theatre by Christine Edwards( Book )
- Great directors at work : Stanislavsky, Brecht, Kazan, Brook by David Richard Jones( Book )
- Stanislavski by Jean Benedetti( Book )
- Stanislavski and the actor by Jean Benedetti( Book )
- Stanislavsky : a life by David Magarshack( Book )
- Method--or madness? by Robert Lewis( Book )
- The theater event : modern theories of performance by Timothy J Wiles( Book )
- The Stanislavsky Century( Visual )
- Stanislavsky in America : an actor's workbook by Mel Gordon( Book )
- Makers of modern theatre : an introduction by Robert Leach( Book )
- Konstantin Stanislavsky by Bella Merlin( Book )
- The Moscow Art Theatre by Nick Worrall( Book )
- Stanislavsky in focus : an acting master for the twenty-first century by Sharon Marie Carnicke( Book )
- K. Stanislavsky, 1863-1963, man and actor, Stanislavsky and the world theatre, Stanislavsky's letters by Konstantin Stanislavsky( Book )
more
fewer
Most widely held works by
Konstantin Stanislavsky
An actor prepares by
Konstantin Stanislavsky(
Book
)
188 editions published between 1936 and 2014 in 5 languages and held by 3,986 WorldCat member libraries worldwide
This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself
188 editions published between 1936 and 2014 in 5 languages and held by 3,986 WorldCat member libraries worldwide
This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself
Building a character by
Konstantin Stanislavsky(
Book
)
141 editions published between 1949 and 2013 in 5 languages and held by 3,014 WorldCat member libraries worldwide
Stanislavski's "System" offers both a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. Generations of actors have been inspired by his ideas -- the "magic if," "emotional memory," the "unbroken line"--And by that hallmark of Stanislavski's work, an unwavering commitment to theatrical truth
141 editions published between 1949 and 2013 in 5 languages and held by 3,014 WorldCat member libraries worldwide
Stanislavski's "System" offers both a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. Generations of actors have been inspired by his ideas -- the "magic if," "emotional memory," the "unbroken line"--And by that hallmark of Stanislavski's work, an unwavering commitment to theatrical truth
Creating a role by
Konstantin Stanislavsky(
Book
)
74 editions published between 1961 and 2014 in 3 languages and held by 2,298 WorldCat member libraries worldwide
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form." Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences toconnect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers
74 editions published between 1961 and 2014 in 3 languages and held by 2,298 WorldCat member libraries worldwide
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form." Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences toconnect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers
Stanislavsky on the art of the stage by
Konstantin Stanislavsky(
Book
)
82 editions published between 1950 and 2015 in 4 languages and held by 1,724 WorldCat member libraries worldwide
From the Introduction: The theory of acting, as evolved by Stanislavsky in his famous 'system', is not based on reasoning, as many of his critics assert, so much as on experience. It is the result of a lifetime devoted to the art of the stage, of years of experiment as actor and producer, and of a feeling of dissatisfaction with what passes for 'success' both among actors and audiences. While certain general principles of acting had been laid down by a number of famous actors and playwrights, these, Stanislavsky found, had never been reduced to a system with the result that teachers of acting have nothing on which to base their teaching, since 'inspiration' on which the theoreticians of the stage put so much stress, cannot be taught, nor can it be expected to materialize itself just when the actor needs it. Neither can producers be relied on to assist the actor in capturing this elusive 'inspiration'. 'Producers, ' Stanislavsky writes, 'explain very cleverly what sort of result they want to get; they are only interested in the final result. They criticize and tell the actor what he should not do, but they do not tell him how to achieve the required result. The producer, ' Stanislavsky adds, 'can do a great deal, but he cannot do everything by any means. For the main thing is in the hands of the actor, who must be helped and instructed first of all'
82 editions published between 1950 and 2015 in 4 languages and held by 1,724 WorldCat member libraries worldwide
From the Introduction: The theory of acting, as evolved by Stanislavsky in his famous 'system', is not based on reasoning, as many of his critics assert, so much as on experience. It is the result of a lifetime devoted to the art of the stage, of years of experiment as actor and producer, and of a feeling of dissatisfaction with what passes for 'success' both among actors and audiences. While certain general principles of acting had been laid down by a number of famous actors and playwrights, these, Stanislavsky found, had never been reduced to a system with the result that teachers of acting have nothing on which to base their teaching, since 'inspiration' on which the theoreticians of the stage put so much stress, cannot be taught, nor can it be expected to materialize itself just when the actor needs it. Neither can producers be relied on to assist the actor in capturing this elusive 'inspiration'. 'Producers, ' Stanislavsky writes, 'explain very cleverly what sort of result they want to get; they are only interested in the final result. They criticize and tell the actor what he should not do, but they do not tell him how to achieve the required result. The producer, ' Stanislavsky adds, 'can do a great deal, but he cannot do everything by any means. For the main thing is in the hands of the actor, who must be helped and instructed first of all'
Stanislavski's legacy : a collection of comments on a variety of aspects of an actor's art and life by
Konstantin Stanislavsky(
Book
)
50 editions published between 1950 and 2015 in English and Undetermined and held by 1,310 WorldCat member libraries worldwide
Synopsis: Out of the large body of materials articles, speeches, notes and memoirs left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particularly vivid form, his views about acting, the theatre and life
50 editions published between 1950 and 2015 in English and Undetermined and held by 1,310 WorldCat member libraries worldwide
Synopsis: Out of the large body of materials articles, speeches, notes and memoirs left behind by Stanislavski at the time of his death in 1938, Elizabeth Hapgood, his friend and translator, chose items which concentrate on the essence of his work. The result is a volume which supplements the other books he wrote, and re-emphasizes, sometimes in condensed and particularly vivid form, his views about acting, the theatre and life
An actor's handbook : an alphabetical arrangement of concise statements on aspects of acting by
Konstantin Stanislavsky(
Book
)
46 editions published between 1963 and 2006 in 4 languages and held by 1,267 WorldCat member libraries worldwide
This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them "Improvisation," "External Technique," "Magic If," "Imaginary Objects," "Discipline," "What Is My System?" and "Stage Fright." This new, attractively packaged edition will be an essential book for any performer
46 editions published between 1963 and 2006 in 4 languages and held by 1,267 WorldCat member libraries worldwide
This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them "Improvisation," "External Technique," "Magic If," "Imaginary Objects," "Discipline," "What Is My System?" and "Stage Fright." This new, attractively packaged edition will be an essential book for any performer
My life in art by
Konstantin Stanislavsky(
Book
)
176 editions published between 1922 and 2016 in 10 languages and held by 1,122 WorldCat member libraries worldwide
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company
176 editions published between 1922 and 2016 in 10 languages and held by 1,122 WorldCat member libraries worldwide
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company
An actor's work : a student's diary by
Konstantin Stanislavsky(
Book
)
21 editions published between 2007 and 2017 in English and held by 1,104 WorldCat member libraries worldwide
"Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionised standards of acting in the theatre." "Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors."--Jacket
21 editions published between 2007 and 2017 in English and held by 1,104 WorldCat member libraries worldwide
"Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionised standards of acting in the theatre." "Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors."--Jacket
Stanislavski on opera by
P. I Rumi︠a︡nt︠s︡ev(
Book
)
17 editions published between 1975 and 2016 in English and held by 813 WorldCat member libraries worldwide
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company
17 editions published between 1975 and 2016 in English and held by 813 WorldCat member libraries worldwide
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company
The magic if; Stanislavski for children by
Elizabeth Y Kelly(
Book
)
5 editions published in 1973 in English and held by 516 WorldCat member libraries worldwide
The author applies the Stanislavski theories on acting to the training of children in dramatics. She bases the book on what she terms the "magic question" that can awaken a child's imagination: "What would I do if . . .?" The opening chapters are designed to assist the student in developing an awareness of his senses for the purpose of interpreting a character to an audience and also in gaining a new awareness of himself and his surroundings. Other chapters deal with concentration, memory, use of emotional reactions, communication to an audience, bodily action, and interpersonal relationships with other performers. At the end of the book there is a guide for the parent or teacher about implementing the exercises and practice projects suggested for the child. (Rn)
5 editions published in 1973 in English and held by 516 WorldCat member libraries worldwide
The author applies the Stanislavski theories on acting to the training of children in dramatics. She bases the book on what she terms the "magic question" that can awaken a child's imagination: "What would I do if . . .?" The opening chapters are designed to assist the student in developing an awareness of his senses for the purpose of interpreting a character to an audience and also in gaining a new awareness of himself and his surroundings. Other chapters deal with concentration, memory, use of emotional reactions, communication to an audience, bodily action, and interpersonal relationships with other performers. At the end of the book there is a guide for the parent or teacher about implementing the exercises and practice projects suggested for the child. (Rn)
An actor's work on a role by
Konstantin Stanislavsky(
Book
)
10 editions published between 2009 and 2010 in English and held by 436 WorldCat member libraries worldwide
An Actors Work on a Role is Konstantin Stanislavskys classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to ones role
10 editions published between 2009 and 2010 in English and held by 436 WorldCat member libraries worldwide
An Actors Work on a Role is Konstantin Stanislavskys classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to ones role
Stanislavsky produces Othello by
Konstantin Stanislavsky(
Book
)
10 editions published between 1948 and 1963 in English and German and held by 325 WorldCat member libraries worldwide
10 editions published between 1948 and 1963 in English and German and held by 325 WorldCat member libraries worldwide
Die Arbeit des Schauspielers an sich selbst by
Konstantin Stanislavsky(
Book
)
103 editions published between 1961 and 2002 in German and Undetermined and held by 202 WorldCat member libraries worldwide
103 editions published between 1961 and 2002 in German and Undetermined and held by 202 WorldCat member libraries worldwide
The seagull by
Konstantin Stanislavsky(
Book
)
3 editions published in 1952 in English and held by 198 WorldCat member libraries worldwide
3 editions published in 1952 in English and held by 198 WorldCat member libraries worldwide
The seagull, produced by Stanislavsky. The seagull by
Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr(
Book
)
10 editions published in 1952 in English and held by 176 WorldCat member libraries worldwide
Classic comedy-drama depicting man's propensity for destroying those he is close to. The main protagonists are Trepleff, the youthful aspiring writer who dreams of bringing new forms to the theatre and Irina Arkadina, Trepleff's self-centered mother, an accomplished actress, who derides her son's ambitions
10 editions published in 1952 in English and held by 176 WorldCat member libraries worldwide
Classic comedy-drama depicting man's propensity for destroying those he is close to. The main protagonists are Trepleff, the youthful aspiring writer who dreams of bringing new forms to the theatre and Irina Arkadina, Trepleff's self-centered mother, an accomplished actress, who derides her son's ambitions
Selected works by
Konstantin Stanislavsky(
Book
)
10 editions published in 1984 in English and Undetermined and held by 160 WorldCat member libraries worldwide
10 editions published in 1984 in English and Undetermined and held by 160 WorldCat member libraries worldwide
Stanislavski produces Othello by
Konstantin Stanislavsky(
Book
)
9 editions published between 1948 and 1968 in English and Undetermined and held by 158 WorldCat member libraries worldwide
9 editions published between 1948 and 1968 in English and Undetermined and held by 158 WorldCat member libraries worldwide
Die Arbeit des Schauspielers an der Rolle : Fragmente eines Buches by
Konstantin Stanislavsky(
Book
)
31 editions published between 1955 and 2002 in German and Undetermined and held by 147 WorldCat member libraries worldwide
31 editions published between 1955 and 2002 in German and Undetermined and held by 147 WorldCat member libraries worldwide
K. Stanislavsky, 1863-1963, man and actor, Stanislavsky and the world theatre, Stanislavsky's letters by
Konstantin Stanislavsky(
Book
)
6 editions published between 1963 and 1965 in English and held by 131 WorldCat member libraries worldwide
6 editions published between 1963 and 1965 in English and held by 131 WorldCat member libraries worldwide
Mein Leben in der Kunst by
Konstantin Stanislavsky(
Book
)
12 editions published between 1951 and 1991 in German and held by 124 WorldCat member libraries worldwide
12 editions published between 1951 and 1991 in German and held by 124 WorldCat member libraries worldwide
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Audience Level
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Related Identities
- Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr
- Hapgood, Elizabeth Reynolds Other Compiler Translator Editor
- Benedetti, Jean Author Editor Translator
- Brecht, Bertolt 1898-1956
- Strasberg, Lee
- Films for the Humanities & Sciences (Firm)
- Films Media Group
- TMW Media Group
- Kazan, Elia
- Jones, David Richard Author
Useful Links
Associated Subjects
Acting Acting in opera Acting--Study and teaching Acting teachers Acting--Technique Actors Actors--Training of Artaud, Antonin, Bolʹshoĭ teatr SSSR Brecht, Bertolt, Brook, Peter, Chaĭka (Chekhov, Anton Pavlovich) Chekhov, Anton Pavlovich, Child actors Drama Dramatic criticism Economic policy France Griboyedov, Aleksandr Sergeyevich, Grotowski, Jerzy, Influence (Literary, artistic, etc.) Kazan, Elia Literature, Modern Manners and customs Meĭerkholʹd, V. Ė.--(Vsevolod Ėmilʹevich), Method acting Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr Moskovskiĭ muzykalʹnyĭ teatr imeni K.S. Stanislavskogo i Vl. I. Nemirovicha-Danchenko Mutter Courage und ihre Kinder (Brecht, Bertolt) Nemirovich-Danchenko, Vladimir I.--(Vladimir Ivanovich), Opera Opera--Production and direction Othello (Fictitious character) Othello (Shakespeare, William) Panova, Vera Fedorovna, Performing arts Playwriting Russia Russia (Federation) Russia (Federation)--Moscow Shakespeare, William, Soviet Union Stanislavsky, Konstantin, Strasberg, Lee Streetcar named Desire (Williams, Tennessee) Theater Theater--Production and direction Theatrical producers and directors United States Verfolgung und Ermordung Jean Paul Marats (Weiss, Peter)
Alternative Names
Alekseev, Konstantin S. 1863-1938
Alekseev , Konstantin Sergeevič
Aleksěev, Konstantin Sergěevič 1863-1938
Alekseev, Konstantin Sergeevich
Alekseev, Konstantin Sergeevich, 1863-1938
Alekseev, Konstantin Sergejvic̆ 1863-1938
Alekseev Konstantin Sergueevitch 1863-1938
Alekseiev, Konstantine, 1863-1938
Alekseiev, Konstantine Sergueievitch
Aleksejev, Konstantin Sergejevic
Aleksejev, Konstantin Sergejevič 1863-1938
Aleksejev, Konstantin Sergejevitsj
Alekseyev, Konstantin Sergeyevich, 1863-1938
Aleksi︠e︡ev, Konstantin Sergi︠e︡evich, 1863-1938
Aleksiejew, K. S.
Alexeiev, Constantin Sergeievich 1863-1938
Alexejew, Konstantin S. 1863-1938
Alexejew, Konstantin Sergejewitsch 1863-1938
Alexeyev, Konstantin Sergeyevich, 1863-1938
Constantin Stanislavski Homme de théâtre et metteur en scène russe
Constantin Stanislavski Russian and Soviet actor and theatre director
Constantinus Stanislavskij
Konstantin Sergeevič Stanislavskij attore, regista e scrittore russo
Konstantin Sergejeviĉ Stanislavski
Konstantin Sergejevič Stanislavskij
Konstantin Sergejewitsch Stanislawski
Konstantin Sergejewitsch Stanislawski russischer Schauspieler, Regisseur, Theaterreformer und Vertreter des Naturalismus
Konstantin Stanislavski
Konstantín Stanislavski actor, director escénico y pedagogo teatral ruso
Konstantin Stanislavski toneelregisseur uit Keizerrijk Rusland (1863-1938)
Konstantin Stanislavskij
Konstantin Stanislavsky
Konstantin Stanislawski
Konstantinas Stanislavskis
Konstantins Staņislavskis
Konstanty Stanisławski aktor rosyjski
Konsztantyin Szergejevics Sztanyiszlavszkij
Sitanni 1863-1938
Sitannisilafusiji 1863-1938
Stānīslāfskī, Kūnstāntīn 1863-1938
Stanislavlski, Konstantin 1863-1938
Stanislavski 1863-1938
Stanislavski , C.
Stanislavski, Constantin
Stanislavski Constantin 1863-1938
Stanislavski, Constantin S. 1863-1938
Stanislavski, Constantin Sergueievitch Alexeev, 1863-1938
Stanislavski, Constantino S.
Stanislavski, K. S
Stanislavski, K. S. 1863-1938
Stanislavski, Konstantin
Stanislavski, Konstantin 1863-1938
Stanislavski, Konstantin S. 1863-1938
Stanislavski , Konstantin Sergeevič
Stanislavski, Konstantin Sergeevich
Stanislavskĭ Konstantin Sergeevitch Alekseev 1863-1938
Stanislavski, Konstantin Sergejevič
Stanislavski, Konstantin Sergejevič 1863-1938
Stanislavski, Konstantin Sergueevitch 1863-1938
Stanislavski, Konstantine Sergheïevitch Alexeïv, 1863-1938
Stanislavski Konstantine Sergueevitch 1863-1938
Stanislavskiı̆, K. S. 1863-1938
Stanislavskiĭ, K. S. (Konstantin Sergeevich), 1863-1938
Stanislavskii, Konstantin Sergeevich
Stanislavskiĭ, Konstantin Sergeevich 1863-1938
Stanislavskiĭ, Konstantin Sergeevitch
Stanislavskiĭ, Konstantin Sergeevitch 1863-1938
Stanislavskij 1863-1938
Stanislavskij, C. S. 1863-1938
Stanislavskij , Constantin
Stanislavskij, Constantin 1863-1938
Stanislavskij, K.
Stanislavskij, K.S.
Stanislavskij, K. S. 1863-1938
Stanislavskij, Konstantin.
Stanislavskij, Konstantin 1863-1938
Stanislavskij , Konstantin S.
Stanislavskij, Konstantin S. 1863-1938
Stanislavskij, Konstantin Sergeevič
Stanislavskij, Konstantin Sergěevič 1863-1938
Stanislavskij, Konstantin Sergejevic̆ 1863-1938
Stanislavskij, Konstantin Sergejewitsch 1863-1938
Stanislavskij, Konstantin Sergueevič 1863-1938
Stanìslavs'kij, Kostântin.
Stan̦islavskis, K. S. 1863-1938
Stanislavskiy Konstantin Sergeyevich
Stanislavsky.
Stanislavsky 1863-1938
Stanislavsky, Constantin
Stanislavsky Constantin 1863-1938
Stanislavsky, Constantino S.
Stanislavsky, K. 1863-1938
Stanislavsky, K. S.
Stanislavsky, Konstantin.
Stanislavsky, Konstantin 1863-1938
Stanislavsky, Konstantin Sergejevič 1863-1938
Stanislavsky, Konstantin Sergeyevich 1863-1938
Stanislavsky, Kostantin
Stanislawski, ...
Stanislawski 1863-1938
Stanislawski, Constantin 1863-1938
Stanisławski, K. S.
Stanislawski, K.S. 1863-1938
Stanisławski, Konstantin.
Stanislawski, Konstantin 1863-1938
Stanislawski, Konstantin S
Stanislawski, Konstantin S. 1863-1938
Stanislawski, Konstantin Sergejewitsch
Stanislawski, Konstantin Sergejewitsch 1863-1938
Stanislawski, Konstantv
Stanisławski, Konstanty.
Stanisławski, Konstanty 1863-1938
Stanislawskij, K. S. 1863-1938
Stanislawskij, Konstantin S.
Stanislawskij, Konstantin S. 1863-1938
Stanislawskij, Konstantin Sergejewitsch 1863-1938
Stanislawskij, Konstatnin Sergejewitsch 1863-1938
Stanisllavski, K. S.
Sŭtʻanisŭllabŭsŭkʻi 1863-1938
Sutanisurafusukii, Konsutanchin Serugeievitchi 1863-1938
Κονσταντίν Στανισλάφσκι
Алексеев, Константин Сергеевич 1863-1938
Алексѣев, Константин Сергѣевич 1863-1938
Канстантын Станіслаўскі
Канстанцін Сяргеевіч Станіслаўскі
Константин Сергеевич Алексеев
Константин Станиславски
Станиславский, К. С 1863-1938
Станиславский, К. С. (Константин Сергеевич), 1863-1938
Станиславский, Константин 1863-1938
Станиславский, Константин Сергеевич
Станиславский, Константин Сергеевич 1863-1938
Станіславський Костянтин Сергійович
Կոնստանտին Ստանիսլավսկի
סטניסלבסקי, ק. ס.
קונסטנטין סטניסלבסקי
ستانيسلافسكي، كونستانتين
قسطنطين ستانسلافسكي
قسطنطين ستانيسلافسكي
كونستانتين ستانيسلافسكي
کنستانتین استانیسلاوسکی
کونسستانتن ستانسلاوسکی
کۆنستانتین ستانیسلاڤسکی
कोन्स्तांतिन स्त्नानिस्लावस्की
ਕੋਂਸਸਤਾਂਤਿਨ ਸਤਾਨਿਸਲਾਵਸਕੀ
스타니스랍스키, 콘스탄틴 1863-1938
스타니슬라브스키, 칸스탄틴 1863-1938
스타니슬라브스키, 콘스탄틴 1863-1938
스타니슬라프스키, 콘스딴찐 세르게예비치 1863-1938
스타니슬라프스키, 콘스탄친 세르게예비치 1863-1938
스타니슬라프스키, 콘스탄틴 1863-1938
스타니슬랍스키, 콘스딴찐 세르게예비치 1863-1938
스타니슬랍스키, 콘스탄틴 1863-1938
콘스탄틴 스타니슬랍스키
コンスタンチン・スタニスラフスキー
スタニスラフスキー, K
スタニスラフスキー, コンスタンチン
スタニスラフスキイ
史坦尼斯拉夫斯基
康斯坦丁·斯坦尼斯拉夫斯基
Languages
English
(810)
German (139)
French (106)
Spanish (98)
Russian (53)
Turkish (11)
Portuguese (7)
Japanese (5)
Chinese (3)
Multiple languages (3)
Italian (2)
Serbian (2)
Greek, Modern (1)
Indonesian (1)
Dutch (1)
German (139)
French (106)
Spanish (98)
Russian (53)
Turkish (11)
Portuguese (7)
Japanese (5)
Chinese (3)
Multiple languages (3)
Italian (2)
Serbian (2)
Greek, Modern (1)
Indonesian (1)
Dutch (1)
Covers
