WorldCat Identities

Kegel, Herbert

Works: 1,386 works in 2,654 publications in 10 languages and 29,132 library holdings
Genres: Operas  Live sound recordings  Requiems  Musical settings  Songs and music  Excerpts  Drama  Cantatas  Songs  Music 
Roles: Conductor, Performer, Author, Other, Narrator, Director
Classifications: M1500, 782.1
Publication Timeline
Most widely held works about Herbert Kegel
Most widely held works by Herbert Kegel
Carmina burana by Carl Orff( )

51 editions published between 1965 and 2017 in 8 languages and held by 822 WorldCat member libraries worldwide

Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana
Parsifal : [ein Bühnenweihfestspiel] by Richard Wagner( )

14 editions published between 1978 and 2015 in 3 languages and held by 707 WorldCat member libraries worldwide

Wagner's mystical opera makes extraordinary demands on the conductor, but James Levine is renowned for the special affection and authority he brings to this transcendent work. The music shimmers and glows, evoking the legendary world of the Knights of the Holy Grail and the pure fool who brings healing power to the land. Peter Hofmann stars as the questing title hero, Jerome Hines sings the wise old man, Gurnemanz, and Mignon Dunn is the voluptuous Kundry, whose erotic temptations almost ensnare the young hero
Die sieben Todsünden ; [Songs aus] Berliner Requiem, Happy end, Mahagonny, Dreigroschenoper by Kurt Weill( )

22 editions published between 1967 and 2015 in 3 languages and held by 550 WorldCat member libraries worldwide

Carmen by Georges Bizet( )

18 editions published between 1960 and 2010 in German and French and held by 513 WorldCat member libraries worldwide

Ultraphonic: 1660
Die Kluge by Carl Orff( )

19 editions published between 1982 and 2016 in German and No Linguistic content and held by 494 WorldCat member libraries worldwide

Die Kluge: Geschichte von dem König und der klugen Frau: Oper in zwölf Szenen / Der Mond: Kleines Welttheater in einem Akt
War requiem by Benjamin Britten( )

11 editions published between 1969 and 2016 in 4 languages and held by 489 WorldCat member libraries worldwide

Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
Der mond by Carl Orff( )

6 editions published between 1973 and 2000 in German and No Linguistic content and held by 474 WorldCat member libraries worldwide

Ein deutsches Requiem : op. 45 by Johannes Brahms( )

11 editions published between 1985 and 2017 in German and Undetermined and held by 474 WorldCat member libraries worldwide

Paavo Jarvi celebrates the eightieth birthday of the Frankfurt Radio Symphony in Orchestra in a recording of Brahms' Ein Deutsches Requiem that includes Natalie Dessay and Ludovic Tezier
Jüdische Chronik by Boris Blacher( )

23 editions published between 1966 and 2010 in 4 languages and held by 321 WorldCat member libraries worldwide

Der Grossinquisitor by Boris Blacher( )

15 editions published between 1988 and 2013 in 3 languages and held by 296 WorldCat member libraries worldwide

Symphonies nos. 5, 6 & 8 by Karl Amadeus Hartmann( )

6 editions published in 1995 in No Linguistic content and Undetermined and held by 292 WorldCat member libraries worldwide

Como una ola de fuerza y luz ; Epitaffio 1 & 3 by Luigi Nono( )

10 editions published between 1977 and 1994 in 3 languages and held by 287 WorldCat member libraries worldwide

Orchesterwerke = Works for orchestra by Paul Dessau( )

10 editions published between 1966 and 1995 in No Linguistic content and Undetermined and held by 281 WorldCat member libraries worldwide

Concertante Musik : für Orchester, op. 10 ; Orchestervariationen über ein Thema von Paganini : op. 26 ; Klavierkonzert Nr. 2 op. 42 by Boris Blacher( )

6 editions published in 1995 in No Linguistic content and German and held by 281 WorldCat member libraries worldwide

Klavierwerke by Paul Dessau( )

10 editions published between 1979 and 1996 in 3 languages and held by 272 WorldCat member libraries worldwide

Wozzeck : op. 7 by Alban Berg( )

6 editions published in 1992 in German and Undetermined and held by 270 WorldCat member libraries worldwide

Tripelkonzert = Triple concerto ; Ouvertüren: Egmont, Coriolan, Fidelio by Ludwig van Beethoven( )

4 editions published between 1987 and 2009 in German and held by 270 WorldCat member libraries worldwide

Konzert C-Dur für Violine, Violoncello, Klavier und Orchester, op. 56 / Klaviersonate Nr. 17 d-Moll, op. 31 Nr. 2
Concertos, orchestral suites, chamber symphonies by Dmitriĭ Dmitrievich Shostakovich( )

5 editions published in 2006 in 3 languages and held by 258 WorldCat member libraries worldwide

Die Verlobung im Kloster by Sergey Prokofiev( )

4 editions published in 1994 in German and held by 257 WorldCat member libraries worldwide

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Audience level: 0.41 (from 0.37 for Ein deutsc ... to 0.94 for Karayan ga ...)

WorldCat IdentitiesRelated Identities
Alternative Names
Herbert Kegel

Herbert Kegel chef d'orchestre allemand

Herbert Kegel Duits dirigent (1920-1990)

Herbert Kegel German conductor

Kwegel, Herbert 1920-1990

헤르베르트 케겔

ケーゲル, ヘルベルト