WorldCat Identities

Bonaduce, Ilaria

Works: 19 works in 24 publications in 2 languages and 53 library holdings
Genres: Conference papers and proceedings 
Roles: Editor, Other, Contributor, htt, Author, Opponent
Publication Timeline
Most widely held works by Ilaria Bonaduce
Analytical chemistry for cultural heritage( Book )

1 edition published in 2017 in English and held by 19 WorldCat member libraries worldwide

The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes. The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science. The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience. Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole. The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed. The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented. Contributions also offer an outlook on potential future developments in the field
Conservation of modern oil paintings by Gunnar Heydenreich( )

6 editions published between 2019 and 2020 in English and Undetermined and held by 8 WorldCat member libraries worldwide

Challenges in research: Connecting scientific analysis with conservation practice; A. Burnstock et al.- Evaluating cleaning systems for use on water sensitive modern oil paints: a comparative study; B. Ormsby et al.- Paint Technology.- Pigment Surface Treatments: 20th and 21st century industrial techniques and strategies for their detection; C. Salis Gomes et al.- Meet the future: the creation of new pigments; M. de Keijzer.- Zinc oxide in oil-based house paint: Insights from a paint chemist's notebook dated 1949; A. Carter et al.- A Glimpse into the House and Decorative Paint Market in Norway During World War I (1914-1918); B. Wedvik.- Approaches to the identification of Royal Talens' ETA (emulsion) paint in objects of art; L. van den Heuvel.- Synthetic organic pigments in Royal Talens oil paint 1920-1950 - The case of vermillion imit; R. Pause.- Case studies: artists techniques and materials; degradation; ethical considerations; treatment options.- Ellsworth Kelly: The Studio and Beyond; M.H. Gridley.- A new vocabulary of color: Bocour oil paints and Barnett Newman; C.E. Rogge, B.A. Epley.- Analysis of Modern Paints and Conservation at the Clyfford Still Museum; J Squires, P. Skiles.- Pigments of Soviet Artists in the 1950s - late 70s; I. Kadikova et al.- A View Through the Meander: A Study of Knifer's Oil Paintings from the 1960s; M. Pavic, M. Munivrana.- Preservation of Russian Abstract Art of the Second Part of the 20th Century; Anastasia V. Yurovetskaya et al.- Investigating colour changes in red and blue paints - a preliminary study of art materials and techniques in Edvard Munch's Old Man in Warnemunde (1907); J.S. Ferrer et al.- Aspects of Lovis Corinth's Painting Technique in his late Work: Working Process and Colour Structure captured in Paint and on Film; T. Kramer.- Oil paint straight from the tube: paint-specific deterioration in works by Alexis Merodack-Jeaneau, 1910-1913; A. Grazyk et al.- Picasso 1917: Failure Mechanisms in the Paint Layers of Four Artworks; A. Vila et al.- Investigation on the speckles syndrome affecting late 1920s oil paintings by Rene Magritte; C. Defeyt et al.- Diagnosis and conservation process of major curled-up delaminated areas in a black oil painting from 1960 by Pierre Soulages; P. Helou-de La Grandiere.-Examination of paint delamination in C'est grace a nous by Asger Jorn; I.A. Tank Bronken.- A synchrotron photoluminescence microscopy study into the use and degradation of zinc white in The Woodcutters by Bart van der Leck; S. Hageraats et al.- 'Breaking waves'. The relation between zinc-oxide degradation in a ground layer and extreme delamination on Beach Scene, by J.E.H. Akkeringa (1861-1942); Alma Jongstra et al.- Efflorescence on the paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light ; K. Wingel et al.- A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier; K. Helwig et al.- The Deterioration and Treatment of Some Late Paintings by Paul-Emile Borduas; M. O'Malley.- Colors before Zero: commercial alkyd-oil enamel paints in early reliefs by Jan J. Schoonhoven; L. Beerkens et al.- Some considerations when cleaning Robert Ryman's oil paint(ings); L. Steyn et al.- Challenges of Surface Cleaning Paintings by Asger Jorn (1914-1973): An Inventory of Existing Practice; J. Bierings et al.-Decision-making processes regarding the treatment of modern oil paintings (1950's - present) exhibiting paint dripping and oil exudates; J. de Groot et al.- Between rejection, ignorance, and preference: The history and dilemma of modern double-sided (recto/verso) paintings with regard to issues of conservation and presentation; U. Runeberg.- Model studies.- Novel microscopic strategy for the study of paint cross-sections; A. Artesani et al.- Investigations into the mechanical properties of commercial artists' oil paint by Dynamic Mechanical (Thermal) Analysis (DMA), Nanoindentation (UNHT), and Dynamic Vapour Sorption (DVS); C. Krarup Andersen et al.- A Preliminary Investigation into the Behavior of Modern Artists' Oil Paints in a Hot and Humid Climate; C. Grech et al.- Inside the forger's oven: identification of drying products in oil paints during and after accelerated drying with increased temperatures; D. Blumenroth et al.- The influence of metal stearates on the water sensitivity of modern oil paints; D. Banti et al.- The rate of solvent action on modern oil paint; S. Zumbuhl.- Conservation treatment.- Water-sensitivity in modern oil paintings: Trends in phenomena and treatment options; M. Gillman et al.- Modern oil paintings in Tate's collection: a review of analytical findings and reflections on water sensitivity; J. Lee et al.- Analytical study to monitor the effectiveness of a combined liquid-dispensing and micro-aspiration system for the cleaning of modern oil paintings; A. Casoli et al.- Ketone resins varnishes on canvas paintings from the collection of the Munch Museum; E. Storevik-Tveit et al.- Designing mock-up paintings for a study of novel surface cleaning techniques for Munch's unvarnished Aula paintings; L. Porsmo Stoveland et al.- Analysis of cleaning efficacy and clearance of silicone-based Pickering-type emulsions used in the cleaning of water-miscible oil paints; J.M. Myers, M.Cushman.- Improving the surface cleaning of water sensitive oil paint by use of alternative application methods; M. Hintz et al.- Evolon (R) CR microfibre cloth as a tool for varnish removal; M. Vergeer et al.- Can Cellulosebeads save the Circling of the Planets? Cellulose-based consolidating filler to stabilise lifted brittle flakes on a large painting; K. Soppa et al.-
A multi-analytical characterization of artists' carbon-based black pigments by Anna Lluveras-Tenorio( )

1 edition published in 2019 in English and held by 2 WorldCat member libraries worldwide

Analysis of plant gums and saccharide materials in paint samples: comparison of GC-MS analytical procedures and databases by Anna Lluveras-Tenorio( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

A simple and reliable methodology to detect egg white in art samples by Michela Gambino( )

1 edition published in 2013 in English and held by 2 WorldCat member libraries worldwide

Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from paints of Josep Maria Sert by Anna Lluveras-Tenorio( )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples by Jacopo La Nasa( )

1 edition published in 2018 in English and held by 2 WorldCat member libraries worldwide

The role of the polymeric network in the water sensitivity of modern oil paints by Jacopo La Nasa( )

1 edition published in 2019 in English and held by 2 WorldCat member libraries worldwide

Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects by Ilaria Bonaduce( )

1 edition published in 2015 in English and held by 2 WorldCat member libraries worldwide

Characterisation of preparation layers in nine Danish Golden Age canvas paintings by SEM-EDX, FTIR and GC-MS by C. K Andersen( )

1 edition published in 2017 in English and held by 2 WorldCat member libraries worldwide

On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints by Francesca Modugno( )

1 edition published in 2019 in English and held by 2 WorldCat member libraries worldwide

Diagnostica mediante metodologie integrate del ciclo pittorico "Storie di Teodolinda" nella Cappella di Teodolinda del Duomo di Monza( )

1 edition published in 2005 in Italian and held by 1 WorldCat member library worldwide

Characterization of organic media in the wall-paintings of the "Palace of Nestor" at Pylos, Greece : evidence for a secco painting techniques in the Bronze Age by Hariclia Brecoulaki( )

1 edition published in 2012 in English and held by 1 WorldCat member library worldwide

Studio multidisciplinare sulle preparazioni di Vittore Grubicy de Dragon dai materiali dell'atelier alle opere by Claudia Marchese( )

1 edition published in 2017 in Italian and held by 1 WorldCat member library worldwide

Conservation of Modern Oil Paintings( )

1 edition published in 2019 in English and held by 1 WorldCat member library worldwide

The constituents of the ink from a Qumran inkwell : new prospects for provenancing the ink on the Dead Sea scrolls by Kaare Lund Rasmussen( )

1 edition published in 2012 in English and held by 1 WorldCat member library worldwide

New developments in high-resolution mass spectrometry for proteomic analysis applied to cultural heritage : study of intact proteins, their cross-linking and interaction in artworks and museum objects by Francesca Galluzzi( )

1 edition published in 2021 in English and held by 1 WorldCat member library worldwide

Proteins in cultural heritage objects constitute a critical source of information. Their detection and characterisation can provide an accurate comprehension of the artist's technique and formulations. A more in-depth insight of the state of conservation and history of the artwork can also be achieved through investigation at the molecular level of the degradation mechanisms induced by natural ageing, environmental factors or either by inappropriate conservation/restoration treatments. Firstly, the PhD was dedicated to the development of proteomic bottom-up and top-down strategies using mass spectrometry for the study of proteins at trace levels from historical and artistic objects. The potentialities of a combination of these two complementary approaches were highlighted in the study of Gainsborough's drawings, where the presence of milk-based fixatives was revealed with samples collected with minimally invasive techniques. Information achieved with the peptidic analysis, such as the specific breed origin of the detected proteins and their modifications, were enriched through top-down analysis with the detection of highly modified proteoforms characterised by multiple cleavage patterns. Secondly, the PhD study aimed to achieve a better insight into the proteins' structural and conformational alterations in an artwork. A strategy based on the elaboration of data from the bottom-up analysis was optimised to investigate the protein networks formations through the localisation and characterisation of cross-linked peptidic pairs. The methodology was initially tested on mock-ups of paintings (formulated with lysozyme mixed with lead white pigment) which were treated with oxidising agents and naturally aged. The detection of different reticulated products led to defining various molecular patterns characteristic of oxidative-based cross-links in the lysozyme protein which subsequently were detected in more complex samples from historical tempera paintings. The cross-linking examination, combined with an unbiased modification search, also was effective for a more exhaustive understanding of the biological composition and conservation history of a Coptic manuscript subjected to ancient invasive restoration treatment. The detection of a great extent of lysine methylations and especially the characteristic fragmentation markers of formaldehyde-based cross-links provided the first analytical evidence of a potential parchment consolidation treatment based on gelatin-formol used by the Vatican library during restoration. The developed approach also offered a more accurate protein identification detecting peptides that passed unnoticed in the classical strategy because they were chemically modified or structurally unreachable. Finally, the action of some of the most common inorganic pigments on proteins molecular and structural changes was also investigated. Particularly, the role of these inorganic compounds in proteins conformational changes was investigated for the first time through Hydrogen/Deuterium exchange (HDX) studies via mass spectrometry (intact protein approach). The decrease of deuterium exchange observed for certain mixtures suggested the interposition of the pigment in the protein solvent accessibility, or/and the modification of the molecular conformation
The characterisation of the organic binders( )

1 edition published in 2009 in English and held by 1 WorldCat member library worldwide

A multi-analytical approach for the investigation of materials and techniques in the art of gilding : dottorato in scienze chimiche, 18. ciclo : phd thesis by Ilaria Bonaduce( Book )

1 edition published in 2005 in English and held by 1 WorldCat member library worldwide

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Analytical chemistry for cultural heritage
Conservation of modern oil paintings
Alternative Names
Bonaduce, I.

Ilaria Bonaduce wetenschapper