11/22/63 : a novel

King's mastery of plot and his ability to create characters and situations both homespun and far-fetched means that this is the book you dream of getting stuck on the train home with. * <i>Independent on Sunday</i> * Stephen King's new novel, 11.22.63, combines a variety of genres, being a JFK assassination, a story of time travel, a variation on the grail quest, a novel of voyeurism, a love story, a historical novel, a counter-factual historical novel and the chilling tale of a sinister animate universe, a form which can be traced back to the ghost stories of MR James. * <i>London Review of Books<i> * The pages of 11.22.63 fly by, filled with immediacy, pathos and suspense. It takes great brazenness to go anywhere near this subject matter. But it takes great skill to make this story even remotely credible. Mr. King makes it all look easy, which is surely his book's fanciest trick. * <i>New York Times</i> * The master of the pen has written yet another extraordinary novel. * <i>Independent<i> * not just an accomplished time-travel yarn but an action-heavy meditation on chance, choice and fate. * <i>Independent Books of the Year<i> * This is the American of Stephen King's childhood and it's one that he re-creates in vivid and loving detail ... This is a truly compulsive, addictive novel not just about time-travel or the Kennedy assassination but about recent American history and its might-have-beens, about love, and about how life 'turns on a dime'. It's a thunking 700-pager which left me only wanting more. The master storyteller in truly masterful form. * <i>Daily Mail<i> * Stephen King at his epic, pedal-to-metal best * Alison Flood, <i>Sunday Times, Culture<i> * Not just an accomplished time-travel yarn but an action-heavy meditation on chance, choice and fate. * <i>Independent Books of the Year<i> * You have to take a leap of faith with time-travel novels, but if there's one writer who can pull it off, it's Stephen King ... Captivating, surprisingly pacy and free from sci-fi cliche, it's no wonder the film version is already being planned. * <i>Shortlist<i> * The details of Fifties America, the cars, the clothes, the food, the televisions with wonky horizontal hold, are so vivid that you begin to wonder whether the author himself hasn't had access to a time machine....But as you worry at the paradoxes and the brilliantly explained pseudo science there is no denying that this monster yearn is blindingly impressive. Manly writers run out of steam as they get older. King, though, writes books that are ever longer and more demanding. I can't wait to see what he will tackle next. * <i>Daily Express<i> * Stephen King is up there with the best. It's a thriller, a meditation on late Fifties and early Sixties America and a love story. It creates a world you can lose yourself in. * Peter Robinson in the <i>Sunday Express</i> * Time travel and an incredible talent for storytelling combine to produce a unique tour de force. * <i>Sun</i> * The story comes off the blocks with almost alarming speed ... he tells a story like a pro .... 11.22.63 kept me up all night. * <i>Daily Telegraph<i> * 11.22.63 marks a definite maturing of literary command and ambition. The key to any novel set in an alternate reality is credible world building, the steady accumulation of detail - preferably lightly distributed - that brings the story alive. King succeeds in this, partly drawing from his own memories. * Adam LeBor <i>FT Weekend<i> * Stephen King at his epic, pedal-to-metal best * Alison Flood, <i>Sunday Times<i> * The reader feels the benefit of 40 years of narrative craftsmanship and reflection on his nation's history. Going backwards proves to be another step forward for the most remarkable storyteller in modern American literature. * Mark Lawson, <i>Guardian</i> * King swiftly moves beyond vintage Americana to unfold a stunningly panoramic portrait of the era. His [King's] fascination with evil ... arranges characters among clear mortal frontiers that fell meaningful rather than simplistic. King commands an inordinately fat space on the bookshelf with 11.22.63 but it's hard to begrudge when his vast imagination is working across such an epic canvas. * <i>Seven, The Sunday Telegraph<i> * The details of Fifties America, the cars, the clothes, the food, the televisions with wonky horizontal hold, are so vivid that you begin to wonder whether the author himself hasn't had access to a time machine ... But as you worry at the paradoxes and the brilliantly explained pseudo science there is no denying that this monster yearn is blindingly impressive. * <i>Daily Express<i> * One of the strengths of the book is King's at once nostalgic and honest view of the end of the Eisenhower era. King manages to avoid both sentimentalizing the past and treating it with massive condescension; his role as the poet of American brand-names serves him well here. * <i>Independent<i> * Read more...