| INTRODUCTION | | 12 | |
| ART AND THE EVERYDAY | | 24 | |
| Henri Lefebvre, Clearing the Ground, 1961 |
| | 26 | |
| Maurice Blanchot, Everyday Speech, 1962 |
| | 34 | |
| Kristin Ross, French Quotidian, 1997 |
| | 42 | |
| Jean-Jacques L��v��que, Occupation of Places, 1968 |
| | 48 | |
| Lucy R. Lippard, Escape Attempts, 1973 |
| | 48 | |
| Stephen Koch, Stargazer: The Films of Andy Warhol, 1973 |
| | 51 | |
| Martha Rosier, to argue for a video of representation. to argue for a video against the mythology of everyday life, 1977 |
| | 52 | |
| Allen Ruppersberg, Fifty Helpful Hints on the Art of the Everyday, 1985 |
| | 54 | |
| Jeff Wall, Dan Graham's Kammerspiel, 1988 |
| | 57 | |
| Jonathan Watkins, Every Day, 1998 |
| | 61 | |
| Nikos Papastergiadis, Everything That Surrounds: Art, Politics and Theories of the Everyday, 1998 |
| | 68 | |
| David A. Ross and Nicholas Serota, The Everyday, A Conversation, 2000 |
| | 76 | |
| Michel Matteson, Walking in the Margins, 2002 |
| | 77 | |
| Gregory Crewdson, American Standard' (Para)Normality and Everyday Life 2002 |
| | 79 | |
| Ben Highmore, Everyday Life and Cultural Theory, 2002 |
| | 79 | |
| THE POETICS OF NOTICING | | 88 | |
| Marcel Duchamp, Notes on the Infra-Slim, c. 1945 |
| | 90 | |
| Jonas Mekas, Interview with Jerome Sans, 2000 |
| | 92 | |
| Lettrist International, Proposals for Rationally Improving the City of Paris. 1955 |
| | 92 | |
| Vincent Kaufmann, The Poetics of the Derive, 2001 |
| | 95 | |
| Georges Perec, The Street, 1974 |
| | 102 | |
| Paul Virilio, On Georges Perec, 2001 |
| | 108 | |
| Alison and Peter Smithson, The 'As Found' and the 'Found', 1989 |
| | 110 | |
| Daniel Spoerri, with Robert Filliou, Emmett Williams, Dieter Roth, An Anecdoted Topography of Chance, 1962 |
| | 112 | |
| Yoko Ono, City Piece, 1963 |
| | 113 | |
| Sally Banes, Equality Celebrates the Ordinary, 1993 |
| | 113 | |
| Helena Tatay, Hans-Peter Feldmann, 2002 |
| | 120 | |
| Ian Breakwell, Diary, 1964-85 |
| | 125 | |
| Ivone Margulies, Nothing Happens: Time for the Everyday in Postwar Realist Cinema, 1996 |
| | 126 | |
| Patrick Frey, Outings in the Visible World, 1995 |
| | 131 | |
| Gabriel Orozco, On Recent Films, 1998 |
| | 134 | |
| Ilya and Emilia Kabakov, Night Journey, 1998 |
| | 136 | |
| Stephen Shore, Interview with Lynne Tillman, 2004 |
| | 138 | |
| Francis Alys, Interview with James Lingwood, 2006 |
| | 140 | |
| Michael Sheringham, Configuring the Everyday, 2007 |
| | 141 | |
| DOCUMENTARY STYLE AND ETHNOGRAPHY | | 148 | |
| Stanley Brouwn, This Way Brouwn, 1961 |
| | 150 | |
| Tom McDonough, Calling from The Inside: Filmic Topologies of the Everyday, 2007 |
| | 150 | |
| Annette Messager, Album, 1972-73 |
| | 160 | |
| Rebecca J. DeRoo, Annette Messager's Images of the Everyday, 2006 |
| | 164 | |
| Helen Molesworth, House Work and Art Work, 2000 |
| | 170 | |
| Joseph Kosuth, The Artist as Anthropologist, 1975 |
| | 182 | |
| Stephen Willats, The Lurky Place, 1978 |
| | 184 | |
| Susan Hiller, Collaborative Meaning: Art as Experience, 1982 |
| | 186 | |
| Sophie Calle, The Hotel, 1984 |
| | 190 | |
| Paul Auster and Sophie Calle, Double Game, 1999 |
| | 192 | |
| Abigail Solomon-Godeau, Inside/Out, 1994 |
| | 195 | |
| John Roberts, Mad for It: Philistinism, the Everyday and the New British Art, 1996 |
| | 204 | |
| Alison Marchant, Living Room, 1998 |
| | 212 | |
| Richard Wentworth, Statement, 2007 |
| | 213 | |
| Geoff Dyer, Les Mots et les choses: Eugene Atget and Richard Wentworth, 2001 |
| | 214 | |
| Aleksandra Mir, Living and Loving # 1: The Biography of Donald Cappy, 2002 |
| | 218 | |
| Roman Ondetk, Interview with Hans Ulrich Obrist, 2005 |
| | 219 | |
| Vladimir Arkhipov, Home Mdde: Contemporary Russian Artefacts, 2006 |
| | 221 | |
| Martha Rosier, The Garage Sale is a Metaphor for the Mind, 2005 |
| | 222 | |
| BIOGRAPHICAL NOTES | | 224 | |
| BIBLIOGRAPHY | | 230 | |
| INDEX | | 234 | |
| ACKNOWLEDGEMENTS | | 240 | |
