Francesca Caccini at the Medici court : music and the circulation of power
A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant figure of musical life in Florence for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music that she wrote for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals, for the first time, how this multitalented woman established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne Cusick argues that Caccini's career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany's de facto regent from 1606 to 1636. Drawing on Classical and feminist theories of performance, performativity, and embodiment to interpret Caccini's surviving music and accounts of her performances, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine's power, thereby also supporting the sexual and political aims of its women. A CD of rare recorded samples of Caccini's oeuvre, specially prepared, further enhances this long-awaited study. In bringing Caccini's surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power. --From book jacket