Front cover image for The story of all things : writing the self in English Renaissance narrative poetry

The story of all things : writing the self in English Renaissance narrative poetry

Marshall Grossman analyzes the influence of major cultural developments, as well as significant events in the lives of Renaissance poets, to show how specific narratives characterize distinctive conceptions of the self in relation to historical action
Print Book, English, 1998
Duke University Press, Durham [N.C.], 1998
Criticism, interpretation, etc
xxiii, 347 pages ; 24 cm.
9780822321019, 9780822321170, 0822321017, 0822321173
37783090
Acknowledgmentsix(2)
Prefacexi
Part 13(104)
1 Literary Forms and Historical Consciousness in Renaissance Poetry
3(31)
2 The Subject of Narrative and the Rhetoric of the Self
34(22)
3 Augustine and the Rhetoric of the Christian Ego
56(51)
Part 2107(146)
4 Spenser and the Metonymies of Virtue: A Case of History
107(47)
5 Refiguring the Remains of the World in Donne's Anniversaries: Absolute Monuments to Absolute Knowledge
154(43)
6 Authoring the Boundary: Allegory, Irony, and the Rebus in Marvell's "Upon Appleton House"
197(21)
7 Experience, Negation, and the Genders of Time: Milton and the Question of Woman
218(35)
Epilogue: The Hyphen in the Mouth of Modernity253(18)
Notes271(66)
Index337