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<TABLE CELLSPACING=0 CELLPADDING=0><TR><TD>Introduction: Revolutions, Ruptures, and Rifts in Interpretive Inquiry</TD><TD WIDTH=40></TD><TD VALIGN=TOP>1 </TD><TD VALIGN=TOP>(16)</TD></TR><TR><TD>PART I: The Revolution of Representation</TD><TD WIDTH=40></TD><TD VALIGN=TOP>17 </TD><TD VALIGN=TOP>(102)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>Feminist and Race/Ethnic Studies Discourses</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>1 Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>21</TD><TD VALIGN=TOP>(26)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Donna Haraway</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>2 Toward an Afrocentric Feminist Epistemology</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>47 </TD><TD VALIGN=TOP>(26)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Patricia Hill Collins</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>3 Defining Feminist Ethnography</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>73 </TD><TD VALIGN=TOP>(22)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Kamala Visweswaran</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>The Subaltern Speaks</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>4 The Torture and Death of Her Little Brother, Burnt Alive in Front of Members of Their Families and the Community</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>95 </TD><TD VALIGN=TOP>(10)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Rigoberta Mench��, translated by Ann Wright</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>The "Voice from Nowhere" Gets to Speak: Autoethnography and Personal Narratives</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>5 The Way We Were, Are, and Might Be: Torch Singing as Autoethnography</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>105 </TD><TD VALIGN=TOP>(16)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Stacy Holman Jones</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART II: The Revolution in Authority</TD><TD WIDTH=40></TD><TD VALIGN=TOP>119</TD><TD VALIGN=TOP>(20)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>6 On Ethnographic Authority</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>121 </TD><TD VALIGN=TOP>(18)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>James Clifford</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART III: The Revolution of Legitimation</TD><TD WIDTH=40></TD><TD VALIGN=TOP>139</TD><TD VALIGN=TOP>(78)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>7 Thick Description: Toward an Interpretive Theory of Culture</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>143</TD><TD VALIGN=TOP>(26)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Clifford Geertz</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>8 Quality in Qualitative Research</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>169 </TD><TD VALIGN=TOP>(16)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Clive Seale</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>9 Issues of Validity in Openly Ideological Research: Between a Rock and a Soft Place</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>185 </TD><TD VALIGN=TOP>(32)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Patti Lather</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART IV: The Ethical Revolution</TD><TD WIDTH=40></TD><TD VALIGN=TOP>217</TD><TD VALIGN=TOP>(22)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>10 Ethics: The Failure of Positivist Science</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>219 </TD><TD VALIGN=TOP>(20)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Yvonna S. Lincoln and Egon G. Guba</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART V: The Methodological Revolution</TD><TD WIDTH=40></TD><TD VALIGN=TOP>239</TD><TD VALIGN=TOP>(88)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>11 Interviewing Women: A Contradiction in Terms</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>243 </TD><TD VALIGN=TOP>(22)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Ann Oakley</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>12 On the Use of the Camera in Anthropology</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>265 </TD><TD VALIGN=TOP>(8)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Margaret Mead and Gregory Bateson</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>13 Taking Narrative Seriously: Consequences for Method and Theory in Interview Studies</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>273 </TD><TD VALIGN=TOP>(24)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Susan E. Chase</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>14 Representing Discourse: The Rhetoric of Transcription</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>297 </TD><TD VALIGN=TOP>(30)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Elliot G. Mishler</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART VI: The Crisis in Purpose: What Is Ethnography for, and Whom Should It Serve?</TD><TD WIDTH=40></TD><TD VALIGN=TOP>327</TD><TD VALIGN=TOP>(48)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>15 Can Ethnographic Narrative Be a Neighborly Act?</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>331 </TD><TD VALIGN=TOP>(20)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Mary C. Savage</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>16 Rethinking Ethnography: Towards a Critical Cultural Politics</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>351 </TD><TD VALIGN=TOP>(24)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Dwight Conquergood</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART VII: The Revolution in Presentation</TD><TD WIDTH=40></TD><TD VALIGN=TOP>375</TD><TD VALIGN=TOP>(62)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>17 Writing: A Method of Inquiry</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>379 </TD><TD VALIGN=TOP>(18)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Laurel Richardson</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>Performance Ethnography and Ethno-drama</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>18 Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>397 </TD><TD VALIGN=TOP>(18)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Dwight Conquergood</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>19 The Theater of Ethnography: The Reconstruction of Ethnography into Theater with Emancipatory Potential</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>415</TD><TD VALIGN=TOP>(18)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=80></TD><TD>Jim Mienczakowski</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>Poetics Anthropological and Ethnograpic</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>20 Foreword from Reflections: The Anthropological Muse</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>433 </TD><TD VALIGN=TOP>(8)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>Dell Hymes</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>PART VIII: The Future of Ethnography and Qualitative Research</TD><TD WIDTH=40></TD><TD VALIGN=TOP>437</TD><TD VALIGN=TOP>(58)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>21 Personal Narrative, Performance, Performativity: Two or Three Things I Know for Sure</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>441 </TD><TD VALIGN=TOP>(28)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Kristin M. Langellier</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>22 Performance, Personal Narratives, and the Politics of Possibility</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>469 </TD><TD VALIGN=TOP>(18)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>D. Soyini Madison</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>23 The Anthro in Cali</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>487 </TD><TD VALIGN=TOP>(4)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Miles Richardson</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>24 Shaman</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>491 </TD><TD VALIGN=TOP>(2)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Anya Peterson Royce</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>25 Tango for One</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>493 </TD><TD VALIGN=TOP>(2)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Anya Peterson Royce</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>About the Editors</TD><TD WIDTH=40></TD><TD VALIGN=TOP>495</TD><TD></TD></TR></TABLE>

Turning points in qualitative research : tying knots in a handkerchief