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WorldCat.org

<TABLE CELLSPACING=0 CELLPADDING=0><TR><TD>Notes on contributors</TD><TD WIDTH=40></TD></TR><TR><TD>Editor's Preface</TD><TD WIDTH=40></TD></TR><TR><TD>1. Renaissance, Mannerism, Baroque Tim Carter</TD><TD WIDTH=40></TD></TR><TR><TD>2. The seventeenth-century musical 'work' John Butt</TD><TD WIDTH=40></TD></TR><TR><TD>3. Music in the marketplace Stephen Rose</TD><TD WIDTH=40></TD></TR><TR><TD>4. Music in New Worlds Victor Anand Coelho</TD><TD WIDTH=40></TD></TR><TR><TD>5. Music and the arts Barbara Russano Hanning</TD><TD WIDTH=40></TD></TR><TR><TD>6. Music and the sciences Penelope Gouk</TD><TD WIDTH=40></TD></TR><TR><TD>7. The search for musical meaning Tim Carter</TD><TD WIDTH=40></TD></TR><TR><TD>8. Power and display: music in court theatre Lois Rosow</TD><TD WIDTH=40></TD></TR><TR><TD>9. Mask and illusion: Italian opera after 1637 Tim Carter</TD><TD WIDTH=40></TD></TR><TR><TD>10. The church triumphant: music in the liturgy Noel O'Regan</TD><TD WIDTH=40></TD></TR><TR><TD>11. Devotion, piety and commemoration: sacred songs and oratorios Robert Kendrick</TD><TD WIDTH=40></TD></TR><TR><TD>12. Image and eloquence: secular song Margaret Murata</TD><TD WIDTH=40></TD></TR><TR><TD>13. Fantasy and craft: the solo instrumentalist Alexander Silbiger</TD><TD WIDTH=40></TD></TR><TR><TD>14. Form and gesture: canzona, sonata and concerto Gregory Barnett</TD><TD WIDTH=40></TD></TR><TR><TD>Appendices Stephen Rose</TD><TD WIDTH=40></TD></TR><TR><TD>I. Chronology</TD><TD WIDTH=40></TD></TR><TR><TD>II. Places and Institutions</TD><TD WIDTH=40></TD></TR><TR><TD>III. Personalia</TD><TD WIDTH=40></TD></TR><TR><TD>Index.</TD><TD WIDTH=40></TD></TR></TABLE>

While this history does not depart entirely from the traditional study of musical works and their composers, there is a strong emphasis on the institutions, cultures & politics of the age, together with an interrogation of the ways in which music related to contemporary arts, sciences & beliefs

The Cambridge history of seventeenth-century music