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WorldCat.org

<TABLE CELLSPACING=0 CELLPADDING=0><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=80></TD><TD>List of Illustrations</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>xii</TD><TD></TD></TR><TR><TD>Introduction: Venturing Out</TD><TD WIDTH=40></TD><TD VALIGN=TOP>1</TD><TD VALIGN=TOP>(10)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>PART I. JOURNEY INTO SPACE</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>11</TD><TD VALIGN=TOP>(74)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Looking into the Box</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>13</TD><TD VALIGN=TOP>(42)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>The Persistent Box</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>55</TD><TD VALIGN=TOP>(30)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>PART II. LESSER AND GREATER WORLDS</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>85</TD><TD VALIGN=TOP>(80)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>The Art of Analogy: Leonardo and Palissy</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>87</TD><TD VALIGN=TOP>(29)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>The Art of Interaction: Robert Thornton and the Romantic Era</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>116</TD><TD VALIGN=TOP>(28)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Wholes and Parts</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>144</TD><TD VALIGN=TOP>(21)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>PART III. DISCERNING DESIGNS</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>165</TD><TD VALIGN=TOP>(74)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Natural Geometries</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>167</TD><TD VALIGN=TOP>(33)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Growth and Form</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>200</TD><TD VALIGN=TOP>(39)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>PART IV. OUT OF OUR HANDS</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>239</TD><TD VALIGN=TOP>(84)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>The Camera</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>241</TD><TD VALIGN=TOP>(33)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>`The Faithful Record'</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>274</TD><TD VALIGN=TOP>(27)</TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Invisible Worlds</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>301</TD><TD VALIGN=TOP>(22)</TD></TR><TR><TD>Looking Backwards and Forwards</TD><TD WIDTH=40></TD><TD VALIGN=TOP>323</TD><TD VALIGN=TOP>(9)</TD></TR><TR><TD>Further Reading</TD><TD WIDTH=40></TD><TD VALIGN=TOP>332</TD><TD VALIGN=TOP>(9)</TD></TR><TR><TD>Index</TD><TD WIDTH=40></TD><TD VALIGN=TOP>341</TD><TD></TD></TR></TABLE>

"This book is not a history of art, or a history of science, or even a history of their interaction. Rather, Martin Kemp, the distinguished art historian, traces certain recurring themes in the imagery of art and science that reflect shared 'structural intuitions' about the seen and unseen worlds of nature."--Jacket

Seen/unseen : art, science, and intuition from Leonardo to the Hubble telescope