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Abortion, choice, and contemporary fiction : the armageddon of the maternal instinct

Author: Judith Wilt
Publisher: Chicago : University of Chicago Press, ©1990.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Publisher description: In recent years, public debate has raged over the issue of maternal choice. While personal testimony and political argument have received widespread attention, artistic representations of birth and abortion have been submerged. Judith Wilt offers the first look at how contemporary writers tell and retell the stories that shape our perceptions about abortion. She reveals that the struggle to  Read more...
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Genre/Form: Criticism, interpretation, etc
Named Person: John Irving; John Barth; Alice Walker; Toni Morrison; Lorraine Hansberry; Margaret Atwood; Joan Didion; Margaret Atwood; John Barth; Joan Didion; Lorraine Hansberry; John Irving; Toni Morrison; Alice Walker
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Judith Wilt
ISBN: 0226901580 9780226901589
OCLC Number: 20799166
Description: xiii, 183 pages ; 23 cm
Contents: Introduction: The wreck, and the story of the wreck --
Paradigms for the plot of maternal choice: Novels by John Barth and Margaret Drabble --
"We are not dying": Abortion and recovery in four novels by women --
Abortion and the fears of the fathers: Five male writers --
Black maternity: "A Need for someone to want the black baby to live."
Responsibility: Judith Wilt.
More information:

Abstract:

Publisher description: In recent years, public debate has raged over the issue of maternal choice. While personal testimony and political argument have received widespread attention, artistic representations of birth and abortion have been submerged. Judith Wilt offers the first look at how contemporary writers tell and retell the stories that shape our perceptions about abortion. She reveals that the struggle to plot these painful, complex narratives of choice, control, guilt, loss, and liberation has preoccupied an astonishing number of our most distinguished novelists, male and female alike. Readers of twentieth-century novels are more likely to encounter plots centered on maternal choice than those dealing with the more traditional problems of courtship and marriage. In the opening of the book, Wilt discusses real case histories of several women. After studying the ambiguities of their decisions, she turns to their counterpoints depicted in contemporary fiction. Working from a feminist perspective, Wilt traces the theme of maternal choice in works by Margaret Atwood, Margaret Drabble, Joan Didion, Mary Gordon, Alice Walker, Toni Morrison, Gloria Naylor, Marge Piercy, Thomas Keneally, Graham Swift, Ernest Hemingway, William Faulkner, John Barth, John Irving, and others. Behind the political, medical, and moral debates on abortion, Wilt argues, is a profound psychocultural shock at the recognition that maternity is passing from the domain of instinct to that of conscious choice. Although never wholly instinctual, maternity's potential capture by consciousness raises complex questions. The novels Wilt discusses portray worlds in which principles are endangered by sexual inequality, male power and hidden male fear of abandonment, impotence, female submission, and covert rage, and, in the case of black maternity, the hideous aftermath of slavery.

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