Find a copy online
Links to this item
ezproxy.st-andrews.ac.uk Connect to e-book (temporary access enabled until 31st August 2020)
ezproxy.st-andrews.ac.uk Connect to e-book (temporary access enabled until 31st August 2020)
Find a copy in the library
Finding libraries that hold this item...
Details
Additional Physical Format: | Print version Cornwell, Neil. The absurd in literature Manchester, UK. : Manchester University Press, 2006 |
---|---|
Material Type: | Document, Internet resource |
Document Type: | Internet Resource, Computer File |
All Authors / Contributors: |
Neil Cornwell; Manchester University Press, |
ISBN: | 9781847791672 1847791670 |
OCLC Number: | 1149149972 |
Language Note: | In English. |
Notes: | Made available via: manchesterhive. MUP 2020 titles. |
Description: | 1 online resource (354 pages) : file(s). |
Contents: | PART 1: Introductory -- 1. The theoretical absurd: an Introduction -- 2. Antecedents to the absurd -- PART 2: Growth of the absurd -- 3. The twentieth century: towards the absurd -- 4. Around the absurd I: twentieth-century absurdist practice -- 5. Around the absurd II: The theatre of the absurd -- PART 3: Special authors -- 6. Daniil Kharms as minimalist-absurdist -- 7. Franz Kafka: otherness in the labyrinth of absurdity -- 8. Samuel Beckett's vessels, voices and shades of the absurd -- 9. Flann O'Brien and the purloined absurd -- IN CONCLUSION -- 10. Beyond the absurd? -- Conclusion. |
Responsibility: | Neil Cornwell. |
Abstract:
Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien.The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American) - as well as those more concerned with theatre studies, the avant-garde and the history of ideas (including humour theory). It should also have a wide appeal to the enthusiastic general reader.
Reviews

