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Genre/Form: | Electronic books Criticism, interpretation, etc History |
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Additional Physical Format: | Print version: Weineck, Silke-Maria, 1963- Abyss above. Albany : State University of New York Press, ©2002 (DLC) 2002017726 |
Named Person: | Plato.; Friedrich Hölderlin; Friedrich Wilhelm Nietzsche; Friedrich Hölderlin; Friedrich Wilhelm Nietzsche; Plato. |
Material Type: | Document, Government publication, State or province government publication, Internet resource |
Document Type: | Internet Resource, Computer File |
All Authors / Contributors: |
Silke-Maria Weineck |
ISBN: | 9780791488287 0791488284 0791454274 9780791454275 9780791454282 0791454282 |
OCLC Number: | 811404155 |
Description: | 1 online resource (xii, 179 pages) |
Contents: | THE ABYSS ABOVE -- CONTENTS -- ACKNOWLEDGMENTS -- ABBREVIATIONS -- INTRODUCTION: FUTURE PERFECT -- CASSANDRA, OR THE BELATED TRUTH OF MADNESS -- TOTAL AND RESTRICTED MADNESS -- THE LIMITS OF MADNESS AND THE LIMITSOF PHILOSOPHY -- FROM DIVINE REASON TO MADNESSUNDER THE DEATH OF GOD -- EPILOGUE -- 1. TALKING ABOUT HOMER -- TALKING ABOUT HOMER -- PHAEDRUS: MADLY MADE MEANING -- PHILOSOPHY'S MAD DEMON -- 2. THE ABYSS ABOVE -- INTRODUCTION: MADNESS AND THE LABOR OF POETRY -- TRANSLATING GREECE -- ANTIGONE AND OEDIPUS: MADNESS AND SIGN -- 3. NIETZSCHE: THEMARKETPLACES OF MADNESS. INTRODUCTION: NIETZSCHE'S MADNESSAND THE FEAR OF CONTAMINATION -- NIETZSCHE'S MADMEN (1): THE ARTIST IN THE DITCH, OR FROM METAPHYSICS TO METAPHYSIOLOGY -- NIETZSCHE'S MADMEN (2): META-MORALITY, OR THE MADNESS OF NEW THOUGHT -- NIETZSCHE'S MADMEN (3): THE LAST MADMANON THE MARKETPLACE -- THE HYPERBOREAN: LA VACHE QUI DANSE -- CONCLUSION: LOGOS AND PALLAKSCH: PAUL CELAN'S"TüBINGEN, JäNNER" -- ANACHRONY -- APPROPRIATION -- ANAMNESIS -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Z. |
Responsibility: | Silke-Maria Weineck. |
Abstract:
"In The Abyss Above, Silke-Maria Weineck offers the first sustained discussion of the relationship between poetic madness and philosophy. Focusing on the mad poet as a key figure in what Plato called "the ancient quarrel between philosophy and poetry," Weineck explores key texts from antiquity to modernity in order to understand why we have come to associate art with irrationality. She shows that the philosophy of madness concedes to the mad a privilege that continues to haunt the Western dream of reason, and that the theory of creative madness always strains the discourse on authenticity, pitching the controlled, repeatable, but restrained labor of philosophy against the spontaneous production of poetic texts said to be, by definition, unique."--Jacket.
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Related Subjects:(11)
- Plato.
- Hölderlin, Friedrich, -- 1770-1843.
- Nietzsche, Friedrich Wilhelm, -- 1844-1900.
- Philosophy -- History.
- Poetry -- History and criticism.
- Literature and mental illness -- History.
- PHILOSOPHY -- History & Surveys -- General.
- PHILOSOPHY -- History & Surveys -- Modern.
- Literature and mental illness.
- Philosophy.
- Poetry.