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Adaptation, awards culture, and the value of prestige

Author: Colleen Kennedy-Karpat; Eric Sandberg
Publisher: Cham, Switzerland : Palgrave Macmillan, [2017] ©2017
Series: Palgrave studies in adaptation and visual culture.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book explores the intersection between adaptation studies and what James F. English has called the "economy of prestige," which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this  Read more...
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Genre/Form: Electronic books
Adaptations
Additional Physical Format: Print version:
Adaptation, awards culture, and the value of prestige.
Cham, Switzerland : Palgrave Macmillan, [2017]
(OCoLC)967374844
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Colleen Kennedy-Karpat; Eric Sandberg
ISBN: 9783319528540 3319528548
OCLC Number: 1003284640
Description: 1 online resource
Contents: Adaptation, Awards Culture, and the Value of Prestige; Acknowledgments; Contents; List of Figures; 1 Adaptation and Systems of Cultural Value; What is Prestige?; The Centrality of Prestige; (Per)forming Prestige; From Awards Bait to Canon Fodder; Adaptation and the Canon; Authorship, Fidelity, and Prestige; Notes; Works Cited; PartI Adapting Award Winners, Awarding Adaptations; 2 The Pulitzers Go to Hollywood; Notes; Works Cited; 3 Beware of Imitations: All about Eve (1950); Notes; Works Cited; 4 Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige. Adapting Wolf Hall for the StageAdapting Wolf Hall for the Screen; Notes; Works Cited; 5 Adapting Queerness, Queering Adaptation: Fun Home on Broadway; Adapting Queerness, Queering Adaptation; From Graphic Memoir to Memory Musical; Memory, Longing, and Recognition; Notes; Works Cited; PartII Adaptation, Prestige, and the Canon; 6 Oliver's Auteurs: The Cases of Lean and Polanski; Adapting Dickens, Attaining Prestige, Authoring Film; Dickens as Dark Muse: The Case of David Lean; Dickens as Redeemer: The Case of Polanski; Notes; Works Cited. 7 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan SinhaNotes; Works Cited; 8 The Fortunes of Jane Austen as Chick Lit and Chick Flick; Jane Austen: Nineteenth and Twentieth Century Responses; From Chick Lit to Chick Flicks: Austen Adaptations and Postfeminism; Adapting the Chick Flick, Take One: Sense and Sensibility, Postfeminism, and Awards Culture; Adapting the Chick Flick, Take Two: Postfeminism and Male Identity in Persuasion; Adapting the Chick Flick Take Three: The Female Gaze and the Male Body in Pride and Prejudice; Conclusion; Notes; Works Cited. 9 Jazz, Prestige, and Five Great Gatsby Film AdaptationsMusic in Fiction-to-Film Adaptations; Gatsby, Music, and Prestige; Jazz: History and Prestige; Fitzgerald's Jazz; Jazz, Prestige, and Surviving Fiction-to-Film Gatsby Adaptations; Concluding Observations; Notes; Works Cited; PartIII Locating Prestige; 10 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige; Defining Originality at the Academy; Cinematic Homage and the Basterds Who Killed the WWII Film; America's Original Sin: The Origins of Django Unchained; Notes; Works Cited. 11 The Hollywood Remake Massacre: Adaptation, Reception, and ValueThe Lowest of the Low: Remaking, Genre, and Cultural Value; Favouring the Original: Fidelity, Audiences, and Prestige; Considering Fan Responses to Remakes; Notes; Works Cited; 12 "How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet; Forging a Shakespearean Identity; The Shakespearean Sound; Commodifying the Shakespearean; Parodying Shakespeareanism; Reflecting on Shakespearean Prestige; Notes; Works Cited; Index.
Series Title: Palgrave studies in adaptation and visual culture.
Responsibility: Colleen Kennedy-Karpat, Eric Sandberg, editors.

Abstract:

This book explores the intersection between adaptation studies and what James F. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third  Read more...

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