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The aesthete in the city : the philosophy and practice of American abstract painting in the 1980s Preview this item
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The aesthete in the city : the philosophy and practice of American abstract painting in the 1980s

Author: David Carrier
Publisher: University Park, Pa. : Pennsylvania State University Press, ©1994.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
In the 1980s, when the American art market flourished, critics were heavily concerned with theory. In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of that decade. He begins with a theoretical perspective on the relationship between two very different forms of artwriting: art criticism and art history writing. Carrier surveys the developments within theory during the 1980s,
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Genre/Form: Aufsatzsammlung
History
Named Person: David Carrier
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: David Carrier
ISBN: 0271009438 9780271009438
OCLC Number: 49780961
Description: xiii, 290 pages : illustrations ; 24 cm
Contents: pt. I. Aesthetics, Art Criticism, Art History. 1. Artwriting Revisited. 2. Abstract Painting and Its Discontents. 3. Erwin Panofsky, Leo Steinberg, David Carrier: The Problem of Objectivity in Art-Historical Interpretation. 4. The Aesthete in the City --
pt. II. The Theory of Art Criticism in the 1980s. 5. Baudrillard as Philosopher; or, The End of Abstract Painting? 6. The Fake Artwork in the Age of Mechanical Reproduction. 7. Art History in the Mirror Stage: Interpreting Un Bar aux Folies-Bergere. 8. Derrida as Philosopher. 9. Postmodernism Is Dead! (Long Live Leo Steinberg) --
pt. III. The Practice of Art Criticism in the 1980s. 10. Painting into Depth: Jonathan Lasker's Recent Art. 11. Descriptive Abstraction: Ron Janowich's Recent Paintings. 12. Signification and Subjectification: The Recent Paintings of Tom Nozkowski and Gary Stephan. 13. Artifice and Artificiality: David Reed's Recent Painting. 14. David Reed: An Abstract Painter in the Age of Postmodernism.
Responsibility: David Carrier.

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This text concentrates on the theory and practice of art criticism during the 1980s. Giving a personal view of the artistic activity of the decade, the author examines the relationship between art  Read more...

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"Carrier now emerges as a philosopher-critic with a presence that is very much an expression of an independent and unique mind, with an eye for continuities between past and present that no one else Read more...

 
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Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/49780961<\/a>> # The aesthete in the city : the philosophy and practice of American abstract painting in the 1980s<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"49780961<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/pau<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Place\/university_park_pa<\/a>> ; # University Park, Pa.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/asthetik<\/a>> ; # \u00C4sthetik<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Event\/geschichte_1980_1990<\/a>> ; # Geschichte 1980-1990<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/critique_d_art_histoire_20e_siecle<\/a>> ; # Critique d\'art--Histoire--20e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2009115767<\/a>> ; # Art criticism--History--20th century<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Place\/usa<\/a>> ; # USA.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/critique_d_art_philosophie<\/a>> ; # Critique d\'art--Philosophie<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/kunstkritiek<\/a>> ; # Kunstkritiek<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Event\/1900_1999<\/a>> ; # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/701.18097309048\/e20\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/abstrakte_malerei<\/a>> ; # Abstrakte Malerei<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/20_07_art_criticism_art_review<\/a>> ; # 20.07 art criticism, art review<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/kunstgeschichtsschreibung<\/a>> ; # Kunstgeschichtsschreibung<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/N7476<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/geschichte_1980_1990<\/a>> ; # Geschichte--1980-1990<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/art_criticism<\/a>> ; # Art criticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/art_criticism_history_20th_century<\/a>> ; # Art criticism--History--20th century<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/art_criticism_philosophy<\/a>> ; # Art criticism--Philosophy<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/abstracte_schilderkunst<\/a>> ; # Abstracte schilderkunst<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/kunstkritik<\/a>> ; # Kunstkritik<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/viaf.org\/viaf\/111212241<\/a>> ; # David Carrier<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"1994<\/span>\" ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/viaf.org\/viaf\/111212241<\/a>> ; # David Carrier<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"1994<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"pt. I. Aesthetics, Art Criticism, Art History. 1. Artwriting Revisited. 2. Abstract Painting and Its Discontents. 3. Erwin Panofsky, Leo Steinberg, David Carrier: The Problem of Objectivity in Art-Historical Interpretation. 4. The Aesthete in the City -- pt. II. The Theory of Art Criticism in the 1980s. 5. Baudrillard as Philosopher; or, The End of Abstract Painting? 6. The Fake Artwork in the Age of Mechanical Reproduction. 7. Art History in the Mirror Stage: Interpreting Un Bar aux Folies-Bergere. 8. Derrida as Philosopher. 9. Postmodernism Is Dead! (Long Live Leo Steinberg) -- pt. III. The Practice of Art Criticism in the 1980s. 10. Painting into Depth: Jonathan Lasker\'s Recent Art. 11. Descriptive Abstraction: Ron Janowich\'s Recent Paintings. 12. Signification and Subjectification: The Recent Paintings of Tom Nozkowski and Gary Stephan. 13. Artifice and Artificiality: David Reed\'s Recent Painting. 14. David Reed: An Abstract Painter in the Age of Postmodernism.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Carrier\'s earlier work was concerned with a philosophical study of the methods of art criticism. This book turns to the theory and practice of art criticism, concentrating on a concrete discussion of individual theorists and artists.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"In the 1980s, when the American art market flourished, critics were heavily concerned with theory. In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of that decade. He begins with a theoretical perspective on the relationship between two very different forms of artwriting: art criticism and art history writing. Carrier surveys the developments within theory during the 1980s, focusing on constructive critical analysis of the then-fashionable work of Jean Baudrillard, Walter Benjamin, T.J. Clark, and Jacques Derrida. He provides detailed accounts of a number of painters, among them Thomas Nozkowski, David Reed, and Sean Scully, whose development he followed closely. Carrier argues that the greatest American artistic tradition, Abstract Expressionism, provides the basis for an ongoing tradition of abstract painting, a rich system whose potential has not yet been exhausted.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/30909392<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Aufsatzsammlung<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"History<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"The aesthete in the city : the philosophy and practice of American abstract painting in the 1980s<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"49780961<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/49780961#PublicationEvent\/university_park_pa_pennsylvania_state_university_press_1994<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Agent\/pennsylvania_state_university_press<\/a>> ; # Pennsylvania State University Press<\/span>\n\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/www.gbv.de\/dms\/bowker\/toc\/9780271009438.pdf<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9780271009438<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/49780961<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Agent\/pennsylvania_state_university_press<\/a>> # Pennsylvania State University Press<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Pennsylvania State University Press<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Event\/1900_1999<\/a>> # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-1999<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Event\/geschichte_1980_1990<\/a>> # Geschichte 1980-1990<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Geschichte 1980-1990<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/20_07_art_criticism_art_review<\/a>> # 20.07 art criticism, art review<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"20.07 art criticism, art review<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/art_criticism<\/a>> # Art criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art criticism<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/art_criticism_history_20th_century<\/a>> # Art criticism--History--20th century<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art criticism--History--20th century<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/art_criticism_philosophy<\/a>> # Art criticism--Philosophy<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85007989<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art criticism--Philosophy<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/asthetik<\/a>> # \u00C4sthetik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\u00C4sthetik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/critique_d_art_histoire_20e_siecle<\/a>> # Critique d\'art--Histoire--20e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Critique d\'art--Histoire--20e si\u00E8cle<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/critique_d_art_philosophie<\/a>> # Critique d\'art--Philosophie<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Critique d\'art--Philosophie<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/geschichte_1980_1990<\/a>> # Geschichte--1980-1990<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Geschichte--1980-1990<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/kunstgeschichtsschreibung<\/a>> # Kunstgeschichtsschreibung<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kunstgeschichtsschreibung<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/kunstkritiek<\/a>> # Kunstkritiek<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kunstkritiek<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/30909392#Topic\/kunstkritik<\/a>> # Kunstkritik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kunstkritik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/N7476<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2009115767<\/a>> # Art criticism--History--20th century<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art criticism--History--20th century<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/pau<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"pau<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/111212241<\/a>> # David Carrier<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1944<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Carrier<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"David<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"David Carrier<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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Content-negotiable representations<\/p>\n