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An Aesthetics of Injury : the Narrative Wound from Baudelaire to Tarantino

Author: Ian Thomas Fleishman
Publisher: Evanston, Illinois : Northwestern University Press, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Examines wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound - texts that aim not only to depict but also to inflict injury - Ian  Read more...

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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Fleishman, Ian Thomas.
Aesthetics of Injury.
Evanston, Illinois : Northwestern University Press, 2018
(DLC) 2017022779
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Ian Thomas Fleishman
ISBN: 9780810136816 0810136813
OCLC Number: 1023540944
Notes: Revision of the author's thesis (doctoral): Harvard University, 2013.
Description: 1 online resource
Contents: Introduction. An aesthetic of injury: Decadence and aestheticism --
An aesthetic of injury --
The literary wound on trial: poetic decadence and Baudelaire's Flowers of evil --
"Sinnbild der Wunde": the ambivalent aestheticism of Kafka's A country doctor --
Bataille's bruise: the mutilated writing of The blue of noon (1927/1935/1957) --
The poetics of omission --
The textual orifice: holes in Genet's Funeral rites --
"Ce qui est coupe repousse": Cixous's Breaths (1975) and the poetics of omission --
The woman on the wall: Bachmann's Malina (1971) --
Jelinek's and Schroeter's Malina --
The filmic cut: Jelinek's The piano teacher (1983) --
Haneke's The piano teacher --
Conclusion --
Epilogue: The final cut. Quentin Tarantino, or modernism dismembered.
Responsibility: Ian Thomas Fleishman.

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An incisive and provocative contribution to the history and theory of modern narrative since Baudelaire... Fleishman shows that the idea of an open wound as an allegoric dimension, or an 'aesthetics Read more...

 
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