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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/49530155 Title: Aesthetics of opera in the Ancien Régime, 1647-1785 Author: <span class=vernacular lang="en">Downing A. Thomas.</span> ; Downing A Thomas Publisher: Cambridge ; New York : Cambridge University Press, 2002. ISBN/ISSN: 0521801885 9780521801881 OCLC:49530155

  
  

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Aesthetics of opera in the Ancien Re��gime, 1647-1785 /

Aesthetics of opera in the Ancien Régime, 1647-1785

Author:	Downing A. Thomas. ; Downing A Thomas
Publisher:	Cambridge ; New York : Cambridge University Press, 2002.
Series:	Cambridge studies in opera.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	"This is the first study to recognize the broad impact of opera in early-modern French culture. Downing A. Thomas considers the use of operatic spectacle and music by Louis XlV as a vehicle for absolutism, the resistance of music to the aesthetic and political agendas of the time, and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, and circumstantial writings and theoretical works on theater and opera, together with a measure of reception history. Thomas examines key works by Lully, Rameau, and Charpentier, among others, and extends his reach from the late seventeenth century to the end of the eighteenth."--Jacket.  Read more...
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Subjects	Opera -- France -- 17th century. Opera -- France -- 18th century. Music and state -- France -- History. View all subjects
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