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Affect and Belonging in Contemporary Spanish Fiction and Film : Crossroads Visions.

Author: Jesse Barker
Publisher: Cham : Springer International Publishing, 2017.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book brings together recent Spanish fictions and films that point to individualism as the root problem driving diverse circumstances of social, economic, and psychological suffering in the present and recent past. The works privilege sensation, movement, and emotion--rather than identity--as the core elements of existential experience. However, the works also problematize notions of intersubjectivity,  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Barker, Jesse.
Affect and Belonging in Contemporary Spanish Fiction and Film : Crossroads Visions.
Cham : Springer International Publishing, ©2017
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Jesse Barker
ISBN: 9783319589695 3319589695
OCLC Number: 1002694818
Description: 1 online resource (231 pages)
Contents: Acknowledgements; Contents; List of Figures; 1 Introduction: Spanish Crossroads-Affect and Belonging in the Democratic Era; The Self, that Troublesome Speck; Identity and Affective Belonging in Post-Franco Spain; Emotion, Affect, Intersubjectivity; Crossroads Visions; References; 2 No Place Like Home: Gabi Martínez's Ático (Top-Floor Apartment) and Javier Calvo's "Una Belleza Rusa" (A Russian Beauty); Rooted Selves and Networked Selves; Ático-the Virtual Quagmire; "Una Belleza Rusa"-Quantum Being; References. 3 History and Trauma at the Crossroads: Guillermo del Toro's El laberinto del fauno (Pan's Labyrinth) and Isabel Coixet's The Secret Life of WordsEl laberinto del fauno-The Book of Crossroads; The Secret Life of Words-Diving Into "This Now"; References; 4 Synthetic Skins: Mercedes Cebrián's La nueva taxidermia (The New Taxidermy) and Pedro Almodóvar's La piel que habito (The Skin I Live in); La Nueva Taxidermia-Freezing and Unfreezing Experience; La Piel Que Habito-Affect in the Flesh; References. 5 Unraveling Cultures: Alejandro González Iñárritu's Biutiful and Najat El Hachmi's L'ultim patriarca (The Last Patriarch)Biutiful-Letting Go; L'últim Patriarca-Unraveling the Self; References; 6 Unsheltered: Pablo Berger's Blancanieves (Snow White) and Jesús Carrasco's Intemperie (Out in the Open); Blancanieves-A Capitalist Dystopia; Intemperie-An Ecological Dystopia; Bursting the Bubble; References; Conclusion: Belonging-The Ecology of the Self; Bibliography; Index.

Abstract:

This book brings together recent Spanish fictions and films that point to individualism as the root problem driving diverse circumstances of social, economic, and psychological suffering in the present and recent past. The works privilege sensation, movement, and emotion--rather than identity--as the core elements of existential experience. However, the works also problematize notions of intersubjectivity, confronting ideals of affective immersion and cultural nomadism with the concrete contexts that shape particular lives and social formations. This confrontation underlies a series of 'crossroads', or productive engagements, that guide the book's five main chapters: locally rooted identity and global cultural circuits; historical contexts and universal modes of being; personal authenticity and consumer culture; migration and cultural identity; Spain's historical underdevelopment and impending future crises. All of these issues make affective connection and attachment the greatest existential challenge facing individuals and collectives in the contemporary world, both in Spain and elsewhere.

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