This is an outstanding book which deftly shows the limitations of insistent disciplinary overreliance on text at the expense of considering its mediations. ... Rigney's book is full of complex concepts, sharp phrases and original approaches. * Murray Pittock, Scottish Literary Review * [a] thoughtful and thought-provoking book ... most useful for those reading her book are the instruments she uses - and how one can borrow and make use of them oneself. Particularly eye-opening (for me, at least) is the wholly persuasive last chapter ("How Long was Immortality?") and her argument that by historicizing the present - where we are - Scott opened the way for modernism and set up the constantly renovating processes ("make it new", as Pound instructed)which ensured his (Scott's) own inevitable eclipse. Scott's genius was to dig his own grave - but, mysteriously and manifestly, as Rigney shows, live on * John Sutherland, Times Literary Supplement * As its title promises, this book advances the fields of literary reception, cultural memory, and poetic afterlife. Rarely have I so enjoyed a work of scholarship. Much of the book's appeal comes from its cogent analysis of surprising materials ... With erudition and extensive research ... it offers tools for analyzing the long-term reception of many books and authors. * Paul Westover, Review 19 * Rigney explores the "cultural importance and excitement generated by [Scott's] work" ... At its heart this book is a study of memory and forgetting. * D.A. Henningfeld, Choice * a valuable extension of recent scholarship on the role of Scott's fiction in the development of the nation state and modernity * David Buchanan, Journal of Victorian Culture * a highly original contribution ... Rigneyas work may prove procreative like Scottas, fertile in inspiring future works. * Jeffrey E. Jackson, Dickens Quarterly * Rigney's book is full of complex concepts, sharp phrases and original approaches. * Murray Pittock, Scottish Literary Review * Rigney's lucid, intelligent, well-researched book deserves the widest possible audience not only for what it tells us about the fate of Scott's fictions and influence, but also for what it teaches us about the intricate dance of cultural remembering and forgetting. * Evan Gottlieb, Journal of British Studies * [This book shows] that scholarly interest in Scottish literature of this period is both alive and of a very high standard, illustrated by the quality of the writing itself, by the careful, extensive and well-documented notes, and the comprehensive bibliographies. * Andrew Monnickendam, European Romantic Review *
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