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The Agency of Things in Medieval and Early Modern Art : Materials, Power and Manipulation.

Author: Gra?yna Jurkowlaniec
Publisher: Milton, UNKNOWN : Routledge, 2017.
Series: Routledge Research in Art History
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Gra?yna Jurkowlaniec
ISBN: 1351681508 9781351681506 9781351681490 1351681494
OCLC Number: 1004973217
Description: 1 online resource (221).
Contents: The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation- Front Cover --
The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation --
Title Page --
Copyright Page --
Contents --
Figures --
Acknowledgments --
Contributors --
Introduction --
Art History Empowering Medieval and Early Modern Things --
Notes --
PART 1: Material Agency --
Chapter 1: The Power of Nature and the Agency of Art: The Unicorn Cup of Jan Vermeyen --
Notes --
Chapter 2: Late Medieval Enclosed Gardens of the Low Countries: Mixed Media, Remnant Art, Récyclage and Gender in the Low Countries (Sixteenth Century Onwards) --
Paradise, Hofje, Sanctuary --
Silk Flowers, Triggers for Devotion --
Making and Keeping the Garden: Material Culture Reflected and Conserved --
By Way of Conclusion: Framing a Nest --
Notes --
PART 2: The Power of Things --
Chapter 3: Knighted by the Apostle Himself: Political Fabrication and Chivalric Artefact in Compostela,1332 --
Image/Object --
Effigy/Icon --
Univocity/Entropy --
Notes --
Chapter 4: Agency and Miraculous Images --
Notes --
Chapter 5: Agency, Beauty and the Late Medieval Sculptural Encounter --
Notes --
PART 3: Objects as Social Agents --
Chapter 6: Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy --
Inventories and the (Dis)order of Things --
Loaning, Stealing and the Borrowing of Status --
Pawning, Credit and the Transiency of Possessions --
Notes --
Chapter 7: Michelangelo, Tommaso de' Cavalieri and the Agency of the Gift-Drawing --
Introduction --
Michelangelo and the Culture of Gift-Exchange --
Gifts and Grace --
The Agency of the Gift-Drawing --
Re-imagining the Gift --
Conclusion --
Notes --
Chapter 8: Distributing Dürer in the Netherlands: Gifts, Prints, and the Mediation of Fame in the Early Sixteenth Century --
Acknowledgements --
Notes. PART 4: Agency of Physical Manipulations --
Chapter 9: The Early Modern Bible between Material Book and Immaterial Word --
Text and Paratext --
Objective Features: Typefaces, Layout and Images --
Traces of Appropriation in Individual Copies --
Conclusion --
Notes --
Chapter 10: Diagnostic Performance and Diagrammatic Manipulation in the Physician's Folding Almanacs --
Gestures of Diagnosis --
An Affective Network --
Performing the Space of Knowledge --
Acknowledgements --
Notes --
Chapter 11: Surgical Saws and Cutting-Edge Agency --
Notes --
PART 5: The Agency of Things and Human Agency --
Chapter 12: The Boots of Saint Hedwig: Thoughts on the Limits of the Agency of Things --
On Shoes and Being Worn --
St Hedwig, Material Things, and the 'Fascinating Presence of Absences' --
Notes --
Index.
Series Title: Routledge Research in Art History

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