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The ambassadors of death : the sister arts, western canon and the silent lines of a Hebrew survivor

Author: Shachar Bram; Batya Stein; Lisa Katz
Publisher: Brighton ; Portland : Sussex Academic Press, ©2011.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Tuvia Rubner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet's world. Paint and sculpture masterpieces are signalled as  Read more...
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Genre/Form: Art
Named Person: Tuvia Ruebner; Tuvia Ruebner; Ṭoviyya Ribner
Document Type: Book
All Authors / Contributors: Shachar Bram; Batya Stein; Lisa Katz
ISBN: 9781845194505 1845194500
OCLC Number: 630453675
Language Note: Translated poems from the Hebrew to English.
Description: viii, 197 pages ; 24 cm
Contents: Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner --
The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book --
The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words --
Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world --
The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space --
The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry --
The chaos of colors and the order of words: Joseph Mallord William Turner's Peace --
burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image --
The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel --
Epilogue: ekphrasis, mimesis, and the difference between word and image.
Responsibility: Shahar Bram ; translated by Batya Stein ; poems co-translated by Lisa Katz and Shahar Bram.

Abstract:

Tuvia Rubner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet's world. Paint and sculpture masterpieces are signalled as masks, as Ambassadors of Death. Rubner's poems enable us to examine the tradition of various forms of artistic representation, while addressing the experience of art in a century when God 'hid his face' from the fate of European Jewry. And as Shahar Bram discovers and elaborates, herein lies an exquisite example of the use of ekphrasis -- Ruuml;bner using his poetic language medium to explain and process the meaning and messages inherent in a select group of paintings and sculptures of cultural significance. This important book contributes to the interdisciplinary theory of "word and image", and the history of the relationships between "sister arts". The result is not only a unique perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities, but, in the words of Ruskin, it is "the expression of one soul [one artistic form] talking to another". The result is a profound understanding of the central principles of word and image art forms.

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<http:\/\/www.worldcat.org\/oclc\/630453675<\/a>> # The ambassadors of death : the sister arts, western canon and the silent lines of a Hebrew survivor<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a> ;\u00A0\u00A0\u00A0\nbgn:translationOfWork<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/630453675#CreativeWork\/unidentifiedOriginalWork<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"630453675<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/enk<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Place\/portland<\/a>> ; # Portland<\/span>\n\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Place\/brighton<\/a>> ; # Brighton<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/motiv<\/a>> ; # Motiv<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1163251<\/a>> ; # Ut pictura poesis (Aesthetics)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/konst_och_litteratur<\/a>> ; # Konst och litteratur<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/904124<\/a>> ; # Ekphrasis<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/tod<\/a>> ; # Tod<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/815400<\/a>> ; # Art and literature<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/815177<\/a>> ; # Art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/ekfras<\/a>> ; # Ekfras<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1050636<\/a>> ; # Painting in literature<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/doden_i_litteraturen<\/a>> ; # D\u00F6den i litteraturen<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/888697<\/a>> ; # Death in literature<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Person\/ruebner_tuvia_1924_2019<\/a>> ; # Tuvia Ruebner<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/892.416\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/888694<\/a>> ; # Death in art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/doden_i_konsten<\/a>> ; # D\u00F6den i konsten<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/viaf.org\/viaf\/91459758<\/a>> ; # \u1E6Coviyya Ribner<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/95361033<\/a>> ; # Lisa Katz<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/71649077<\/a>> ; # Batya Stein<\/span>\n\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2011<\/span>\" ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/viaf.org\/viaf\/47016948<\/a>> ; # Shachar Bram<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2011<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Tuvia Rubner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet\'s world. Paint and sculpture masterpieces are signalled as masks, as Ambassadors of Death. Rubner\'s poems enable us to examine the tradition of various forms of artistic representation, while addressing the experience of art in a century when God \'hid his face\' from the fate of European Jewry. And as Shahar Bram discovers and elaborates, herein lies an exquisite example of the use of ekphrasis -- Ruuml;bner using his poetic language medium to explain and process the meaning and messages inherent in a select group of paintings and sculptures of cultural significance. This important book contributes to the interdisciplinary theory of \"word and image\", and the history of the relationships between \"sister arts\". The result is not only a unique perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities, but, in the words of Ruskin, it is \"the expression of one soul [one artistic form] talking to another\". The result is a profound understanding of the central principles of word and image art forms.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Introduction: Achilles\' shield: Ekphrasis, ut pictura poesis, and Tuvia R\u00FCbner -- The fall: Peter Breughel\'s The fall of Icarus, Marc Chagall\'s The fall of Icarus, and Tuvia R\u00FCbner\'s The fall. Poetry and painting: basic questions of comparison; the museum of words: R\u00FCbner\'s book -- The ambassadors of death: Hans Holbein\'s The ambassadors and Tuvia R\u00FCbner\'s The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini\'s Guidoriccio da fogliano and Tuvia R\u00FCbner\'s Horse and rider. The paradoxical animation of death in poetry. R\u00FCbner\'s voyage towards death. The photograph in R\u00FCbner\'s world -- The silence of words: Tuvia R\u00FCbner\'s two zen paintings. R\u00FCbner\'s use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich\'s Chalk cliffs on Rueben and Tuvia R\u00FCbner\'s Chalk cliffs on R\u00FCgen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner\'s Peace -- burial at sea and Tuvia R\u00FCbner\'s The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor\'s burning eye: Rembrandt Harmensz Van Rijn\'s Descent from the cross and Tuvia R\u00FCbner\'s Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: R\u00FCbner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/495506457<\/a>> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"The ambassadors of death : the sister arts, western canon and the silent lines of a Hebrew survivor<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"630453675<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/630453675#PublicationEvent\/brighton_portland_sussex_academic_press_2011<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Agent\/sussex_academic_press<\/a>> ; # Sussex Academic Press<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781845194505<\/a>> ;\u00A0\u00A0\u00A0\numbel:isLike<\/a> <http:\/\/bnb.data.bl.uk\/id\/resource\/GBB0B9933<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/630453675<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Person\/ruebner_tuvia_1924_2019<\/a>> # Tuvia Ruebner<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1924<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"2019<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Ruebner<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Tuvia<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Tuvia Ruebner<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/doden_i_litteraturen<\/a>> # D\u00F6den i litteraturen<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"D\u00F6den i litteraturen<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/konst_och_litteratur<\/a>> # Konst och litteratur<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Konst och litteratur<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/motiv<\/a>> # Motiv<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Motiv<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Topic\/tod<\/a>> # Tod<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Tod<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/enk<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"enk<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1050636<\/a>> # Painting in literature<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Painting in literature<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1163251<\/a>> # Ut pictura poesis (Aesthetics)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ut pictura poesis (Aesthetics)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/815177<\/a>> # Art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/815400<\/a>> # Art and literature<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art and literature<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/888694<\/a>> # Death in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Death in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/888697<\/a>> # Death in literature<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Death in literature<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/904124<\/a>> # Ekphrasis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ekphrasis<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/47016948<\/a>> # Shachar Bram<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Bram<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Shachar<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Shachar Bram<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/71649077<\/a>> # Batya Stein<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Stein<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Batya<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Batya Stein<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/91459758<\/a>> # \u1E6Coviyya Ribner<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Ribner<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"\u1E6Coviyya<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\u1E6Coviyya Ribner<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/95361033<\/a>> # Lisa Katz<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Katz<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Lisa<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Lisa Katz<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781845194505<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1845194500<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781845194505<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/630453675<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/630453675<\/a>> ; # The ambassadors of death : the sister arts, western canon and the silent lines of a Hebrew survivor<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2019-08-28<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/630453675#CreativeWork\/unidentifiedOriginalWork<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"he<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/630453675#PublicationEvent\/brighton_portland_sussex_academic_press_2011<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Place\/portland<\/a>> ; # Portland<\/span>\n\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Place\/brighton<\/a>> ; # Brighton<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/495506457#Agent\/sussex_academic_press<\/a>> ; # Sussex Academic Press<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n