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L'analyse des spectacles : théâtre, mime, danse, danse-théâtre, cinéma

Author: Patrice Pavis
Publisher: Paris : Armand Colin, ©2012.
Series: Collection Cinéma/arts visuels
Edition/Format:   Print book : French : 2e édView all editions and formats
Summary:
Redonner au spectateur confiance en son propre regard, une confiance qu'il n'aurait jamais dû perdre, telle est l'ambition de ce parcours à travers les spectacles et leurs analyses.Théâtre parlé, mime, danse, danse-théâtre, performance, cinéma et médias audio-visuels : comment les analyser spécifiquement ?Après une mise au point sur l'état de la recherche et les instruments de la description et de l'interprétation,  Read more...
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Details

Document Type: Book
All Authors / Contributors: Patrice Pavis
ISBN: 9782200259839 2200259832
OCLC Number: 797933168
Description: 431 p. : ill. ; 21 cm.
Series Title: Collection Cinéma/arts visuels
Responsibility: Patrice Pavis.
More information:

Abstract:

Redonner au spectateur confiance en son propre regard, une confiance qu'il n'aurait jamais dû perdre, telle est l'ambition de ce parcours à travers les spectacles et leurs analyses.Théâtre parlé, mime, danse, danse-théâtre, performance, cinéma et médias audio-visuels : comment les analyser spécifiquement ?Après une mise au point sur l'état de la recherche et les instruments de la description et de l'interprétation, les œuvres sont systématiquement radiographiées.Comment aborder leurs diverses composantes : jeu de l'acteur, voix, musique, espace, temps, costumes, éclairages, etc. ?L'analyse se place résolument du côté du récepteur : comment reconstitue-t-il la logique dramaturgique de l'œuvre, avec quelles réactions conscientes et inconscientes ?Cette édition augmentée de deux annexes prend en compte les nouvelles méthodes d'analyse autant que le renouvellement des formes esthétiques et culturelles, bien au-delà du cadre étroit de la mise en scène de théâtre et des théories de la performativité. Elle revient sur la figure du spectateur dont la récente promotion, notamment pour les spectacles postmodernes et postdramatiques, ne va pourtant pas sans poser de sérieux problèmes théoriques pour l'analyse.

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\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/797933168<\/a>> # L\'analyse des spectacles : th\u00E9\u00E2tre, mime, danse, danse-th\u00E9\u00E2tre, cin\u00E9ma<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"797933168<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Place\/paris<\/a>> ; # Paris<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle_esthetique<\/a>> ; # Arts du spectacle--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/analyse_semiotique<\/a>> ; # Analyse s\u00E9miotique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/spectateur<\/a>> ; # Spectateur<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theatre_spectacle<\/a>> ; # Th\u00E9\u00E2tre (Spectacle)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/darstellende_kunst<\/a>> ; # Darstellende Kunst<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/appreciation<\/a>> ; # Appr\u00E9ciation<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/semiotique_et_arts_du_spectacle<\/a>> ; # S\u00E9miotique et arts du spectacle<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/mise_en_scene<\/a>> ; # Mise en sc\u00E8ne<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theatre<\/a>> ; # Th\u00E9\u00E2tre<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theatre_litterature<\/a>> ; # Th\u00E9\u00E2tre (Litt\u00E9rature)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/critique_dramatique<\/a>> ; # Critique dramatique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/filmproduktion<\/a>> ; # Filmproduktion<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/performing_arts<\/a>> ; # Performing arts<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/791.01\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle_guides_pratiques_et_mementos<\/a>> ; # Arts du spectacle--Guides pratiques et m\u00E9mentos<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theaterproduktion<\/a>> ; # Theaterproduktion<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle_appreciation<\/a>> ; # Arts du spectacle--Appr\u00E9ciation<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle<\/a>> ; # Arts du spectacle<\/span>\n\u00A0\u00A0\u00A0\nschema:bookEdition<\/a> \"2e \u00E9d.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2012<\/span>\" ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Person\/pavis_patrice_1947<\/a>> ; # Patrice Pavis<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2012<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Redonner au spectateur confiance en son propre regard, une confiance qu\'il n\'aurait jamais d\u00FB perdre, telle est l\'ambition de ce parcours \u00E0 travers les spectacles et leurs analyses.Th\u00E9\u00E2tre parl\u00E9, mime, danse, danse-th\u00E9\u00E2tre, performance, cin\u00E9ma et m\u00E9dias audio-visuels : comment les analyser sp\u00E9cifiquement ?Apr\u00E8s une mise au point sur l\'\u00E9tat de la recherche et les instruments de la description et de l\'interpr\u00E9tation, les \u0153uvres sont syst\u00E9matiquement radiographi\u00E9es.Comment aborder leurs diverses composantes : jeu de l\'acteur, voix, musique, espace, temps, costumes, \u00E9clairages, etc. ?L\'analyse se place r\u00E9solument du c\u00F4t\u00E9 du r\u00E9cepteur : comment reconstitue-t-il la logique dramaturgique de l\'\u0153uvre, avec quelles r\u00E9actions conscientes et inconscientes ?Cette \u00E9dition augment\u00E9e de deux annexes prend en compte les nouvelles m\u00E9thodes d\'analyse autant que le renouvellement des formes esth\u00E9tiques et culturelles, bien au-del\u00E0 du cadre \u00E9troit de la mise en sc\u00E8ne de th\u00E9\u00E2tre et des th\u00E9ories de la performativit\u00E9. Elle revient sur la figure du spectateur dont la r\u00E9cente promotion, notamment pour les spectacles postmodernes et postdramatiques, ne va pourtant pas sans poser de s\u00E9rieux probl\u00E8mes th\u00E9oriques pour l\'analyse.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/1020915<\/a>> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Series\/collection_cinema_arts_visuels<\/a>> ; # Collection Cin\u00E9ma\/arts visuels<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"L\'analyse des spectacles : th\u00E9\u00E2tre, mime, danse, danse-th\u00E9\u00E2tre, cin\u00E9ma<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:numberOfPages<\/a> \"431<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"797933168<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/797933168#PublicationEvent\/paris_armand_colin_2012<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Agent\/armand_colin<\/a>> ; # Armand Colin<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9782200259839<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/797933168<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/dewey.info\/class\/791.01\/e22\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Agent\/armand_colin<\/a>> # Armand Colin<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Armand Colin<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Person\/pavis_patrice_1947<\/a>> # Patrice Pavis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1947<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Pavis<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Patrice<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Patrice Pavis<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Place\/paris<\/a>> # Paris<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Paris<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Series\/collection_cinema_arts_visuels<\/a>> # Collection Cin\u00E9ma\/arts visuels<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/797933168<\/a>> ; # L\'analyse des spectacles : th\u00E9\u00E2tre, mime, danse, danse-th\u00E9\u00E2tre, cin\u00E9ma<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Collection Cin\u00E9ma\/arts visuels<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/analyse_semiotique<\/a>> # Analyse s\u00E9miotique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Analyse s\u00E9miotique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/appreciation<\/a>> # Appr\u00E9ciation<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Appr\u00E9ciation<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle<\/a>> # Arts du spectacle<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Arts du spectacle<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle_appreciation<\/a>> # Arts du spectacle--Appr\u00E9ciation<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Arts du spectacle--Appr\u00E9ciation<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle_esthetique<\/a>> # Arts du spectacle--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Arts du spectacle--Esth\u00E9tique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/arts_du_spectacle_guides_pratiques_et_mementos<\/a>> # Arts du spectacle--Guides pratiques et m\u00E9mentos<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Arts du spectacle--Guides pratiques et m\u00E9mentos<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/critique_dramatique<\/a>> # Critique dramatique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Critique dramatique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/darstellende_kunst<\/a>> # Darstellende Kunst<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Darstellende Kunst<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/filmproduktion<\/a>> # Filmproduktion<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Filmproduktion<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/mise_en_scene<\/a>> # Mise en sc\u00E8ne<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Mise en sc\u00E8ne<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/performing_arts<\/a>> # Performing arts<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Performing arts<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/semiotique_et_arts_du_spectacle<\/a>> # S\u00E9miotique et arts du spectacle<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"S\u00E9miotique et arts du spectacle<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/spectateur<\/a>> # Spectateur<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Spectateur<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theaterproduktion<\/a>> # Theaterproduktion<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Theaterproduktion<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theatre<\/a>> # Th\u00E9\u00E2tre<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Th\u00E9\u00E2tre<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theatre_litterature<\/a>> # Th\u00E9\u00E2tre (Litt\u00E9rature)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Th\u00E9\u00E2tre (Litt\u00E9rature)<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1020915#Topic\/theatre_spectacle<\/a>> # Th\u00E9\u00E2tre (Spectacle)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Th\u00E9\u00E2tre (Spectacle)<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9782200259839<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"2200259832<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9782200259839<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/797933168<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/797933168<\/a>> ; # L\'analyse des spectacles : th\u00E9\u00E2tre, mime, danse, danse-th\u00E9\u00E2tre, cin\u00E9ma<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-10-19<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n