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Appropriating Blackness : Performance and the Politics of Authenticity.

Author: Johnson, E. Patrick.
Publisher: Duke University Press Books 2009.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
<DIV>A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.</div>
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Details

Genre/Form: Electronic resource
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Johnson, E. Patrick.
ISBN: 128306474X 9781283064743
OCLC Number: 743402545
Description: 1 online resource
Contents: Cover13; --
Contents --
Acknowledgments --
Introduction13;8216;8216;Blackness and Authenticity:13;Whats Performance Got to Do with It? --
1 The Pot Is Brewing: Marlon Riggss Black Is ... Black Aint --
2 Manifest Faggotry: Queering Masculinity in13;African American Culture --
3 Mother Knows Best: Blackness and Transgressive13;Domestic Space --
4 8216;8216;Nevah Had uh CrossWord: Mammy and the Trope13;of BlackWomanhood --
5 Sounds of Blackness Down Under: The Caf233; of13;the Gate of Salvation --
6 Performance and/as Pedagogy: Performing Blackness13;in the Classroom --
Appendix A Mary Rhynes Narrative --
Appendix B Interview with Mrs. Smith --
Notes --
Bibliography --
Index.

Abstract:

<DIV>A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.</div>

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