Architecture filmmaking (eBook, 2020) [WorldCat.org]
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Architecture filmmaking

Author: Hugh Campbell; Igea Troiani
Publisher: Bristol, UK ; Chicago, USA : Intellect Books Ltd, 2020. ©2020
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book investigates the ways in which architectural researchers, teachers of architecture, their students and practicing architects, filmmakersand artists are using filmmaking uniquely in their practice.
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Genre/Form: Livres numériques
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Hugh Campbell; Igea Troiani
ISBN: 1789380219 1789380227 9781789380217 9781789380224
OCLC Number: 1264668859
Description: 1 ressource en ligne
Contents: Cover; Half Title; Copyright; Title; Contents; INTRODUCTION : Architecture Filmmaking: Framing the Discourse and Conditions of Production in Architectural Practice and Education; PART ONE: ARCHITECTURE FILMMAKING TECHNIQUE; Architectural Codes in the Works of Dan Graham, Bernard Tschumi and Diller and Scofidio; The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg; Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place --
ArtisticResearch in the Moving Image Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational MethodsResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-Visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Landscape Architectural Design; Cinematic Collage as Architectural Design Research; Cinematics in Architectural Practice and Culture: The Cambridge Project; A Postgraduate Student's Pursuit for the Future of Architecture Filmmaking in Cuba's Cinematic Heart: No Hay CINE;AUTHOR BIOGRAPHIES; INDEX Invented Memories: Notes on Filming Industrial Ruins in Eleonas, AthensErrant Bodies: A Critical Essay on the Film More Out of Curiosity; SECTION III: REIMAGINING AUTERSHIP; Fight Club: Whether to Make PoMo Architecture or Blow It Up!; His House, Our House and Her House: A Filmic Place for Women; Stylist as Auteur: Hierarchy, Reputation and Creative Control; PART THREE: ARCHITECTURE FILMMAKING PEDAGOGY; Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture; FromBlockbuster to Any Space: A Pedagogy of the Filmic Imaginary Paris Plays Itself: Widescreen and the City in Tati, Godard and MelvilleTracking Spatial Continuity in the Urban Realm; Inside History: Filmic Space-Time and an Electronics Archaeology; PART TWO: ARCHITECTURE FILMMAKERS; SECTION I: REIMAGINING DOMESTIC SPACE Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing; Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre; Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing; SECTION II: REIMAGINING THE URBAN REALM; Hammer to Bell: A Poetic Documentary aboutLimerick
Responsibility: edited by Igea Troiani and Hugh Campbell.

Abstract:

This book investigates the ways in which architectural researchers, teachers of architecture, their students and practicing architects, filmmakersand artists are using filmmaking uniquely in their practice.

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