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Arranging music for the real world : classical and commercial aspects

Author: Vince Corozine; Mel Bay Publications, Inc.
Publisher: Pacific, MO : Mel Bay, ©2002.
Edition/Format:   Musical score : English
Database:WorldCat
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Document Type: Musical Score
All Authors / Contributors: Vince Corozine; Mel Bay Publications, Inc.
ISBN: 0786649615 9780786649617
OCLC Number: 50470629
Notes: CD includes demo tracks.
Description: 205 pages : illustrations ; 30 cm + 1 audio disc (digital : 4 3/4 in.)
Contents: I. Overview of arranging principles : 1. Introduction : Approach to arranging ; Orchestration and arranging ; The learning process --
2. Harmonics and overtones : Harmonic series ; Voicing : Close position ; Open position ; Clusters ; Fourth chords. Low interval limits --
3. Doubling of notes : Types of doubling : Unison doubling ; Octave doubling ; Spaced or gapped octave doubling ; Doubling at other intervals --
4. Clarity of design and motion : Diversification of texture : Monophonic ; Homophonic ; Polyphonic ; Homorhythmic ; Mixed or composite texture. Interchange of musical lines ; Rhythmic and harmonic contrast : Foreground and background. Smooth connections ; Consistency of sound ; Chordial outline of melody ; Pitch and range ; Harmony ; Dynamics : Terraced dynamics ; Bass line doubled at the octave. Motion --
5. Balance and tone color : Modulations ; Achieving balance ; Tutti : Unison-octave tutti ; Chordal tutti. Tone color : Highlighting the melody. 6. A brief historical survey of orchestration : Baroque period ; Classical era : New instruments. Romantic period : Innovative forms ; Instrumental music reigns. Impressionistic period : Unique orchestral effects. Contemporary period : Woodwind and percussion dominate ; Dissonant sonorities --
II. One and two-part writing : 7. One-part writing : One instrument ; Unison and octave doubling ; Alternating phrases ; Overlapping lines --
8. Writing for two parts : The challenge ; Combining colors ; Ostinato ; Duet ; Consonance and dissonance ; Combining intervals --
9. Motion types : Contrary ; Oblique ; Similar ; Parallel : Tessitura ; Contemporary usage of parallel octaves ; Crossing of parts --
10. Seven methods for achieving variety with two parts : Unison ; Octaves ; Other intervals : Neighboring or embellishing tones. Melody with counter-melody ; Imitation with overlapping phrases ; Suspensions ; Pedal-point : Inverted pedal ; Internal pedal ; Embellished pedal ; Ostinato.
Responsibility: by Vince Corozine.

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Primary Entity

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    schema:description "6. A brief historical survey of orchestration : Baroque period ; Classical era : New instruments. Romantic period : Innovative forms ; Instrumental music reigns. Impressionistic period : Unique orchestral effects. Contemporary period : Woodwind and percussion dominate ; Dissonant sonorities -- II. One and two-part writing : 7. One-part writing : One instrument ; Unison and octave doubling ; Alternating phrases ; Overlapping lines -- 8. Writing for two parts : The challenge ; Combining colors ; Ostinato ; Duet ; Consonance and dissonance ; Combining intervals -- 9. Motion types : Contrary ; Oblique ; Similar ; Parallel : Tessitura ; Contemporary usage of parallel octaves ; Crossing of parts -- 10. Seven methods for achieving variety with two parts : Unison ; Octaves ; Other intervals : Neighboring or embellishing tones. Melody with counter-melody ; Imitation with overlapping phrases ; Suspensions ; Pedal-point : Inverted pedal ; Internal pedal ; Embellished pedal ; Ostinato."@en ;
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