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Art House

Author: Infobase,; First-Run Features (Firm)
Publisher: [Place of publication not identified] : First Run Features, New York, N.Y. : Distributed by Infobase, [2016] 2017. ©2016
Edition/Format:   eVideo : Clipart/images/graphics : EnglishView all editions and formats
Summary:
In his new documentary, photographer Don Freeman explores the homes designed and lived in by notable American artists, revealing the inventiveness derived from the dialogue between each artist's practice and the construction of their handmade homes. Ranging from the romantic (Hudson River School painter Frederic Church's Olana, framing views of the Catskills to echo his paintings), to the futuristic (Paolo Soleri's  Read more...
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Details

Genre/Form: History
Internet videos
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Infobase,; First-Run Features (Firm)
OCLC Number: 1055913254
Language Note: Closed-captioned.
Notes: Originally released by First Run Features, 2016.
Streaming video file encoded with permission for digital streaming by Infobase on August 24, 2017.
Target Audience: 9 - 12, Academic/AP
Description: 1 online resource (1 video file (1 hr., 26 min., 40 sec)) : sound, color.
Contents: Russel Wright: Manitoga and Dragon Rock (7:27); Paolo Soleri: Cosanti (7:22); Raoul Hague (7:40); Henry Chapman Mercer: Fonthill (7:36); Michael Kahn & Leda Livant: Eliphante (8:53); Ralf Radcliffe Whitehead & Jane Byrd McCall: Byrdcliffe (7:26); Wharton Esherick (7:24); George Nakashima (6:50); Constantino Nivola (8:31); Henry Varnum Poor: Crow House (7:35); Frederic Church: Olana (7:08); Credits: Art House (1:35);
Responsibility: First Run Features.

Abstract:

In his new documentary, photographer Don Freeman explores the homes designed and lived in by notable American artists, revealing the inventiveness derived from the dialogue between each artist's practice and the construction of their handmade homes. Ranging from the romantic (Hudson River School painter Frederic Church's Olana, framing views of the Catskills to echo his paintings), to the futuristic (Paolo Soleri's silt-casted structure Cosanti growing out of his bell-making experiments in the Arizona desert), to the sublime (George Nakashima's mid-century modern ode to the beauty and versatility of wood), what they all have in common is a fierce spirit of individual expression that deserves deeper examination in this age of architectural standardization.

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