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The art of emptiness = 余白の美酒井田柿右衛門 /
The art of emptiness = Yohaku no bi Sakaida Kakiemon

Author: 酒井田柿右衛門, XIV, 1934-2013, author. Sakaida Kakiemon XIV ; translated by Gavin Frew. ; Kakiemon Sakaida, XIV; Gavin Frew
Publisher: Tokyo, Japan : Japan Publishing Industry Foundation for Culture, 2019. ©2019
Series: Japan library (Shuppan Bunka Sangyō Shinkō Zaidan)
Edition/Format:   Print book : English : First English editionView all editions and formats
Summary:
"For several hundred years, Japanese porcelain has been highly acclaimed and sought after around the world. Sophisticated porcelain ware has long been produced in the Arita area of Kyushu, and artisans from the Kakiemon family have gained particular renown for their skill in enamels and their artistic designs. Now, for the first time, the techniques and tradition behind the creation of their ceramic works are  Read more...
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Named Person: Kakiemon Sakaida, XIV; Kakiemon Sakaida, XIV
Document Type: Book
All Authors / Contributors: 酒井田柿右衛門, XIV, 1934-2013, author. Sakaida Kakiemon XIV ; translated by Gavin Frew. ; Kakiemon Sakaida, XIV; Gavin Frew
ISBN: 9784866580630 4866580631
OCLC Number: 1091358603
Language Note: In Japanese with original Japanese title also on colophon.
Notes: "Originally published in Japanese under the title of Yohaku no bi Sakaida Kakiemon by Shueisha, Inc., in 2004"--Title page verso.
Translated from the Japanese.
Description: 207 pages : illustrations (some color), portraits ; 22 cm.
Series Title: Japan library (Shuppan Bunka Sangyō Shinkō Zaidan)
Other Titles: Yohaku no bi Sakaida Kakiemon.
Yohaku no bi Sakaida Kakiemon
Responsibility: Sakaida Kakiemon XIV ; translated by Gavin Frew.

Abstract:

"For several hundred years, Japanese porcelain has been highly acclaimed and sought after around the world. Sophisticated porcelain ware has long been produced in the Arita area of Kyushu, and artisans from the Kakiemon family have gained particular renown for their skill in enamels and their artistic designs. Now, for the first time, the techniques and tradition behind the creation of their ceramic works are disclosed through the words of the late Kakiemon XIV. Starting with his childhood memories, he talks about his father and grandfather and what he inherited from them; how the craftsmen work at the kiln; and how materials such as stone, clay, and firewood play a crucial part in creating the works. Most striking of all are the explanations of aka-e overglaze enamels and nigoshide porcelain, the characteristics that make Kakiemon ware so phenomenal. With more than twenty color plates depicting Kakiemon pieces from museums and private collections, this volume provides rare insight into one of the world's most famous kilns" --

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