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Art/histories in transcultural dynamics : narratives, concepts, and practices at work, 20th and 21st centuries

Author: Pauline Bachmann; Melanie Klein; Tomoko Mamine; Georg Vasold
Publisher: Paderborn : Wilhelm Fink, Brill Deutschland, 2017.
Series: Berliner Schriften zur Kunst.
Edition/Format:   Print book : Conference publication : EnglishView all editions and formats
Summary:
"Since the late nineteenth century the conceptual and disciplinary frames of reference imposed upon non-European art have undergone a continual process of negotiation, transfiguration, and contestation. Indeed, artists, art critics, and art historians all over the world have challenged the categories of art that were created in European metropolises for the academic disciplines of art history and anthropology.  Read more...
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Genre/Form: Conference papers and proceedings
History
Congresses
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Pauline Bachmann; Melanie Klein; Tomoko Mamine; Georg Vasold
ISBN: 9783770559398 3770559398
OCLC Number: 1001429805
Notes: International conference proceedings.
"This volume gathers together fourteen essays originally presented at the conference 'Questioning Narratives, Negotiating Frameworks. Art/Histories in Transcultural Dynamics, Late 19th to Early 21st Centuries,' which was held from 5 to 7 December 2013 at the Department of Art History at Freie Universität Berlin, and at the Ethnologisches Museum and Museum für Kunst in Berlin."--p.[7]
Description: 337 pages : illustrations (some color) ; 24 cm.
Series Title: Berliner Schriften zur Kunst.
Responsibility: edited by Pauline Bachmann, Melanie Klein, Tomoko Mamine, Georg Vasold.

Abstract:

"Since the late nineteenth century the conceptual and disciplinary frames of reference imposed upon non-European art have undergone a continual process of negotiation, transfiguration, and contestation. Indeed, artists, art critics, and art historians all over the world have challenged the categories of art that were created in European metropolises for the academic disciplines of art history and anthropology. Focusing on the themes of narrative, concept, and practice, this volume brings together fourteen essays that trace the complexities of this process during the twentieth and twentyfirst centuries. These essays explore how epistemic paradigms as well as "travelling" objects, cultural agents, and institutions set a number of transcultural negotiations into motion. By examining key cultural identities and concepts, including perceptions of the avant-garde and modernity as well as concomitant notions of authenticity and originality, they analyse the dynamics that make up artistic production and discourses on art."--Front cover flap

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