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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/490371607 Title: ASPECTS DU REALISME DANS LE ROMAN AFRICAIN DE LANGUE FRANCAISE Author: MARCELLIN BOKA; Roger Fayolle; Université de la Sorbonne Nouvelle (Paris) Publisher: [Lieu de publication inconnu] : [Éditeur inconnu], 1986. OCLC:490371607

  
  

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ASPECTS DU REALISME DANS LE ROMAN AFRICAIN DE LANGUE FRANCAISE

Author:	MARCELLIN BOKA; Roger Fayolle; Université de la Sorbonne Nouvelle (Paris).
Publisher:	[Lieu de publication inconnu] : [Éditeur inconnu], 1986.
Dissertation:	Thèse d'État : Études africaines : Paris 3 : 1986.
Edition/Format:	Thesis/dissertation : Thesis/dissertation : FrenchView all editions and formats
Summary:	NOUS NOUS SOMMES PROPOSE D'ATTEINDRE TROIS OBJECTIFS PRINCIPAUX DANS CETTE THESE : NOUS AVONS DEFINI LA NOTION DE REALISME DANS LA LITTERATURE ROMANESQUE; NOUS AVONS EXAMINE L'EXPRESSION ARTISTIQUE DE CETTE NOTION DANS LE ROMAN AFRICAIN DU POINT DE VUE HISTORIQUE; NOUS NOUS SOMMES DEMANDE COMMENT LES ROMANCIERS AFRICAINS ONT, D'UNE FACON SPECIFIQUE, RECOURS AU REALISME. MAIS QUELS RESULTATS AVONS-NOUS OBTENUS? DANS LA PREMIERE PARTIE CONSACREE A LA GENESE DU ROMAN AFRICAIN, A L'ETUDE DES CONDITIONS DE SON EMERGENCE ET DE SON EVOLUTION, NOUS AVONS REMARQUE QUE LE ROMAN AFRICAIN DE L'EPOQUE COLONIALE, ETAIT AU DEPART, UN ART ENGAGE. POUR L'ECRIVAIN AFRICAIN, LE MILITANTISME ETAIT DEVENU UNE VERITABLE ORTHODOXIE. MAIS L'ORTHODOXIE "LITTERAIRE", QU'ELLE SOIT, EST PREJUDICIABLE A L'OEUVRE D'ART. C'EST POURQUOI, L'AFRIQUE ETANT DEVENUE INDEPENDANTE, LES ROMANCIERS RESSENTENT L'IMPERIEUX BESOIN DE RECHERCHER DE NOUVELLES INSPIRATIONS POUR DONNER AU ROMAN UN NOUVEAU SOUFFLE, UNE NOUVELLE ORIENTATION, UNE ECRITURE ORIGINALE. NOUS AVONS ENSUITE EXAMINE DANS NOTRE DEUXIEME PARTIE, LE PROJET LITTERAIRE DES ROMANCIERS AFRICAINS. CONCERNANT LES TITRES ET LES PREFACES DE CES ROMANS, NOUS AVONS MONTRE QUE BON NOMBRE D'ENTRE EUX, REVELENT DE LA PART DE LEURS AUTEURS, UNE ADHESION AUX PRINCIPES DU REALISME; CAR CE QUI CONSTITUE L'ART ET L'EVASION SOUS D'AUTRES CIEUX, SE MUE POUR LES ROMANCIERS NOIRS, EN DESIR DE TRANSCRIRE FIDELEMENT, OU L'ART DEVIENT DOCUMENT TECHNIQUE, PLUS QU'UNE FIN EN SOI. LE VERITABLE ET LE VRAISEMBLABLE ONT ETE EGALEMENT ANALYSES; CE SONT DES PROCEDES QUI RELEVENT D'UNE ESTHETIQUE REALISTE. DANS LA TROISIEME PARTIE DE NOTRE ETUDE, NOUS AVONS TRAITE DU REALISME SPATIO-TEMPOREL ET DU REALISME DES PERSONNAGES. ICI, POUR SAISIR LA PORTEE DES MESSAGES PRODUITS, NOUS NE NOUS SOMMES PAS BORNE A LA SIMPLE EXPLOITATION DE L'APPAREIL FORMEL DU DISCOURS. IN THIS WORK OUR PURPOSE WAS THREE FOLDS : WE HAVE DEFINED THE CONCEPT OF REALISM IN THE NOVEL; WE HAVE EXAMINED THE ARTISTICAL EXPRESSION OF SUCH A CONCEPT IN THE AFRICAN NOVEL FROM A HISTORICAL POINT OF VIEW; WE HAVE INVESTIGATED THE SPECIFIC WAYS AFRICAN NOVELISTS RESORT TO REALISM. WHAT HAVE BEEN THE RESULTS OF THIS INVESTIGATION? IN THE FIRST PART DEVOTED TO THE GENESIS OF THE AFRICAN NOVEL, TO ITS CONDITIONS OF EMERGENCE AND TO ITS EVOLUTION, WE NOTICED THAT THE AFRICAN NOVEL OF THE COLONIAL ERE WAS AT THE BEGINNING, A COMMITTED ART.FOR THE AFRICAN NOVELIST, COMMITMENT HAD TURNED INTO A PURE ORTHODOXY. BUT "LITERARY" ORTHODOXY, WHATEVER IT IS, JEOPARDIZES THE WORK. SO, WHEN AFRICAN COUNTRIES ATTEINED INDEPENDANCE, THE NOVELISTS URGED TO EXPLORE NEW MATTERS SO THAT THEY COULD ENDOW NOVEL WITH A NEW DIRECTION AN ORIGINAL STYLE. THEN, IN THE SECOND PART, WE STUDIED THE LITERARY PROJECT OF AFRICAN NOVELISTS. AS REGARDS TITLES AND PREFACES WE SHOWED THAT MOST OF THEM TESTIFY IN FAVOUR OF REALISTIC PRINCIPLES; FOR WHAT IS ART AND ESCAPE BENEATH OTHER SKIES, FOR BLACK NOVELISTS TURNS INTO THE NEED OF TRANSCRIBRIG REALITY FAITHFULLY; ART BECOMING TECHNICAL AND DOCUMENTARY EVIDENCE IS NOT END IN ITSELF. VERISIMILITUDE AND VERIFIABLE HAVE ALSO BEEN ANALYSED: THE BELONG TO THE ESTHETICS OF REALISM. IN THE THIRD PART, WE DEALT WITH SPATIO TEMPORALREALISM AND WITH CHARACTERS. IN ORDER TO GRASP THE IMPORT OF THE MESSAGES WE NOT ONLY WORKED ON THE STRUCTURES OF THE DISCURSIVE LEVEL, WE ALSO FOCUSED OUR ATTENTION UPON THE SITUATIONAL CONTEXT. WE NOW REACH THE MAIN ISSUE: WHAT SPECIFIC USE AFRICAN NOVELISTS MAKE OF REALISM? FIRST, WE WERE INTERESTED IN STRICTLY AFRICAN ORAL TECHNIQUES; THEN WE STUDIED HOW AFRICAN NOVELISTS RESORT TO.  Read more...
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Subjects	Etudes africaines Realisme -- Roman -- Afrique noire
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