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Authenticity in transition : changing practices in art making and conservation : proceedings of the international conference held at the University of Glasgow, 1-2 December 2014

Author: Erma Hermens; Frances Robertson; University of Glasgow,
Publisher: London : Archetype Publications, 2016. ©2016.
Edition/Format:   Print book : Conference publication : EnglishView all editions and formats
Summary:
This volume contains papers from the NeCCAR 2014 conference "Authenticity in Transition". The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists' viewpoints, the ephemeral  Read more...
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Genre/Form: Conference papers and proceedings
Congresses
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Erma Hermens; Frances Robertson; University of Glasgow,
ISBN: 9781909492363 1909492361
OCLC Number: 908334966
Notes: "The conference Authenticity in Transition: Changing practices in contemporary art making and conservation held in Glasgow on 1-2 December 2014 was co-organised by Erma Hermens (University of Glasgow) and Frances Robertson (Glasgow School of Art). It represented the final stage of a three-part series of events and conferences supported by the network for conservation of contemporary art research (NECCAR) and funded by the Netherlands Organisation for Fundamental Research (NOW)"-- Page vii.
Description: xi, 205 pages : color photographs ; 25 cm.
Contents: Contemporary conservation: keynotes --
In the wings / Jill Sterrett --
The aesthetics of change: on the relative duration of the impermanent and critical thinking in conservation / Hanna Holing --
Contemporary conservation: curating and translating art history --
Reconfiguring contemporary art in the museum / Glenn Wharton --
Moving away from the artist's sway: changes in the critical reception of Mike Kelley's Day is Done / Ariane Noel de Tilly --
The Cybernetic Tower by Nicolas Schoffer: the conservator's role between continuity and historicity of the production / Manon D'haenens --
Between curator and the artist: a problem of authority / Agnieszka Wielocha --
Still and touches: merging concepts of authenticity between a paper conservator, artists and curator in a private art gallery / Magdalena Grenda-Kurmanow --
Designed to exist in passing time: Robert Rauschenberg's Black Painting / Jennifer Hickey --
Identifying aesthetic and technological thresholds in the restoration of contemporary art / Tiarna Doherty and L. H. (Hugh) Shockey, Jr. --
The legalities of authenticity and contemporary art / A. Jean E. Brown --
Contemporary conservation: connecting practices --
Authenticity and authorship in socially engaged art / Rebecca Gordon --
Connecting practices of preservation: exploring authenticates in collaborative performance-based artworks / Helia Marcal, Andreia Nogueira, Isabel Pires and Rita Macedo --
Blind spots in contemporary art conservation? Results of an interdisciplinary workshop / Julia Giebeler and Gunnar Heydenreich --
Contemporary conservation: reinventing technologies and media --
Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye / Muriel Verbeek and Nico Broers --
In search of the real Suzanne: authenticity and evolving artistic practice in the conservation of a time-based media sculpture by Lulian Opie / Joanna Shepard --
Good vibrations: the conservation of Soto's Gran muro panoramico vibrante / Paolo Martore --
Through the conservator's lens: from analogue photowork to digital printout. How's authenticity served? / Senneke Stigter --
Exploring the conservation of net art: a call for authentic alliances / Annet Dekker --
Artists' experiments with new materials in works of art: how to preserve intent and matter / Monkia Jadzinska --
Moros matter: some reflections on the preservation of electro-mechanical devices in contemporary art / Laura Calvi, Roberto Dipasquale and Iolanda Ratt.
Responsibility: edited by Erma Hermens and Frances Robertson.

Abstract:

This volume contains papers from the NeCCAR 2014 conference "Authenticity in Transition". The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists' viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics.

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