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Beethoven's folksong settings : chronology, sources, style

Auteur : Barry Cooper
Éditeur: Oxford : Clarendon Press ; New York : Oxford University Press, 1994.
Collection: Oxford monographs on music.
Édition/format:   Livre imprimé : AnglaisVoir toutes les éditions et tous les formats
Résumé:
Beethoven composed far more folksong settings than any other type of work. Most are British songs, including Auld Lang Syne and The Miller of Dee, with texts by such authors as Burns, Byron, and Scott. Yet Beethoven's settings, commissioned by George Thomson of Edinburgh, have been neglected by performers and scholars alike, and nearly all accounts of them are both superficial and startlingly inaccurate.
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Détails

Genre/forme: Criticism, interpretation, etc
Personne nommée: Ludwig van Beethoven; Ludwig van Beethoven; Ludwig van Beethoven; Ludwig van Beethoven; Ludwig van Beethoven; Ludwig van Beethoven
Type d’ouvrage: Ressource Internet
Type de document: Livre, Ressource Internet
Tous les auteurs / collaborateurs: Barry Cooper
ISBN: 0198162839 9780198162834
Numéro OCLC: 30026829
Description: viii, 270 pages : music ; 24 cm.
Contenu: Introduction --
1. Enumerating the settings --
2. Composition chronology --
3. Publication history: Thomson's editions ; Unknown flute parts ; Early attempts at continental editions ; The Schlesinger edition of Op. 108 --
4. Origin of the melodies: Nationality ; Thomson's sources --
5. Origin and incorporation of the poetic texts: The authors and their contributions; Early settings (Groups I-V) ; Later settings ; Relationship between the poems and Beethoven's settings. 6. Economics and logistics: Beethoven's earnings ; Communications ; Transmission of melodies --
7. Aspects of performance: Ad libitum parts and sequence of songs: Optional use of strings ; Sequence of songs --
8. The accompaniments: general approach and treatment of voices: Beethoven and his immediate predecessors ; Simplicity ; The vocal line ; Lower voices --
9. The accompaniments: instrumental parts: The role of the right hand ; The role of the string parts ; Harmonic style and modality ; Motivic use. 10. The ritornellos: General strategy of Beethoven's predecessors ; Beethoven's strategy: motivic development ; Continuity and phrase-structure ; Integration of ritornellos and accompaniments ; Integration in O Sanctissima --
11. A reassessment: Barriers to appreciation ; Thomson's role ; Quality and innovation ; Stylistic relationship to other output ; Beethoven's aims and achievement.
Titre de collection: Oxford monographs on music.
Responsabilité: Barry Cooper.
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Résumé:

The complete story of Beethoven's numerous settings of (mainly British) folksongs is told here in detail for the first time. The book rectifies many widely circulated myths about how, when, and why  Lire la suite...

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Synopsis de l’éditeur

he is unlikely to have produced so many settings without a genuine interest in them, and we are here invited to reassess them. It is nice to meet with such enthusiasm in an academic writer. * Early Lire la suite...

 
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