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The berimbau : soul of Brazilian music

Author: Eric A Galm
Publisher: Jackson : University Press of Mississippi, ©2010.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
The Brazilian berimbau, a musical bow, is most commonly associated with the energetic martial art/dance/game of capoeira . This study explores the berimbau's stature from the 1950s to the present in diverse musical genres including bossa nova, samba-reggae, MPB (Popular Brazilian Music), electronic dance music, Brazilian art music, and more. Berimbau music spans oral and recorded historical traditions, connects  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Galm, Eric A.
Berimbau.
Jackson : University Press of Mississippi, ©2010
(DLC) 2009031475
(OCoLC)320196640
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Eric A Galm
ISBN: 9781604734065 160473406X
OCLC Number: 593240027
Description: 1 online resource (xii, 229 pages) : illustrations, map, music
Contents: Historical connections and the emergence of a national symbol --
Theme and variations : tracing a musical motif from bossa nova to the 1990s --
Afrocentric themes of resistance --
The "one note samba" starts to jam --
Creation myths --
Visual and literary images of the berimbau.
Responsibility: Eric A. Galm.

Abstract:

The Brazilian berimbau, a musical bow, is most commonly associated with the energetic martial art/dance/game of capoeira. This study explores the berimbau's stature from the 1950s to the present in  Read more...

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Berimbau music spans oral and recorded historical traditions, connects Latin America to Africa, juxtaposes the sacred and profane, and unites nationally constructed notions of Brazilian identity across seemingly impenetrable barriers. 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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/797253932#Agent\/university_press_of_mississippi<\/a>> # University Press of Mississippi<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"University Press of Mississippi<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/797253932#Place\/jackson<\/a>> # Jackson<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Jackson<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/797253932#Topic\/berimbau_history<\/a>> # Berimbau--History<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85013324<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Berimbau--History<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/797253932#Topic\/music_brazil_african_influences<\/a>> # Music--Brazil--African influences<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2008108093<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--Brazil--African influences<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/id.loc.gov\/authorities\/subjects\/sh2008108094<\/a>> # Music--Brazil--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--Brazil--History and criticism<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/id.worldcat.org\/fast\/1030269<\/a>> # Music<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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