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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/55062552 Title: Beschneidung des Herzens : Konstellationen deutsch-jüdischer Literatur Author: Bernhard Greiner Publisher: München : W. Fink, ©2004. ISBN/ISSN: 3770540069 9783770540068 OCLC:55062552

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Beschneidung des Herzens : Konstellationen deutsch-jüdischer Literatur

Author:	Bernhard Greiner
Publisher:	München : W. Fink, ©2004.
Series:	Makom, Bd. 3.
Edition/Format:	Print book : GermanView all editions and formats
Summary:	A collection of essays, some of them published previously. Pp. 31-48, "Beschneidung des Herzens: Shylock - Abgrund und Transzendenz des Theaters", discusses Dieter Dorn's production of "The Merchant of Venice" in München in 2001. He approaches the figures of Shylock and Antonio from a new angle. While Shylock seeks revenge on Antonio for his Jew-hatred in reality (literally wishing to take his heart), Antonio lives Read more...
Subjects	German literature -- History and criticism. Jews in literature. Judaism in literature. View all subjects
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Genre/Form:	Aufsatzsammlung Criticism, interpretation, etc
Additional Physical Format:	Online version: Greiner, Bernhard. Beschneidung des Herzens. München : W. Fink, ©2004 (OCoLC)607267742
Material Type:	Internet resource
Document Type:	Book, Internet Resource
All Authors / Contributors:	Bernhard Greiner Find more information about:
ISBN:	3770540069 9783770540068
OCLC Number:	55062552
Notes:	Lectures.
Description:	298 pages ; 22 cm.
Contents:	Leben vor dem Gesetz. Die Geschichte des Turmbaus zu Babel (Genesis 11) und Kafkas Umschrift ('Beim Bau der chinesischen Mauer') -- Beschneidung des Herzens. Shylock, Abgrund und Transzendenz des Theaters -- Esther, eine Figur des Theaters. Drei paradigmatische Aneignungen: Grillparzer, Racine, Goethe -- Die Theatralisierung der Idee der Bildung. Zwei literarische Antworten auf Moses Mendelssohn: 'Wilhelm Meisters Lehrjahre' und 'Florentin' -- Allah: al-Asmah'al-Husna. Der Gottesname im Munde des Christen und Juden (Goethe: 'West-östlicher Divan', Elias Canetti: 'Die Stimmen von Marrakesch') -- Loreley: Die Echo-Rede Brentanos und Heines -- "Zwischen wandernden und hausenden Komödianten die Mitte:" Börnes theatralisches Schreiben -- Echo-Rede und "Lesen" Ruths: Die Begründung von Autorschaft in Bettine von Arnims Roman 'Goethes Briefwechsel mit einem Kinde' -- "Damenopfer" für das Theater: Hofmannsthals und Reinhardts Begegnung in der Arbeit an 'Elektra' -- Deutsche und jüdische "Theatromanie". Theodor Lessings 'Theater=Seele' zwischen Goethe und Kafka -- "Verwirklichung" des Zeichens: Anna Seghers' Schreiben des Exils -- "Philister über dir, Simson!" Die Geschichte Simsons als jüdische Urszene interkulturellen Konflikts: die Erzählung der Bibel und deren Aneignung durch Elias Canetti.
Series Title:	Makom, Bd. 3.
Responsibility:	Bernhard Greiner.

Abstract:

A collection of essays, some of them published previously. Pp. 31-48, "Beschneidung des Herzens: Shylock - Abgrund und Transzendenz des Theaters", discusses Dieter Dorn's production of "The Merchant of Venice" in München in 2001. He approaches the figures of Shylock and Antonio from a new angle. While Shylock seeks revenge on Antonio for his Jew-hatred in reality (literally wishing to take his heart), Antonio lives in a world of theatrical representation.

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