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Between opera and cinema

Author: Jeongwon Joe; Rose Theresa
Publisher: New York Routledge 2009
Series: Critical and cultural musicology
Edition/Format:   Print book : English : Transferred to Digital printingView all editions and formats

Discussing diverse works, leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.


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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Jeongwon Joe; Rose Theresa
ISBN: 0815334508 9780815334507
OCLC Number: 552534289
Description: XV, 244 Seiten Illustrationen, Notenbeispiele 24 cm
Contents: Introduction. 1. From Mephisophes to Melies: Spectacle and Narrative in Opera and Early Film Rose Theresa 2. "There ain't no Sanity Claus!" The Marx Brothers at the Opera Michael Grover Friedlander 3. The Tales of Hoffmann: An instance of the Operatic Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit, Feeling and Knowing, Shawshank Redemption and Prizzi's Honor Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism David. J Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro Marcia J. Citron 9. Verdi in Post-War Italian Cinema Deborah Crisp and Roger Hillman 10. Chinese Opera, Global Cinema, and the Ontology of the Person: Chen Kaige's Farewell My Concubine Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit Mary M. Wiles
Series Title: Critical and cultural musicology
Responsibility: ed. by Jeongwon Joe and Rose Theresa


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