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Between opera and cinema

Author: Jeongwon Joe; Rose Theresa
Publisher: New York Routledge 2009
Series: Critical and cultural musicology
Edition/Format:   Print book : English : Transferred to Digital printingView all editions and formats
Summary:

Discussing diverse works, leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.

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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Jeongwon Joe; Rose Theresa
ISBN: 0815334508 9780815334507
OCLC Number: 552534289
Description: XV, 244 Seiten Illustrationen, Notenbeispiele 24 cm
Contents: Introduction. 1. From Mephisophes to Melies: Spectacle and Narrative in Opera and Early Film Rose Theresa 2. "There ain't no Sanity Claus!" The Marx Brothers at the Opera Michael Grover Friedlander 3. The Tales of Hoffmann: An instance of the Operatic Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit, Feeling and Knowing, Shawshank Redemption and Prizzi's Honor Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism David. J Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro Marcia J. Citron 9. Verdi in Post-War Italian Cinema Deborah Crisp and Roger Hillman 10. Chinese Opera, Global Cinema, and the Ontology of the Person: Chen Kaige's Farewell My Concubine Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit Mary M. Wiles
Series Title: Critical and cultural musicology
Responsibility: ed. by Jeongwon Joe and Rose Theresa

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