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Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic

Author: Edwin C JR Hill
Publisher: Baltimore : The Johns Hopkins University Press, cop. 2013.
Series: Callaloo african diaspora series.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

As the first in Johns Hopkins's new series on the African Diaspora, this book offers new insight into the legacies of these exceptional artists and their global influence.

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Genre/Form: Criticism, interpretation, etc
Music
Document Type: Book
All Authors / Contributors: Edwin C JR Hill
ISBN: 9781421410593 1421410591
OCLC Number: 882899814
Description: 1 vol. (x-178 p.) : ill., couv. ill. ; 24 cm.
Contents: AcknowledgmentsIntroduction: Le Tumulte Noir (Part 1): French Imperial Soundscapes and the New World1. "Adieu Madras, Adieu Foulard": The Doudou's Colonial Complaint2. "To Begin the Biguine": Re-membering Antillean Musical Time3. La Baker: Princesse Tam Tam and the Doudou's Signature Dilemma4. Negritude Drum Circles: The Tam-Tam and the Beat5. Le Poste Colonial: Short-Wave Colonial Radio and Negritude's Poetic TechnologiesConclusionNotes from the Sound FieldNotesBibliographyIndex
Series Title: Callaloo african diaspora series.
Responsibility: Edwin C. Hill Jr.

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Black Soundscapes White Stages is an original project that successfully invites readers to lend their ears to the sounds of the Francophone Black Atlantic. It approaches its subject matter from a Read more...

 
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